INTAGLIO

1
INTAGLIO Our third master etching," The
Knight" is constructed on a double diagonal
cross  formed by the rider and the cliff , which
is the prolongation of the sword. Between the
"strength" of the castle and the loyalty of the
dog, watchful in the presence of the devil (on
the right) and death holding an hourglass (on the
left), the Christian knight rides towards the
necessity of contrition (Durer). "The Knight,
Death the Devil" by Albrecht Durer, engraving,
1513, 8"x10", Brooklyn Museum There are (from
one perspective) two kinds ?snip ?. The first is
somewhat like window ?snip? You walk past, take
note, get the broad picture, ?snip? and walk on.
The second ?snip? you cannot walk past. You just
have to go inside, ?snip? Then you have to
decide? ?snip? as if it is a window full ?snip?
to be gazed at. It draws me in. I have to look
?snip? Pick them up, ?snip? resonate? Your
writing is often full of empty spaces, left there
on purpose. Like nature your 'empty spaces'
abhors a vacuum. I often have to put an idea down
for a while and just walk ?only to be drawn back
to pick it up once more, like a delicate
?snip?........forgive me....gt) (anon).