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Shakespeare

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Shakespeare s Othello THEMES THEME OF JEALOUSY AND ENVY Othello is the most famous literary work that focuses on the dangers of jealousy. The play is a study of how ... – PowerPoint PPT presentation

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Title: Shakespeare


1
Shakespeares Othello
  • THEMES

2
THEME OF JEALOUSY and envy
  • Othello is the most famous literary work that
    focuses on the dangers of jealousy.
  • The play is a study of how jealousy can be fueled
    by mere circumstantial evidence and can destroy
    lives. In Othello, the hero succumbs to jealousy
    when Iago convinces him that Desdemona has been
    an unfaithful wife in the end, Othello murders
    his wife and then kills himself.
  • It is interesting that Iago uses jealousy against
    Othello, yet jealousy is likely the source of
    Iago's hatred in the first place. In Othello,
    jealousy takes many forms, from sexual suspicion
    to professional competition, but it is, in all
    cases, destructive.

3
THEME OF JEALOUSY and envy
  • There are many examples of jealousy and envy
    throughout the play Othello. Envy is wanting
    what someone else has and jealousy is the feeling
    of fear that something you have will be taken by
    someone else.
  • Iago envies Cassio because Cassio has been
    appointed lieutenant, the job Iago wanted.
  • Iago also envies Othello because the Moor has
    achieved the kind of success and glory that Iago
    longs for.
  • Roderigo envies Othello because he has won
    Desdemonas hand in marriage.
  • It seems Iago might also be jealous of Othello
    suspecting that the Moor has slept with his wife.
  • Bianca also suffers from jealousy. When she finds
    Desdemonas handkerchief in Cassios room, she
    becomes enraged and is convinced Cassio has a new
    girlfriend. However, Cassio soothes her and she
    does not let her jealousy overcome her.

4
THEME OF JEALOUSY and envy
  • OTHELLOS JEALOUSY
  • Is Othello jealous by nature? Before Iago makes
    him suspicious, he is happy to see her in the
    company of Cassio. He believes that just because
    his wife is outgoing and friendly does not mean
    she is having affairs.
  • When Iago does begin to suggest Desdemona is
    being unfaithful, Othello says he will not doubt
    her until he has seen proof of her
    infidelityNor from mine own weak merits will I
    draw/ The smallest fear or doubt of her revolt
    Desdemona also believes her husband is not a
    jealous man I think the sun where he was born/
    Drew all such humours from him.
  • However, once Iago starts planting the seeds of
    doubt in Othellos mind, we clearly see evidence
    of jealousy.

5
THEME OF JEALOUSY and envy
  • OTHELLOS JEALOUSY
  • Iago is very clever in the way he goes about
    making Othello jealous. He warns the Moor to be
    careful of jealousy but the warning is designed
    to make Othello think jealous thoughts. Beware,
    my lord, of jealousy. He plants the word in
    Othellos mind, knowing it will take root and
    grow .
  • Iago gives an excellent description of what
    jealousy entails It is the green-eyed monster
    which doth mock/ The meat if feeds on
  • What causes Othello to suffer most is suspecting
    but not knowing. He claims to be free from
    jealousy and insists he will only doubt when he
    receives proof but Iago knows the Moor will doubt
    and suspect before that point. While Othello
    firmly believes he is not the jealous type, he
    also believes Iago is his honest friend so his
    judgment cant always be trusted.

6
THEME OF JEALOUSY and envy
  • OTHELLOS JEALOUSY
  • Iago tells Othello just enough to get him
    thinking in a jealous manner. He tells him to
    watch Desdemona closely, not with a suspicious
    eye but not with a trusting one either. This is a
    clever piece of reverse psychology telling
    someone not to be jealous while also giving them
    cause to be jealous.
  • Iago later gives Othello greater cause to be
    jealous when he brings the handkerchief into
    play. While it might seem a rather innocent item
    and its misplacement hardly a cause for concern,
    Iago knows the jealous mind is capable of making
    something significant out of nothing much
    Trifles light as air/ Are to the jealous
    confirmations strong.

7
THEME OF JEALOUSY and envy
  • OTHELLOS JEALOUSY
  • It is not long before Othello is overwhelmed by
    his jealousy. He tells Iago that his life has
    become hellish and there is no respite from his
    jealous thoughts. Thou hast set me on the rack.
  • Iago does not allow the Moor a moments peace,
    continuing to insinuate what Desdemona and Cassio
    might be doing in bed. Eventually Othello is so
    overcome he collapses.
  • Tragically, Othello never learns how to cope with
    or overcome his jealousy. He convinces himself
    that killing his wife is the righteous thing to
    do. She turned to folly and she was a whore.
    When he discovers, too late, that she was
    innocent, he does not hesitate to kill himself .

8
THEME OF race
  • Othello is one of the first black heroes in
    English literature. A military general, he has
    risen to a position of power and influence.
  • At the same time, however, his status as a
    black-skinned foreigner in Venice marks him as an
    outside and exposes him to some pretty overt
    racism, especially by his wife's father, who
    believes his daughter's interracial marriage can
    only be the result of Othello's trickery.

9
THEME OF race
  • Questions About Race
  • Which characters in the play make an issue of
    Othello's race?
  • What kinds of stereotypes are at work in this
    play?
  • How does Othello's race affect his relationships
    to his wife and to other characters?
  • How does Othello's race play a role in the hero's
    self-identity?

10
THEME OF race
  • Othello A Stranger from a Savage Land
  • Othellos racial background is obviously
    different to that of the Venetians he lives
    among. Yet his skin colour is not the only
    difference.
  • Othellos homeland, in contrast to sophisticated
    Venice, is described as bleak and desolate. The
    violent lands Othello describes are peopled by
    cannibals and other monsters also contrast to
    civilised Venice.
  • To many Venetians then, Othello must seem like a
    savage stranger from a savage land. We can
    imagine some viewing him as a primitive creature
    who can not be trusted. The great elegance with
    which Othello speaks disproves this image of him.
    He is a skilled public speaker and perhaps he
    means to shows the Venetians that he matches them
    for elegance.

11
THEME OF race
  • Bigotry and Racism
  • There is a strong undercurrent of racism in the
    play Othello. Othello, as a black man and a
    foreigner encounters vile bigotry and racist
    attitudes.
  • This is clear at the start of the play when Iago
    suggests Othellos Moorish background makes him
    not only a devil but also a kind of animal.
    Iago describes him as a black ram and as a
    horse and implies he is sexually corrupting
    Desdemona to her father.
  • Iago plays on the racist fear of intermingling of
    different races. According to Iago if Othello and
    Desdemona were to have children they would be
    subhuman creatures.

12
THEME OF race
  • Bigotry and Racism
  • Iago suggests to Othello that Desdemona will
    repent marrying him and will leave him for
    someone more like herself. Iago is attempting to
    manipulate Othello, of course, but the fact that
    he succeeds so easily indicates just how
    pervasive such attitudes were in Venice at the
    time.
  • Brabantio echoes this attitudes. He claims that
    the relationship between Desdemona and Othello is
    not a natural one. Desdemona, he says, has gone
    against all rules of nature by falling in love
    with a black man. Brabantios bigotry is evident
    when he describes Othello stealing Desdemona away
    to his sooty bosom. He plays to a racial
    stereotype when he associates Othello with
    voodoo.
  • Even the Dukes suggestion that Othellos virtues
    make him fair rather than black, almost as if
    he were white on the inside, is a reminder of the
    casual racism that pervades Venetian society.

13
THEME OF race
  • Is Othello a Racist Play?
  • Othello confronts the sterotypical view that
    black people are not only gullible and easily
    manipulated but also impulsive and prone to
    violence. Iago says these Moors are changeable
    in their wills Initially the play seems to rebut
    these stereotypes. Though Othello comes from a
    foreign land he occupies a powerful and
    influential place in Venice.
  • He is a respected general who has won many
    battles and is chosen to lead the all-important
    defence of Cyprus. His keen intelligence is clear
    in the sophisticated speeches he gives to the
    council. He is calm, composed and confident when
    addressing Brabantios accusations. On top of all
    this he has managed to marry the most desired
    beauty of the city.

14
THEME OF race
  • Is Othello a Racist Play?
  • Yet as the play goes is the stereotype seems
    confirmed? Does Othello show himself to be
    gullible and violent or is he helpless against
    Iagos schemes and manipulations?
  • Some argue the play is a racist one, reinforcing
    negative racial stereotypes. Others disagree,
    viewing the world of the play as racist rather
    than the play itself. They would argue the play
    is a largely positive depiction of an interracial
    marriage and a good man who is brought down by
    Iago and his own insecurities.
  • Is Shakespeare then trying to highlight the
    racism of society and shows the tragedy of a man
    who is brought down because he is insecure about
    his racial status.

15
THEME OF HATRED
  • Hatred is supposed to have a cause, some concrete
    event or insult that inspires a lasting rage. But
    in Othello, the play's villain is motivated by a
    hatred that does not have any reasonable cause.
  • Iago's hatred and his determination to destroy
    his boss, Othello, seems out of proportion with
    the reasons he gives for it anger that Othello
    did not promote him or jealousy that Othello
    might have slept with Iago's wife.
  • Iago's loathing has been famously called a
    "motiveless malignancy" that redefines our
    understanding of hatred, making it seem a
    self-existing passion rather than the consequence
    of any particular action.

16
THEME OF HATRED
  • While the play ends with a great number of the
    characters angry with each other, very few of
    those characters truly hate.
  • Brabantio, to a degree, demonstrates a hateful
    nature in his treatment of his own daughter. When
    he learns of her marriage he claims Desdemona has
    turned him off children. I am glad at soul I
    have no other child. Not only does Brabatio turn
    against her but he tries to turn Othello against
    her also an act of incredible spite. She has
    deceived her father, and may thee.
  • However, the only one who holds a pure,
    unprovoked hate in his heart is Iago. He happily
    feeds off his hate. Iago is the only character
    who welcomes hatred into his mind and
    deliberately infects others with it. He enjoys
    the chaos he is capable of instilling in others.

17
THEME OF HATRED
  • He hates Cassio for being promoted ahead of him
    and he hates Othello for giving it to him. The
    retribution he plans is completely
    disproportionate to the grievance he suffers. He
    is determined to destroy the lives of those who
    have crossed him.
  • The play begins with Roderigo remarking on the
    deep disdain that Iago has for Cassio. His
    narrow-minded opinion of women reveals his
    misogynistic outlook, which is also clear in the
    way he speaks to Desdemona and Emilia throughout
    the play.
  • Every single thing Iago does is done out of
    malice. He does not speak one word of kindness or
    compassion. Every act or gesture is done only to
    further his evil plans.

18
THEME OF HATRED
  • While Othello turns very quickly to hate in the
    latter part of the play, it is a baseless hate,
    one born purely from the jealousy Iago stirs in
    him. He struggles with is visibly throughout the
    play and once he realises the truth is deeply
    remorseful. He is overcome with guilt and takes
    his own life.
  • Iago is in complete contrast. When all of his
    scheming has been revealed, he is unrepentant,
    still arrogant even. He stabs his wife to death
    and refuses to explain his actions. He offers no
    apology to either Othello or Cassio.
  • His schemes have failed. Three bystanders
    (Desdemona, Roderigo and Emilia) have died
    because of his plots and he faces torture and
    death for his crimes. And still he is completely
    indifferent. This is true hatred.
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