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Message%20Design

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Title: Message%20Design


1
Message Design
  • EDCI 583
  • Steve Kerr

2
Before We Begin
  • What is one key question you hope that this
    course might answer for you?
  • Spend a minute or two thinking about this write
    your answer down
  • In small groups (3-4 people), share your
    questions, and see if they generate new ones
  • Well share results when we introduce ourselves
    to each other

3
Introductions
  • Class members
  • Instructor
  • The course

4
Where it all began
5
Typographical fascination
6
Later
  • Publishing
  • Communication technology
  • Art and ideology
  • Online and distance learning
  • Alaska
  • New York
  • Seattle
  • Russia

7
Uncle Scrooge
  • Carl Barks

8
Why Is Message Design Important?
  • How things are shown influences how people
    understand them
  • Experience, assumptions, culture, traditions -
    all influence perceptions
  • Media of presentation are not usually significant
    in and of themselves (no magic bullets)
  • Technology, message forms, and popular culture
    interact in strong, unpredictable ways
  • Today More mediated info in more settings ?
    people need to learn how to interpret

9
Where Is This Important?
  • Where is it not? Think about
  • All written / graphic material (textbooks,
    handouts, etc.)
  • Data presentation and analysis
  • PowerPoint presentations
  • Web site design
  • Signage maps and wayfinding all kinds of
    explanatory info
  • Animations, visualizations to support learning
  • All sorts of persuasive messages

10
How Important Is This?
  • Sometimes, not very if motivated, people will
    learn under really bad conditions
  • Sometimes, very poorly designed materials
    interfere with learning, lead to misconceptions,
    mistakes, errors
  • e.g., drug overdose deaths in hospitals traced to
    bad label design warning systems at Chernobyl,
    Three Mile Island
  • Sometimes, hard to say preferences and past
    experience lead to differential effects

11
How Should We Approach This?
  • Experimentally
  • Good social science approach
  • Test hypotheses about design experimentally
  • Use resulting principles consistently
  • Artistically
  • Look at what designers do, whats popular
  • Follow best practices or create new ones
  • Look for intuitively beautiful approaches

12
What Questions Can We Ask?
  • Does message design affect our cognition?
  • Print culture
  • Associated with rise of modernity in Europe
  • Film and TV
  • Reduced scene length led to greater tolerance for
    attention shifting
  • Television
  • More and longer exposure led to perception of
    increased social threat
  • McLuhan suggested that these kinds of media
    effects were the message
  • (But difficult to prove this empirically )

13
Questions Specific to Education and Learning
  • Do well-designed representations help learners
    overcome preconceptions, develop accurate mental
    models more rapidly?
  • Does better presentation of information help
    people solve problems, work together more
    effectively?
  • Do visualizations of complex information help
    people move more quickly to more sophisticated
    understandings?

14
Other Kinds of Questions
  • Does interface design give us a false sense of
    being able to process more information than we
    really can? (E.g., multi-tasking - Cognitive
    load now a focus).
  • Does the current vogue for breaking up text into
    small chunks lead over time to lessened ability
    to think about issues in a deep or sustained way?

15
Still More Questions
  • Does increased access to complex and dynamic
    representations lead to improved understanding
    and learning, or does it just confuse us?
  • Do advances in technology (think GPS systems in
    cars and on cell phones) kill otherwise useful
    message-comprehension skills (think map reading)?
  • Should we ever trust a photo anymore to be a true
    depiction of reality?

16
Ways of Presenting Information(What Well Do
Here)
  • Text (print typography and its heritage)
  • Maps, Graphics (graphs, diagrams, charts, tables)
  • Pictures and Photographic media
  • Visualization (video, animation, sound, computer
    interface design)
  • Critique Messages for what?
  • Accessibility, web site design, educational
    implications, etc.
  • Emerging perspectives

17
The Heritage of Presentation Forms Typography
  • Does the shape and style of letters make a
    difference to understanding?
  • What about this? How much could you read without
    getting tired?
  • Letters without serifs adfgjlmpqrtuvwy
  • Letters with serifs adfgjlmpqrtuvwy
  • What about the size of text?

18
Wow! This New Computer Has Lots of Great Fonts
  • Part of the problem is that
  • When you mix different fonts together
  • You may lose the readers attention
  • And even impart a sense of confusion
  • Are the differences supposed to make a
    difference?
  • Just what was this about, anyway?

19
The Heritage of Presentation FormsText
20
The Heritage of Presentation FormsOrganization
21
The Heritage of Presentation FormsGraphics
22
The Heritage of Presentation FormsDiagrams
  • Showing internal structure, or process
  • E.g. David Macauleys books
  • Castle
  • Mosque
  • Underground
  • How we work
  • Etc.

23
The Heritage of Presentation FormsCharts
  • The XKCD Money chart
  • Compare e-version with printed paper

24
The Heritage of Presentation FormsMaps
25
The Heritage of Presentation FormsMaps
26
The Heritage of Presentation FormsPhotos
27
New Presentation Forms Visualizations Netflix
Similarity
28
New Presentation Forms Visualizations The
Human Diseasome
29
Well Also Think About
  • Where should this take us next?
  • How should we use new ways of showing
    information, visualizing processes and
    transformations, to encourage learning?
  • Are we really becoming better with this stuff, or
    is it just reducing our ability to focus?
  • What do we need to beware of?

30
The Critique
  • The curmudgeons perspective
  • Why do people really need to know how to read
    all these complex visual images?
  • Everybody just wants to reduce everything to fun
    graphics
  • People now read so much less, and when they do,
    its at a much shallower level
  • Were witnessing the PowerPoint-ization of
    everything

31
The Counter-Critique
  • Culture does not stand still, nor does it often
    reverse itself once a new message form gets
    developed and introduced
  • With technological development, people become
    sophisticated producers and designers of their
    own messages
  • This produces serious shifts in and challenges to
    the canon of received forms, approaches, ways
    of representing the world

32
For Next Week
  • Develop your ideas for paper/project, come
    prepared to share (OK to have 2-3 at this point)
  • Read Tufte, Williams, look at Lupton web site,
    and read other article(s)
  • Look for positive/negative examples
  • Ill do a brief example of a redesign
    presentation

33
Questions to Think About
  • Do you always use the default font on your word
    processing program? If you use different ones,
    how do you choose, and for what purpose (effect)?
  • When/where (in your experience) does typography
    make a difference?
  • Examples of books, web sites, other materials
    where typography facilitated or hindered learning?

34
Thanks!
  • Ill post this PowerPoint presentation on the
    course website within the next couple of days.
  • See you next week!
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