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War Poetry

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... encouraged Owen to face the 'phantoms of the mind' and even exploit them in his poetry The other was fellow poet Siegfried Sassoon. – PowerPoint PPT presentation

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Title: War Poetry


1
War Poetry
2
Wilfred Owen- 1893 to 1918
3
Born In Shropshire.
4
Joined up in 1915 and served with the Manchester
regiment
5
  • Wilfred Owen finally succumbed to breakdown in
    mid April 1917, after heroic action at the
    beginning of the month, and 12 days in the line
    under harrowing conditions.
  • During this time he was a victim of shell blast,
    and had to take refuge in a shelter where he was
    surrounded by the scattered remains of a
    fellow-officer.

6
Craiglockhart War Hospital
7
  • It was here that Wilfred met two important
    figures in his life.
  • One was the medical officer Arthur Brock who, in
    his own words, encouraged Owen to face the
    'phantoms of the mind' and even exploit them in
    his poetry
  • The other was fellow poet Siegfried Sassoon.

8
Returned to the trenches in 1918
9
Owen won the military cross for bravery
10
He was killed on November 4th 1918
11
  • He left behind a collection of poems that stand
    as a powerful statement about the truth of all
    wars.

12
  • This book is not about heroes. English poetry
    is not yet fit to speak of them.
  • Nor is it about deeds, or lands, nor anything
    about glory, honour, might, majesty, dominion, or
    power, except War.
  • Above All I am not concerned with Poetry.
  • My subject is War, and the pity of War.
  • The Poetry is in the pity.
  • All a poet can do today is warn. That is why the
    true poets must be truthful

13
  • What does the first line say about English
    poetry? Why do you think Owen states this?
  • What does the second line suggest about the
    preconceptions about poetry?
  • Why do you think it is so important for poets to
    be truthful?

14
Anthem for Doomed Youth
  • What passing-bells for these who die as
    cattle?
  •     Only the monstrous anger of the guns.
  •     Only the stuttering rifles' rapid rattle
  • Can patter out their hasty orisons.
  • No mockeries for them from prayers or bells,
  •     Nor any voice of mourning save the choirs,
  • The shrill, demented choirs of wailing shells
  •     And bugles calling for them from sad shires.

15
  • What candles may be held to speed them all?
  • Not in the hands of boys, but in their eyes
  • Shall shine the holy glimmers of good-byes.
  •    The pallor of girls' brows shall be their
    pall
  • Their flowers the tenderness of silent maids,
  • And each slow dusk a drawing-down of blinds.
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