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Neo-classicism to Industrial Revolution

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Neo-classicism to Industrial Revolution 1793 Terror Louis XVI and Marie Antoinette Executed, Directoire established 1790-1820 NeoClassicism/Directoire ... – PowerPoint PPT presentation

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Title: Neo-classicism to Industrial Revolution


1
Neo-classicism toIndustrial Revolution
  • 1793 Terror
  • Louis XVI and Marie Antoinette
  • Executed, Directoire established

2

3

4
1790-1820 NeoClassicism/Directoire
  • Departures from typical fashion evolution
  • Women-waistlines rise, slender silhouette
  • Men-waistline rises, wide lapels (Incroyable,
    frock)
  • Changing male ideals-plain, dark, unadorned,
    suits
  • Tailoring important
  • 1818, tape measure/Brooks Bros.
  • Beau Brummel, male fashion icon, minimalist style
  • sideburns-first fashionable facial hair in over
    century

5

6
1840-1860 Industrial Revolution
  • Men
  • Cutaway becomes tailcoat, only evening
  • Sack coat (closest to modern)
  • Decorative waistcoat disappearing
  • Stripes, checks, patterns some dandies
    accessorize
  • Power weaving, cylinder printing-cheaper fabrics
  • By 1860, fashion journalism global

7
1815-1848 Romantic (1790-1840 women)
  • Neoclassical-beginning of consistent historic
    revival (Pompeii, classical Greek)
  • Stays reduced temporarily, patterned cottons
    day, dark/heavy evening
  • 1820s, back to natural waist, volume increases, X
    silhouette, horizontal emphasis
  • Corsets, cutting, shaping, applied decoration
  • 1830s wide off-shoulder, printed fabrics, bum
    rolls, petticoats

8

9
1840-1860 Industrial Revol women
  • Sleeve volume reduced, Vertical emphasis-V waist,
    bell/pagoda sleeve
  • More exotics imitated, Kashmir shawls
  • Voluminous skirt crinoline, horsehair
  • Technology-cage crinoline, fabric over steel
  • REFORM dress health, rights (Bloomer)

10
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11
Ready-Made Clothing (still 1840-1860)
  • Slops/soldiers (since 1660s)-1st RTW
  • Industrialization/banking
  • office clerks, not bespoke, consistent business
    dress (telegraph, typewriter)
  • 1839 Daguerre, photography, truthful visual
  • 1840s London-Savile Row tailoring (Poole,
    military tailor)
  • 1846 Howe, sewing machine (5yrs Singer)
  • 1850s, wood pulp paper, printing
  • 1856, first synthetic dye (1860s common)
  • 1857 Charles Frederick WORTH, Empress Eugenie,
    birth of haute couture

12
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13
Victorian/Edwardian 1860-1910
  • 1837-1901 Queen Victoria/1901-1911 Edward
  • Visual info, mass production, dept stores, mail
    order
  • MEN, standard sizing (Civil War data), menswear
    suited to mass production
  • Detachable collar/cuffs, necktie, straight
    silhouette
  • 3 pc. sack suit, tuxedo park tuxedo/evening
  • Hats-bowler/derby, fedora, boater fewer beards
  • Sports important-Norfolk jacket bathing costume

14
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15
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16
Late Victorian 1860-1900
  • Women-rapid change, difficult to mass produce
  • Sewing girls
  • Home sewing machine-masses of décor
  • Imports-plaids/tartans, paisley, Zouave jkts
  • Corset-hourglass drawers to ankles/chemise
  • Day-modest, evening-low neck/short slv,
    extended/wide shoulder-line, wide elliptical
    hoops/cages
  • Fair complexion-parasols, gloves, fans

17

18
contd.
  • Worth-merchandising/showroom/dictated
  • 1868 Chambre Syndicale de la Couture
    Parisienne-regulated/business
  • 1870 BUSTLE, longer corset/bodice (not round
    hoop, back emphasis)
  • Princess line (Princess Metternich, Worth
    client)-vert seams, no waistline

19

20
1880s-developments
  • Emmigration-garment manufacturing
  • Sweating-long hrs, poor conditions
  • 1900 ILGWU (triangle shirtwaist factory-labor
    laws/unions)
  • Dept. stores (Bon marche)-leisure activity
  • Patterns printed in Harpers

21
Movements
  • Aesthetic dress
  • vege dyes, Oscar Wilde, Liberty London
  • Rational dress, health movement (loose)
  • Gay Nineties-la Belle Epoque
  • Lessening morality from Victorian
  • 1899 Veblen Theory of Leisure Class
  • Women in wkforce
  • Telephone, typewriter, nursing
  • 2pc. Suit, shirtwaist blouse

22
1880s-1890s womens fashion
  • 1885 shelf-like projection of skirts
  • Dolman cape, Ulster coat (half-belt)
  • BLACK hide dirt, adapt for mourning
  • Victoria 1861-1901
  • Actresses-fashion leaders (photography)
  • 1895 leg-o-mutton sleeve, trumpet skirt

23

24
Art Nouveau/Edwardian 1900-1910
  • Cycling-trousers for women
  • Art Nouveau-curvilinear
  • S-curve silhouette 1900-1908
  • Paris exhibition (couturiers)
  • Monobosom, hip thrust, bishop/leg-o-mutton,
    softer/light
  • Gibson Girl
  • Pompadours, wide hats, plumage (Audubon society)
  • Paul Poiret-freed women
  • 1st modern couturier, 1909 empire waist
  • Automobiles-duster/motorcoat (and shorter styles)

25

26
1910 Corsets
  • http//laracorsets.com/History_of_the_corset_11_19
    10-1920.htm
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