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Audio/Video compression An introduction

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Title: Audio/Video compression An introduction


1
Audio/Video compressionAn introduction
  • Alain Bouffioux
  • December, 20, 2006

2
Agenda
  • Introduction - The evolution of Audio/Video
    consumer products and the role of compression
    techniques.
  • Audio Video compression principles
  • Audio demonstration
  • Video demonstration

3
Agenda
  • Introduction - The evolution of Audio/Video
    consumer products and the role of compression
    techniques.
  • Audio Video compression principles
  • Audio demonstration
  • Video demonstration

4
Moores law
  • Number of transistors per square inch doubles
    every 18 months

5
Moores law today
  • Cost of a transistor divided by one million in
    30 years

6
Moores law today (2)
Itanium 2 (2004, 592,000,000)
  • Self-fulfulling prophecy roadmap for the
    semiconductor industry

7
Moores law today (3)
  • Roadmap for semiconductor industry only
    certainty in the current undefined future
  • Progress in semiconductors
  • fuels the innovation
  • fuels the software revolution
  • fuels the wireless revolution
  • (WLAN, WPAN, WBAN, )
  • Examples
  • WBAN sensors, RFID applications, camera to
    swallow, flexible display
  • New products related needs motivate
    semiconductor industry(? Self-fulfilling
    prophecy)
  • Moores law will continue to apply 10 years, 20
    years ?
  • Economical limitation ? Investment (fixed) cost
    / globalisation
  • Power consumption (Moores low in reverse
    direction)
  • Architectural gap between IP-blocks application
    (middleware still more complex)

8
The evolution of CE products (1)
  • Past every CE product was analogue
  • 1983 Music becomes digital (CD players)
  • Early 90ies microprocessor enters CE
    devices(Early DVD players incorporated
    processing power equivalent to their comtemporary
    PC)
  • Late 90ies Communication features incorporated
    within a CE devices.

9
The evolution of CE products (2)
  • The Residential Gateway (Set-Top-Box, ADSL
    modem?) as the link between the home and the
    world-wide information infrastructure.

Home Network
World-wide communication infrastructure
RG
10
The evolution of CE products (3)
  • The Residential gateway (in home) as the gateway
    to various services. Local Server provides 2
    kind of services
  • BroadcastAnalogue digital TV, NVOD, PPV
  • Point-to-point (Home to local server)Home
    shopping, VOD, e-mail, Web browsing, PC
    connection...

About 1000 homes
Local server
Network
Internet
Local server
11
The evolution of CE products (4)
  • The Residential gateway as a key element of the
    home network

To telephone Network
Computer
Residential Gateway
To satellite Network
Home Network
Television
To cable Network
Disk Recorder
DVD Jukebox
12
The evolution of CE products (5)
  • Everything will become digital audio, telephone,
    video, photography, newspaperThe question is
    not if a selected product will really become
    digital the question is when?
  • Consumer/Computer/Communication Convergence is
    progressive
  • New products combine all 3 domains(e.g. New GSM
    devices Television on mobile)
  • Products always more and more complex
  • Products have always new features
  • Lifetime of products is always shorter

13
Factors enabling such evolution
  • Compression is one among the various factors (all
    powered by semiconductor progresses) that enable
    multimedia technologies.

14
BUT !!
  • Convergence of technologies (consumer,
    communication, computer) All products combine
    all three technologies
  • BUT !
  • Divergence of applications
  • Home consumer, Multimedia phone, Camera, PDA,
    Office computer, Automotive
  • High number of potential productsTechnology push
    ?Market pull (user centric approach)

15
Agenda
  • Introduction - The evolution of Audio/Video
    consumer products and the role of compression
    techniques.
  • Audio Video compression principles
  • Audio demonstration
  • Video demonstration

16
Compression in first A/V CE Products (1)
  • First Audio/Video products made compression
    without knowing it was compression.How ?By
    removal of irrelevancies (sampling rate,
    quantization)
  • Audio and Video characteristics

17
Compression in first A/V CE Products (2)
  • Audio productsFrom 2 to 7.1 channels are enough
    to provide the spatial resolution.
  • Video productsThree colours (RGB) are enough to
    provide the spectral resolution.

18
The need for more compression (1/5)
  • Audio Compression needed in spectral domain
  • Bitrate of a stereo audio source (CD-DA
    encoding) Sampling frequency
    44.1 kHzStereo16-bit per sampleBitrate 44100
    2 16 1.41 Mbit/sec

19
The need for more compression (2/5)
  • Video Compression needed in spatial domain
  • Bitrate of a video source (CCIR 601 - 50 Hz
    countries) 25 images per secondYUV
    coding (Y luminance - U,V Chrominance)Y 8
    bit per pixel - U,V 1 pixel on 2 coded, 8 bit
    per pixelBitrate (576720)2516 166 Mbit/sec

20
The need for more compression (3/5)
  • Channels availables for AV transmission
  • Analog television channel (compatibility)Cable
    (bandwidth 8 MHz) Satellite (Bandwidth 30-40
    MHz)? Capacity around 40 Mbit/sec
  • Compact disc (CD)For 74 min. play time 1.41
    Mbit/sec

21
The need for more compression (4/5)
  • MPEG-1 target (Moving Picture Expert
    Group)(Video-CD 74 min. constraints)Bu
    t quality was judged too poor (about VHS quality)

22
The need for more compression (5/5)
  • MPEG-2 target
  • Program stream (DVD)
  • Transport stream (DVB)

23
Principles of compression (1/2)
  • Compression (or source coding) is achieved by
    suppressing information
  • redundant information
  • irrelevant information
  • Suppression of redundant information ? lossless
    compression example PCM to DPCM,DCTThe
    original signal and the one obtained after
    encoding and decoding are identical

24
Principles of compression (2/2)
  • Suppression of irrelevant information ? lossy
    compression Example bandwidth limitation,
    masking in audio
  • The original signal and the one obtained after
    encoding and decoding are different but are
    perceived as identical

25
Agenda
  • Introduction - The evolution of Audio/Video
    consumer products and the role of compression
    techniques.
  • Audio Video compression principles
  • Audio demonstration
  • Video demonstration

26
Audio Demonstration
  • From Borderline Madonna - Stereo - 16
    bit/channel
  • Compression used AAC

Original
705 kbps
Compression
32 kbps
128 kbps
64 kbps
16 kbps
Decompression
-
27
MOS scale (1/2)
  • Signal distortion is not a good measure of the
    performance of a lossy compression method? an
    other method is necessary MOS scale (Mean
    Opinion Score)
  • The five-grade CCIR impairment scale
    (Rec.562)1(Very annoying), 2(Annoying),
    3(Slightly annoying), 4(Perceptible but not
    annoying), 5(Imperceptible)
  • ExampleDouble blind test

28
MOS scale (2/2)
29
Agenda
  • Introduction - The evolution of Audio/Video
    consumer products and the role of compression
    techniques.
  • Audio Video compression principles
  • Audio demonstration
  • Video demonstration

30
Compression to VBR or to CBR
  • CBR (Constant Bit Rate) vs VBR (Variable Bit
    Rate)
  • Scene more complex ??Higher bit rate for same
    quality
  • CBR ? variable quality (example Video CD
    artefact)
  • Constant quality ? VBR necessary (e.g. DVD-Video)

31
Video demonstration
  • MPEG-1 Example Video CD standard(288352)video
    CBR 1.4 Mbps
  • MPEG-2 ExampleDVD standard(576720)video VBR
    3Mbps

32
The compression trade-off
  • Compression techniques are still making progress
  • Trade-off Complexity/Quality/Bit Rate
  • New technique may result in new trade-off

Complexity
Quality
MPEG Layer 2
MPEG Layer 1
MPEG Layer 3
Other Technique Speech coding
MPEG AAC
Bitrate
33
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