Title: The High Renaissance 16th century Italy
1The High Renaissance16th century Italy
- Catholic Church is the dominant religious power
- Growing discontent with the Church primarily in
the North - Beginning of Martin Luthers Reformation of the
Church - Holy Office of the Inquisition-church court that
dealt with heretics-as a reaction to the
Reformation efforts - Society of Jesus-Jesuit religious order expands
missionary work all over the world
2LeonardodaVinci
1452-1519
3Leonardo da Vinci, Study for an Assault Chariot
with Scythes, 1485
4Leonardo da Vinci, Study for an Automobile, 1478
- Worked in Milan under Duke Ludovico Sforza
5Leonardo da Vinci, Vitruvian Man, c. 1490
6Leonardo da Vinci, Anatomical Studies, 1509-14
7Leonardo da Vinci, The Virgin of the Rocks,
Milan, 1483-86
sfumato
8Leonardo da Vinci, The Last Supper, Santa Maria
della Grazie, Milan, 1495-98
9Leonardo da Vinci, Lady with an Ermine, Milan,
1483-90
10Leonardo da Vinci, Virgin and Saint Anne with the
Christ Child and the Young Saint John the
Baptist, Milan, 1483-90
11Leonardo da Vinci, Mona Lisa, Florence, 1503-05
Lisa Gherardini del Giocondo
12(No Transcript)
13Monument to Lysicrates, Classical Greek, 4th
century ad
14Raffaello Santi
1483-1520
15Paper/Squidoo/Blog
- Intro
- A. Artist title date location
- Description
- A. Visual Elements/Principles of Design
- Historical context
- A. why it was made, who commissioned it, etc.
- Comparison
- Conclusion
16Raphael Santi, Madonna of the Meadows, Florence,
1505
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19Raphael, School of Athens, The Vatican, Rome,
1509-11
20Raphael, Galatea, Villa Farnesina, Rome, 1511
21Michelangelo Buonarroti
1475-1564
22Michelangelo, Pieta, Rome, 1500
23Michelangelo, David, Florence, 1501-04Savonarol
a
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25Michelangelo, Interior of the Sistine Chapel, The
Vatican, RomeCeiling1508-12The Last
Judgment 1536-41
26Michelangelo, Study for the Interior of the
Sistine Chapel, The Libyan Sibyl,1511
27Michelangelo, Sistine Chapel Ceiling, The
Vatican, Rome,1508-12
28Michelangelo, Sistine Chapel, The Libyan
Sibyl,1508-12
- Teribilita
- Figura Serpentinata
29Michelangelo, Sistine Chapel, Ignudo,1509
30Michelangelo, The Creation of Adam, 1508-12
31Michelangelo, Moses, Rome, 1513-16
32Michelangelo, The Last Judgment 1536-41
33Sofonisba Anguissola, Portrait of the Artist with
her Sisters, Cremona, 1555
34Michelangelo, Pieta Rodanini, Rome, 1552-1564
35Bramante, The Tempietto, Rome, 1502
36Temple of Hercules, Rome, 142 AD
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38Old St. Peters Basilica, Rome, ca. 330
39Michelangelo, Design for St. Peters, Rome, 1547
40Bramante, Plan for St. Peters, 1506
41Bramante, Plan for reconstruction of St. Peters
Basilica, Rome, 1506
Michelangelo, Plan for reconstruction of St.
Peters Basilica, Rome, 1546
42Michelangelo, Design for St. Peters, Rome, 1547
43Carlo Maderno, Plan for reconstruction of St.
Peters Basilica, Rome, 1605
Michelangelos plan of 1546
44Michelangelo, St. Peters Dome and Façade, 1546-64
Carlo Maderno, 1606-12, Facade
Giacomo della Porta, 1590
45New St. Peters, Rome
46Giacomo della Porta, Il Gesù, Rome, 1575-84
- Designed to reflect the significance of the
Jesuit order - Combination of old and new elements
- More curvilinear forms and ornament
- Becomes standard type of church design for the
Jesuits throughout the world
47Giovanni Bellini, San Zaccaria Altarpiece,
Venice, 1505
- Water and quality of light in Venice attracted
many artists - Oil paint introduced to Venice by Antonello da
Messina - Interest in light and perspective
- Harmony between the colors
48Parmigianino, Madonna with the Long Neck,
Florence, 1534-40
49Bronzino, Allegory with Cupid and Venus,
Florence, 1540s
50Giovanni da Bologna, Rape of the Sabine Women,
Florence, 1581-83
51Palladio, San Giorgio Maggiore, Venice, 1565
52Palladio, San Giorgio Maggiore, Venice, 1565
53Palladio, Villa Rotonda, Vicenza, 1560s
54Pantheon, Rome, 118 AD
55Titian, Pastoral Symphony, Venice, 1510
56Titian, Venus of Urbino, Venice, 1538