MPEG-1%20and%20MPEG-2%20Digital%20Video%20Coding%20Standards - PowerPoint PPT Presentation

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MPEG-1%20and%20MPEG-2%20Digital%20Video%20Coding%20Standards

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Stands for Moving Picture Expert Group ... Digital television broadcasting. Target bit-rate raised to 4-9Mb/sec. Main Profile, Main Level ... – PowerPoint PPT presentation

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Title: MPEG-1%20and%20MPEG-2%20Digital%20Video%20Coding%20Standards


1
MPEG-1 and MPEG-2 Digital Video Coding Standards
  • Author Thomas Sikora
  • Presenter Chaojun Liang

2
Overview
  • Introduction
  • Intra-picture Coding Techniques
  • Inter-picture Coding Techniques

3
What is MPEG?
  • Stands for Moving Picture Expert Group
  • Nickname to a family of International standards
    used for coding audio-visual information in a
    digital compressed format.
  • Includes MPEG-1, MPEG-2, and upcoming MPEG-4.

4
MPEG-1
  • Finalized in 1991
  • Optimized to work at 352240, 30 f/s or 352288,
    25f/s
  • Bit-rate is optimized for application of around
    1.5 Mb/sec
  • Defined for progressive frames only

5
MPEG-2
  • Finalized in 1994
  • Digital television broadcasting
  • Target bit-rate raised to 4-9Mb/sec
  • Main Profile, Main Level
  • 720480 pixels, 30 frame/sec, 15Mb/sec
  • Main Profile, High Level (HDTV)
  • 19201280 pixels, 30 frame/sec, 80Mb/sec

6
MPEG Video Layers
7
Intra Frame Coding Techniques
Bit-Rate Control
Video Filter
Run-length Encoding
Bitstream Buffer
DCT
Quantizer
8
Video Filter
  • Subjective Redundancy
  • Eyes more sensitive to changes in Luminance, less
    to variations in Chrominance
  • R G B -gt Y Cb Cr
  • Sample Chrominance 21 in both directions

9
Video Filter
Color Space Transform
Sample
R G B
Y Cb Cr
Y Cb Cr
10
Statistical Redundancy
11
Discrete Cosine Transform
  • Closely related to Discrete Fourier Transform
  • Performed on 88 block

Forward DCT
Inverse DCT
12
DCT Basis Patterns
13
DCT Basis Patterns
Increasing Vertical Frequency (Down)
Increase Horizontal Frequency (Right)
14
Variance Distribution of DCT Coefficients
15
DCT Coefficient Quantization
  • Higher frequency -gt Larger step size -gt more
    coarsely quantized
  • Force as many of the DCT-Coefficients as possible
    to zero or near zero

16
Example Coefficients
17
Run-Length Encoding
Run-Amplitude Pairs
Bit Stream
Variable Length Code Table
18
Inter Frame Coding Techniques
  • Exploit temporal redundancy
  • Use Motion Estimation to eliminate temporal
    redundancy

19
Picture Types
  • Intra Pictures (I-Pictures)
  • Predicted Pictures (P-Pictures)
  • Bi-directional Pictures (B-Pictures)

20
Intra Pictures
  • Coded with only info in the picture itself
  • Random access points into the compressed data
  • Moderate compress about 2 bits per coded pixel

21
Predicted Pictures
  • Coded with respect to the nearest previous
    I-Picture or P-Picture

22
Bi-directional Pictures
  • Use both a past and future picture as a reference.

23
Video Stream Composition
  • Encoder chose frequency and location of
    I-Pictures
  • Typical display order

24
Video Stream vs Display order
25
Motion Estimation
Tree moved down to the right
People moved farther to the right than tree
Frame 1
Frame 2
26
Motion Estimation
  • To adequately represent the change, or the
    difference, between 2 video frames
  • Frame-wise direct minus not effective
  • Macroblock-wise minus
  • 2-D spatial search for each luminance macroblock

27
Macroblock Matching
Frame 1
Frame 2
28
Picture 1
Picture 2
Predicted Picture
Residual Error Picture
29
Coding of Residual Errors
  • Similar to Intra frame coding
  • Different quantization matrix
  • Motion vectors are also coded

30
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