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Sustainability and preservation:

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Title: Sustainability and preservation:


1
NOF-Digitise Sustainability WorkshopPreservation
London, 16th May
Alastair Dunning Arts and Humanities Data Service
2
Sustainability and Preservation
  • The first line of defence against loss of
    valuable digital information rests with the
    creators of digital information.
  • US Task Force on Archiving of Digital
    Information (1996)

3
Responsibilities
  • Creators of digital objects have the initial and
    in some cases a continuing role in preserving
    access to them. They are they the first
    managers of preservation
  • Most individual creators are not expected to take
    on the long-term commitment to preserve the
    digital content they create.
  • Unless creators take initial steps to
    facilitate ongoing access to their material,
    access may be lost or the ability of another body
    to take responsibility for preserving access may
    be severely inhibited.
  • National Library of Australia statement of
    principles for the preservation of and long-term
    access to Australian digital objects

4
Technology not the problem
  • Avoid fetishisation of technology
  • Choosing hardware is part of a larger process
  • Technologies may change, but so do staff and
    organisational memory
  • Hence need for good documentation

5
What does it mean for me? (1)
  • Many NOF projects may be working in larger
    organisational framework
  • They may have preservation strategies in place
  • Is their strategy watertight?
  • Still requires discussion of rights and
    responsibilities of various

6
What does it mean for me? (2)
  • Creators who are unable or unwilling to accept
    the responsibility of long-term preservation will
    need to negotiate with collecting institutions or
    archives to provide this service for them
  • There may be specific ingest criteria with which
    they need to comply
  • There may be rights issues to settle
  • It will cost

7
What does it mean for me? (3)
  • Establishing dialogue with other stakeholders to
    examine the issue of access, use and re-use of
    the digital resource over time
  • Whatever the strategy and institution selected,
    key questions will be raised

8
Questions to be asked
  • What exactly needs to be preserved and at what
    level of functionality?
  • Quality-assured?
  • IPR implications?
  • Importance of accompanying contextual information
  • Negotiated cooperation of all involved in
    essential

9
What does it mean for me? (4)
  • Employing open standards and formats
  • Generating robust metadata and keeping careful
    documentation
  • Good management of media and systems
  • Possible importance of migration and refreshment

10
Life after NOF
  • Many digitisation projects cite enhanced access
    as a major objectivebut unless due care and
    attention is given to how that access can be
    maintained over time, it may well be
    short-lived.
  • Jones Beagrie Preservation Management of
    Digital Materials Handbook

11
An holistic approach
  • Life cycle management
  • Positive benefits of forward thinking
  • Establish responsibility
  • Preservation leads to access, but does not equal
    access

12
Some URLs
  • Newham Case Study http//ahds.ac.uk/newham.htm
  • PADI Preserving Access to Digital Information -
    http//www.nla.gov.au/padi/
  • CEDARS Curl exemplers in digital archives -
    http//www.leeds.ac.uk/cedars/
  • Preservation Management of Digital Materials
    Neil Beagire and Maggie Jones http//www.jisc.ac.u
    k/dner/preservation/workbook/
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