Cherries 31 Sherrie Wolf

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Sherrie Wolf (American, 1952) White peonies with
cherries and roses dans un vase
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Animal life
Sherrie Wolf (American, 1952) Apricot after
Jordaens
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Sherrie Wolf (American, 1952) A Few of my
favorite things
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Sherrie Wolf (American, 1952) Animalière
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Sherrie Wolf (American, 1952) Arrangement of
Objects Lebrun, Moran, Poussin, Benoist
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Cape Mt Zebra
Sherrie Wolf (American, 1952) Backstage 2010
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Sherrie Wolf (American, 1952) Birds of a feather
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Cherries After Constable Birds with Domes
of Yosemite
Sherrie Wolf (American, 1952) Dahlias with
parrot, 2022
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Sherrie Wolf (American, 1952)
Bowl of cherries
with musicians Tulips over Harlem Bleaching
Grounds
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Sherrie Wolf (American, 1952)
Still Life with Judgement of Paris
Still Life with
Venus and Cupid
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Sherrie Wolf (American, 1952) Cherries after
Artemisia Gentileschi
Still life, 2011
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Sherrie Wolf (American, 1952) Cherries with
asparagus
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Sherrie Wolf (American, 1952)
Memento Girl with
Knitting
Cherries in green bowl
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Sherrie Wolf (American, 1952)
Late summer
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Sherrie Wolf - Cherries after de Braij
Cherries, 2001 ref Jan
Gerritsz van Bronchorst, 1603
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Sherrie Wolf (American, 1952) China girl, 2013
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Sherrie Wolf - Red and yellow cherries after
Constable Diane, mistress of the hunt ref
Sie Peter Paul Rubens
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Pedestal after Van Dyck Fruit Bowl with
Montefontaine
Sherrie Wolf (American, 1952) Peaches with
cherries
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Sherrie Wolf (American, 1952) Fruit plate after
Vecchio Fruit plate
after Ingres
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Sherrie Wolf (American, 1952) Kitchen Matisse
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Sherrie Wolf (American, 1952) Matisse window
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Sherrie Wolf Wedding Two
cherries, 2010
Spot the dogs
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Sherrie Wolf (American, 1952) Still-life in black
and white
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Sherrie Wolf (American, 1952) Matisse in the
kitchen, 2024
Still Life with Susanna and the elders
Tulips with the Rocky Mountains, Lander's Peak
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Object lessons - Relics 1
Sherrie Wolf (American, 1952) Cherries, 2015
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Sherrie Wolf (American, 1952) Object Lessons -
Relics 1 detail
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Sherrie Wolf (American, 1952) Object lessons -
Relics 2
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Sherrie Wolf (American, 1952) Object Lessons -
Relics 3
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Poppies with the Andes Still life with
Diana at her bath
Sherrie Wolf (American, 1952) Melon
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Sherrie Wolf (American, 1952) Still-life of gold
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Sherrie Wolf (American, 1952) Yellow tulip and
pear Yellow tulip with landscape
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Zebra with cherry and fava bean, 2011
Sherrie Wolf (American, 1952) Peaches with buffalo
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Sherrie Wolf (American, 1952) Postcards from Paris
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Sherrie Wolf (American, 1952) Sierra Nevada view
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Sherrie Wolf (American, 1952) Still Life A
History
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Sherrie Wolf (American, 1952) Tulips with Concert
of Birds
Still Life of cherries with Choice between Virtue
and Vice
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Zebra with fruit plate, 2024
Sherrie Wolf (American, 1952) The letter ref
Johannes Vermeer, 1632-1675
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Sherrie Wolf (American, 1952) Tulips and cherry,
2023
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Sherrie Wolf (American, 1952) Still Life with
Puget Sound
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Sherrie Wolf (American, 1952) Histrionic Beauty
Suite Cherries Mountain
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Sherrie Wolf is an American photo-realistic
painter and printmaker based in Portland, Oregon
who has won multiple awards for her work. She has
been described as "one of Portland's most
prominent artists." Born in Portland in 1952,
Wolf graduated from the Pacific Northwest College
of Art (PNCA) in Portland, Oregon. She then went
to gain a MFA from the Chelsea College of Arts in
London, before coming back to Portland in the
mid-1970s. Whilst in London, she studied
paintings and works by the Old Masters in
galleries and museums across Europe, which would
later significantly influence her own art.
Afterwards, Wolf returned to the PCNA as a
teacher to support herself while she began
exhibiting her work. My still life paintings
evolve out of my passion for arranging objects. I
delight in the objects themselves, as well as the
spaces between and within the objects. I marvel
at their beauty, and I enjoy making visual and
conceptual associations between objects in a form
of viewable alliteration. My compositions are
theatrical, as if the setting is a stage on which
drama is being performed. My current portraits
reflect my 2012 series of close-up faces from
important historical paintings. Capturing facial
expression is challenging and the outward gaze
can make the observer feel vulnerable. My still
life arrangements combining articles of beauty
and, dare I say, vanitas, invite the contemporary
viewer to enter the painting and begin to look
more closely. Throughout the history of art, I
observe a cyclical human nature in which
emotions, experiences, and events tend to repeat
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Text pictures Internet All copyrights belong
to their respective owners Presentation Sanda
Foisoreanu
2024
Sound My Chérie Amour - Engelbert
Humperdinck, George Benson, Boney M.
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