Bill White's Conquering the Coming Collapse

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• It has been suggested that some of the symbols
  used by the North American Indians came from
  Siberia into the territory of the Eskimos and
  thence into the Amerindian cultures of the
  Americas. However some of the symbolic traditions
  seem to have migrated from the Central American
  culture of the Aztecs. One thing that is certain
  is that its origin is shrouded in the mists of
  antiquity and it would be very difficult to
  ascertain its first usage, whether in terms of
  place or period. It may well be that there was no
  single place of origin. On the one hand, there is
  the Diffusionist Theory, which suggests that
  theSwastika was devised by primitive Aryans in
  the Indian sub-continent many millennia ago, and
  spread from there to other civilisations. On the
  other hand, it is quite possible that it
  developed independently within other cultures in
  that early period. This is the Polygenetic
  Theory. Seals from the Indus culture of Mohenjo
  Daro (located in modern Pakistan) have been found
  with the shape in both left and right-facing
  forms, dating to the second half of the 3rd
  millennium BC. Both forms were also found on
  hundreds of objects in the remains of Troy,
  dating to the 2nd or 1st millennium BC. This does
  not answer the question of what the symbol is, or
  what this shape once signified in the minds of
  these ancient civilisations.

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• There have been many theories as to the
  Swastika's ultimate origins, one of the most
  enduring and likely of which is that it began as
  a sun symbol it has been described as a stylised
  representation of the sun, turning across the sky
  and around the earth. It may have developed
  directly from the wheel, or separately but
  alongside it, to represent the same concept of
  motion. While no one can be certain about the
  development from the wheel and/or sun disk to the
  Swastika, there was probably a sufficient
  confluence of ideas and associations to make this
  likely. What we can be certain of is that this
  symbol has had many meanings for North American
  Indians over many centuries, and is closely
  linked to quaternity. To the Indian the number
  'four' had a particular sanctity possibly because
  the Great Spirit had created his universe in a
  square frame. In this article we are looking at
  some of the many instances of its usage amongst
  the indigenous Amerindian cultures of the USA.

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• The Great Serpent Mound is the main surviving
  work of the Adena people who flourished in the
  Ohio River valley over a substantial period of
  time BC. It appears that their traditions were
  largely borrowed by the Hopewell Indians. A
  Swastika cross of thin copper was excavated from
  the mound.At the peak of their culture the
  Hopewells were active over a wide area from Ohio
  and Illinois to Indiana, Michigan, Wisconsin,
  Iowa and Missouri. Like the Adena Indians they
  were great mound builders widely using the
  serpent and birds of prey motifs, to which they
  added the Swastika and sun discs. Located across
  the Mississippi from St. Louis, Cahokia had
  reached its cultural climax by the 14th Century,
  with at least 100 man-made mounds. The Great
  Monk's Mound appears to embody the mythological
  idea of the quartered cosmos, represented
  world-wide by the Swastika and the equal-armed
  cross. The Dakota Indians used the equal-armed
  cross to denote the Four Winds.

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Bill White's Conquering the Coming Collapse

• Conquering The Coming Collapse Review There are
  depictions of the children from the Hopi tribe
  taking part in rain dances, holding rattles with
  Swastikas and equal-armed crosses and the rain
  cloud symbol. It regularly appeared on a range of
  household articles. According to one authority
  the Kansa Indians used to hold a council to
  decide whether to go on the warpath
  http//sites.google.com/site/conqueringthecomingco
  llapse/ or not. The process would include the
  singing of sacred songs to the Winds, treated as
  deities. The Navajo have used the this symbol in
  a variety of interesting ways. It has appeared on
  a totem, on die-stamps and in sand paintings that
  were used in healing ceremonies. Conquering The
  Coming Collapse PDF In depictions of the sand
  paintings the it is also closely associated with
  the Yei spirits. The Sac Indians emphasized the
  'good luck' significance of the Swastika,and
  majored on sun worship. They produced many
  ceremonial bead garters incorporating
  http//google.ning.com/blog/conquering-the-coming-
  collapse-pdf-review this with other geometrical
  motifs. At every turn we sense reverence for
  quaternity, whether it represents four
  directions, four winds or four seasons as
  dictated by the movement of the sun.