Title: Chapter 1 Fundamentals of Signals
1Chapter 1Fundamentals of Signals
2Basic Building Blocks of a Telecommunication
System
- - All telecommunication systems comprise certain
fundamental blocks-an input transducer,
transmitter, transmission medium, receiver, and
output transducer. The interconnection may be
one-way (e.g. Radio Broadcast, TV, etc.) or
two-way (e.g. Telephone, Mobile Radio, etc.) - - The information to be transmitted is first
converted into electrical form to produce an
equivalent electrical signal - a voltage or
current waveform which is the electrical
equivalent to the original information. (e.g.
Microphone, TV camera, Computer Terminal, etc.)
3Basic Building Blocks of a Telecommunication
System
4Analogue Signals
- - Telecommunication transducers produce an
electronic signal that directly follows the
instantaneous variations of the original
information energy. Such signals are called
ANALGOUE signals. - - (e.g. a microphone produces an electronic
signal that follows the variations of sound
energy that actuate the microphone. A loudspeaker
receives the analogue electronic signal and
reproduces the original sound energy variations.)
5Digital Signals
- - A digital signal, unlike continuous analogue
signals, varies abruptly and changes between
distinct voltage or current levels. (commonly the
0 or 1 voltage levels of a binary system.)
6Direct Current (d.c.)
- - In certain electrical circuits the current
flows only in one direction when the energy
supply is connected, although the amount or
strength of the current can be controlled. This
is produced by an energy source such as a dry
battery, accumulator or rotating generator. -
- e.g. Use of Direct Current Signals - Morse Code
(d.c. signaling) -
-
7Main Disadvantages of d.c. Signals
- - Difficulty in transmission over long line
circuits due to attenuation and distortion,
although regeneration (boosting) and
amplification are possible. - - Connecting wires are always needed for the
whole of telecommunication circuits.
8Alternating Current (a.c.) Waveforms
- - Varying or fluctuating d.c. signals have
characteristics to a.c. signals. Alternating
currents reverse direction at regular intervals
with some repeating pattern or waveform. The main
advantages of a.c. signals are - 1) The strength or amplitude can easily be
altered (e.g. by transformer, amplifier, etc.),
allowing transmission over long lines. - 2) Connecting wires are not necessarily required
for the whole of a telecommunication circuit. -
9Sinusoidal Signal Waveforms
10Sinusoidal Signal Waveforms
- - To understand the requirements of communication
system and the factors which influence
information transmission it is essential to learn
the terms used to describe signal waveforms. We
start by defining the important waveform Sine
Wave. - - The sine wave is the fundamental building block
waveform for all communication systems. All
practical signals can be synthesised from sine
waves.
11Sinusoidal Signal Waveforms
12Sinusoidal Signal Waveforms
- - A pure sine wave showing the variation of
signal strength with time can be displayed on an
oscilloscope (CRO).
13Terms Used to Describe Periodic Waveform
- - Amplitude The instantaneous value of the
signal strength, i.e. the magnitude of the signal
at any instant of time. - - Peak Amplitude (A) The maximum excursion from
zero to either the positive or negative peaks. - - Peak-to-peak Amplitude (2xA) The excursion
from position of maximum to minimum amplitude. - - Periodic Time (T) The time for one complete
cycle of the waveform. - - Frequency (f) The number of signal waveform
cycles in one second. - f 1/ T
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17Relationship between Frequency, Wavelength and
Velocity
- - For a.c. waveform, the velocity, distance and
time are related by - Velocity, v Distance, D / Time
- Velocity, v Wavelength, ? / Periodic Time, T
(sec) - Frequency, f (Hz) 1 / Periodic time, T (sec)
- Velocity, v Wavelength, ? x Frequency, f
18Composition of Complex Waveforms
- - It can be shown by Fourier Analysis that any
complex waveform is made up of a sinusoidal
waveform having a certain frequency called
Fundamental Frequency and a number of other
sinusoidal waveforms having frequencies that are
direct multiples of the fundamental frequency
with decreasing peak values. These direct
multiples are called Harmonics of the fundamental
frequency. ( f, 2f, 3f, 4f, . , where f
fundamental frequency) - - Not all harmonics are necessarily required to
synthesize a waveform. (e.g. The symmetrical
square and triangular waves contain only
odd-order harmonics)
19Composition of Complex Waveforms
- - A sine wave showing the variation of signal
strength with time can be displayed on an
Oscilloscope ( Time Domain) - - The frequency components contained in a signal
with amplitude variation can be displayed on
Spectrum Analyzer (Frequency Domain)
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26Voice Frequencies
- - The sounds produced in speech contain
frequencies which lie within they frequency band
100 - 10,000Hz. The pitch of the voice is
determined by the fundamental frequency of the
vocal cords. - 200 - 1,000 Hz for women
- 100 - 500 Hz for men
- - The power content of speech is small, a good
average being of the order of 10 - 20 microwatt.
However, this power is not evenly distributed
over the speech frequency range, most of the
power being contained at frequencies in the
region of 500 Hz for men and 800 for Hz for
women. -
27Voice Frequencies
- - In an ideal telecommunications system, all the
frequencies present in a speech waveform would
be transmitted over the communication system. - - BUT
- 1) For economic reasons, the devices used in
circuits that carry speech and music signals have
a limited bandwidth. - 2) Particularly for the longer-distance routes,
a number of circuit are often transmitted over a
single telecommunication system and this practice
provides a further limitation of bandwidth. -
28Voice Frequencies
- - Therefore, by international agreement the
audio-frequency band for a commercial quality
speech circuit routed over a multi-channel
system is restricted to 300 - 3,400 Hz. This
means that both the lower and upper frequencies
contained in the average speech waveform are not
transmitted. - i.e. suppression of all frequencies above 3,400
Hz reduces the quality of the sound does not
affect its intelligibility.
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30Noise Sources
- - Electrical noise id defined as any undesirable
electrical energy. - - Noise can be divided into two general
categories uncorrelated and correlated. - - Uncorrelated noise is present all the time
whether there is signal or not. Uncorrelated
noise can be further subdivided into two general
categories external and internal. - - Correlation implies a relationship between the
signal and the noise. Correlated noise exists
only when a signal is present.
31Uncorrelated Noise - External Noise/ Internal
Noise
- - External noise is noise that is generated
outside the device or circuit. There are three
primary sources of external noise atmospheric,
extraterrestrial, and man-made. - - Internal noise is electrical interference
generated within a device or circuit. There are
three primary kinds of internally generated
noise thermal, shot and transit time. - Thermal noise power N KTB
- N noise power (watts)
- K Boltzmanns proportionality constant (1.38 X
10-23 joules per kelvin) - T absolute temperature (kelvin)
- B bandwidth (hertz)
32Uncorrelated Noise - External Noise/ Internal
Noise
- - See Example 1.5 and 1.6
- - Because thermal noise is equally distributed
throughout the frequency spectrum, a thermal
noise source is sometimes called a white noise
source, which is analogous to white light, which
contains all visible-light frequencies. - - Also, see Example 1.7 and 1.8 for power
calculation.
33Correlation Noise
- - Correlated Noise is noise that is correlated
(mutually related) to the signal and cannot be
present in a circuit unless there is an input
signal - simply stated, no signal, no noise! - - Correlated noise is produced by nonlinear
amplification and includes harmonic and
intermodulation distortion, which are both forms
of nonlinear distortion.
34Signal-to-Noise Power Ratio
- - Signal-to-noise power ratio (S/N) is the ratio
of signal power level to the noise power level. -
-
- Where Ps signal power (watts)
- Pn noise power (watts)
- The signal-to-noise power ratio is often
expressed as a logarithmic function with decibel
unit ( See Example 1.11and 1.12) -
35Noise Factor and Noise Figure
- - Noise factor (F) and noise figure (NF) are
figures of merit used to indicate how much the
signal-to-noise ratio deteriorates as a signal
passes through a circuit or series of circuits. - - Noise factor is simply a ratio of input
signal-to-noise ratio to output signal-to-noise
ratio. -
- - Noise figure is simply the noise factor stated
in dB and is a parameter commonly used to
indicate the quality of a receiver.
36Noise Factor and Noise Figure
- - For an ideal noiseless amplifier with a power
gain (Ap) -
- - For a nonideal amplifier that generate an
internal noise (Nd) - - See Example 1.13