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The Bullfight

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Montera (hat) Traje de Luces (suit of lights) The Bullfight ... Wear flat brimmed hats (castorenos) Silver-embroidered jackets. Steel leg-armour. Banderilleros ... – PowerPoint PPT presentation

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Title: The Bullfight


1
The Bullfight
  • A Tradition
  • Embedded in Spanish Culture
  • By Zak Danison

2
The Bullfight
  • History of Bullfighting in Spain
  • The spectacle of bullfighting has existed in one
    form or another since ancient days
  • Wall painting unearthed at Knossos in Crete,
    dating from about 2000 BC
  • Bullfights were popular spectacles in ancient
    Rome

3
The Bullfight
  • History of Bullfighting in Spain (cont.)
  • The Moors from North Africa changed bullfighting
    significantly
  • Bullfighting was originally done on horseback and
    was reserved for aristocracy

4
The Bullfight
  • The Toro Bravo
  • Only conserved in Spain
  • Many civilizations revered the bull
  • The Bible reports on sacrifices of bulls in honor
    of divine justice
  • Bulls played role in religious ceremonies of the
    Iberian tribes

5
The Bullfight
  • Plaza de Toros (bull ring)
  • Originated from Celtic-Iberian temples
  • Bulls sacrificed to gods
  • Greek and Roman influences convert it into a
    spectacle

6
The Bullfight
  • Modern corrida began to take form
  • Today the bullfight is much the same as it has
    been since about 1726
  • Francisco Romero of Ronda, Spain
  • estoque (the sword)
  • muleta (the small cape used in last part of
    fight).

7
The Bullfight
  • The Spectacle (corrida)
  • 3 Matadors, 6 Bulls
  • Banderilleros Picadors (assistants)
  • Paso Doble (march rhythm) music
  • Costume
  • Silk Jacket
  • Montera (hat)
  • Traje de Luces (suit of lights)

8
The Bullfight
  • The Spectacle (cont.)
  • Toril (bull pen gate)
  • Bull is greeted with a series of maneuvers or
    passes
  • Veronicas (basic cape maneuver)
  • named after the woman who held out a cloth to
    Christ on his way to the crucifixion

9
The Bullfight
  • The Spectacle (cont.)
  • Fighting bulls charge anything that moves
  • Centuries of breeding
  • Bulls selected for corrida live one year longer
  • Novilleros (beginners)
  • Fight bulls at least 3 years old
  • Full Matadors
  • Fight bulls at least 4 years old

10
The Bullfight
  • The Spectacle (cont.)
  • Part 2 of corrida
  • Picadors
  • Wear flat brimmed hats (castorenos)
  • Silver-embroidered jackets
  • Steel leg-armour
  • Banderilleros
  • Work on foot
  • Banderillas (brightly adorned, barbed sticks)

11
The Bullfight
  • The Spectacle (cont.)
  • Part 3 of corrida (faena)
  • Trumpet sounds
  • Aficionados (ardent fans)

12
The Bullfight
  • Basic Muleta Passes
  • Trincherazo - one knee on the ground and at the
    beginning of the faena
  • Pase de la firma - moving the cloth in front of
    the bull's nose while the fighter remains
    motionless
  • The Manoletina (invented by Manolete) where the
    muleta is held behind the body
  • The Natural - taking the sword out of the muleta
    , thereby reducing the target size

13
Manolete (1917-1947)
14
Manolete
  • 1930 (13yrs old)
  • Makes public debut
  • June 1939
  • "Novillero"(novice)
  • July 1939
  • "alternativa - Seville
  • Ocober 1939
  • Confirms alternativa (doctorate matador) - Madrid

15
Manolete
  • 1945 - Fights
  • Spain
  • Seville
  • Alicante
  • Bilboa
  • Barcelona
  • Madrid
  • Mexico
  • Peru
  • Venezuela
  • Columbia

16
Manolete
  • Intense rivalry with Mexican,Carlos Arruza Luis
    Miguel Dominguin
  • Was challenged in public
  • Won the fight but lost his life

17
OTHER GREAT MATADORS
  • Rodolfo Gaona
  • Armillita (Fermín Espinosa)
  • Arruza, of Mexico
  • Belmonte, Manolete, and Antonio Ordoñez, of Spain
  • Americans
  • Sidney Franklin and John Fulton Short
  • Women
  • Patricia McCormick of the U.S.
  • Conchita Cintrón of Spain

18
Big Business
  • Over 1 Billion in ticket sales annually
  • Million dollar salaries for top matadors
  • Paid with injuries / lives
  • Fight up to 100 corridas / year
  • Carlos Arruza
  • 33 fights in one month

19
THE END (ouch!)
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