How To Write A Screenplay - PowerPoint PPT Presentation

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How To Write A Screenplay

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Title: How To Write A Screenplay


1
What Is A Screenplay?
  • A Beginners Guide To Screenplay Writing

http//www.howtowriteascreenplaythatsells.com
2
So, You Think You Can Do Better?
  • How many times have you
  • watched a boring movie
  • and felt that even though
  • you haven't actually
  • written a screenplay, you
  • can still tell a story
  • better than that
  • Hollywood script writer?

3
What Are You Waiting For?
  • Maybe it's time for you
  • to stop being a
  • "wishful player" and
  • produce that story that's
  • been swirling around in
  • that creative brain of
  • yours all these years.

4
How do I put my story into a screenplay format?
  • What is a screenplay exactly?
  • How is it structured?
  • How does one describe characters, scenes,
    environments, etc.?
  • How do I write a screenplay that will sell?

5
Where Can I Find Help?
  • There always seems to be such a lack
  • of appropriate guidance and tips on
  • how to start such a challenge.

6
So What Do I Do?
  • Sure, you can find suggestions online, you may
  • even come across some valuable instruction, but
    it
  • always seems to fall just short of what you truly
  • need in order to bring your story to life.
  • Likewise, when you ask someone of authority how
    to write
  • a screenplay, chances are high that they will not
    provide
  • you with the true guidance in which to see your
    vision come
  • to life.

7
Learning The Ropes
  • Nonetheless, there are some tricks and tips
  • you should know before you hit that
  • keyboard. . .

8
Trick 1 To Dream In A Professional Manner
  • So here you are, you've got your story in
  • your mind (where it has been locked away
  • for some time more than likely) and your
  • convinced it will be highly engaging to an
  • audience.

9
You Know Your Story. . .
  • You believe in your characters, the plot, the
  • sub-plot, the location, all of it...but every
  • time you sit behind the keyboard, your
  • mind draws a blank and your vision
  • quickly recedes back into dreamland

10
Dream While You Write!
  • Don't misunderstand me, you must dream
  • your tale before it becomes a reality, the trick
    is to
  • dream professionally...meaning you must dream
  • your script as you pound the keys on your
  • keyboard. Imagination only takes you so far until
  • work must take over. . .

11
Writers Block
  • Don't worry about writer's block. Every writer
  • experiences days in which nothing will come
  • forth. Every script has had moments when
  • "writer's block" freezes the artist's mind to
  • the point where it's difficult to even type the
  • word, "Hello".

12
Fight The Mind-Freeze
  • The key to you creating the next Hollywood
  • script is to fight that mind-freeze and push
  • through the fog, even when you have
  • convinced yourself you'd be better off
  • watching a movie then writing one. . .

13
Trick 2 Believable Characters
  • This is very important! You've got to get the
  • audience caring about them in one way or
  • the other, so when something happens to
  • the individual characters, the one reading
  • the script is moved, either to joy or sadness,
  • pain or comfort, etc.

14
Making Them Real
  • One very good piece of advice is to write
  • what you already know. In other words, pick
  • someone you have known -or do know- and
  • describe that person's quirks, likes, dislikes,
  • habits, mannerism, sense of humor, and all
  • the little things that make them real.

15
Bringing Them To Life
  • Building off this knowledgeable foundation will
  • produce highly believable and interesting
  • characters (granted that the person you are
    basing
  • them on is not mind-numbingly dull). A
    fascinating
  • this that may happen is sometimes your characters
  • will surprise you as he/she evolves . . .

16
Taking On A Life Of Their Own
  • Sometimes your characters they may even spook
  • you a bit. That is often a natural progress as
    they
  • are coming to literary life. You should not fear
  • this, on the contrary, roll with it and see where
    it
  • takes you (as long as you keep your screenplay on
  • track, otherwise it can be construed as lack of
  • focus).

17
Describing Your Characters
  • Another critical realm is describing those
  • traits I mentioned in your characters in order
  • to bring them to life. Remember, the first rule
  • of writing is . . .

18
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19
Dont Bore The Reader
  • You don't want to write (tell) the reader that
  • one of your characters is tall by simply
  • saying Bob is very tall."
  • That is lacking in imagination and it loses
  • the interest of the reader quickly. By
  • the time you get to killing them off, the
  • reader will be glad theyre dead!

20
Showing vs. Telling
  • You would want to describe (show) Bob's
    heightmaybe this way
  • "Bob ducked his head slightly as he walked
  • through the doorway."
  • To describe (show) someone who is large one might
    say
  • "Mark was stuffed in the chair in front of his
    boss desk."

21
Making The Reader See
  • That tells the reader either Mark is a big-boy,
    or
  • the chair is too small for him. Of course which
    ever
  • point you want to get across will be up to you.
  • Defining the difference between the two could be
  • as easy as saying
  • "Mark was stuffed into the small seat in
  • front of his bossdesk."

22
Action Always Speaks Louder Than Words
  • Another example would be if Steve can't pay
  • his bills and doesnt care, you may describe
  • it this way
  • "Steve sifted through his overdue
  • bills tossing them one by one into
  • the trash can."

23
The Difference Between A Novel And A Screenplay
  • There is a vast difference between book writing,
  • and scriptwriting. In a novel you would go into
  • detail about whether or not the character is
    inside
  • or outside, and what the environment entails . .
    .

24
Write Dont Direct!
  • A screenplay -is more often then not- far
  • more simplified then a novel in this manner,
  • for it is a visual produced by the director
  • instead of a vision created by the readers
  • imagination.

25
Remember You Are The Writer
  • One thing you want to be careful of, is directing
    the
  • characters too much. In other words, don't
    dictate
  • every little facial expression or movement in a
  • characters scene. That is the directors job, not
  • yours.

26
Examples Of Directing In Writing
  • Steve Robbins picked up the news
  • paper and scowled as he read the
  • front page. He then locked eyes
  • with his partner, Charlie McGee."It was you,"
    Steve growled. you did this?

27
Examples Continued
  • What? Charlie asked, stuffing
  • his face with a doughnut and
  • washing it down with lukewarm
  • coffee. He had it comin.
  • You stupid bastard. Steve walks away, shaking
    his head.

28
To Much For A Screenplay
  • That example was way to much info for a screen
    play. A
  • screenplay describing this would be something
    like
  • EXT. NEW YORK CITY NEWSSTAND - DAY
  • STEVE ROBBINS flips the magazine attendant a
    nickel
  • and picks up the morning paper staring at it.
    CHARLIE
  • MCGEE is standing next to him, eating a doughnut
    and
  • drinking his lukewarm coffee. Steve jabs his
    index finger
  • into the front page and locks eyes with Charlie.
    . .

29
Screenplay Layout
  • STEVE ROBBINS It was you.. you did this?
  • CHARLIE MCGEE He had it comin'. STEVE
    ROBBINS He was barely twenty! He was just a
    kid! CHARLIE MCGEE Yeah well, he should
    have kept his mouth shut!

30
Fight The Temptation To Direct
  • It is very tempting to end this
  • scene with something like
  • Steve Robbins throws the newspaper
  • in Charlies face and storms away.
  • In a screenplay, that would be
  • directing.

31
Action And Dialogue
  • This scene tells you quite a bit without a lot of
  • description. It tells you they are in New York.
    It
  • also tells you it's probably late morning because
  • Charlie is drinking lukewarm coffee and having a
  • doughnut.
  • The scene is a time period piece because
  • Steve Robbins only paid a nickel for the
  • paper.

32
The Mystery
  • The scene also tells you there was likely a
  • serious crime committed for it was in the
  • news, and something clued Steve into the
  • fact that it was Charlie who committed it.

33
Keep The Reader Guessing
  • It tells you they are partners, but what it
  • doesnt tell you isare they mobsters or
  • are they crooked cops?

34
Dont Give Away Too Much Until Its Time
  • In a novel I would probably end the scene leaving
    the
  • reader still wondering their identity this way
  • Steve Robbins stormed back up to Charlie, their
    faces
  • inches from one another's.
  • You have any idea how much focus you put on our
  • operation by this, do ya? Robbins growling
    through
  • clinched teeth.
  • Relax Charlie assured him. I took care of it
    its
  • gonna be fine, I promise.

35
SoWhat Is A Screen Play?
  • In short, a screenplay is a structured
  • collection of scenes with mostly dialogue
  • and action to carry it through.

36
Much More Ahead!
  • There are many more aspects to writing a
  • screenplay that will sell of course. These
    examples
  • are but a few. If you have found these
    suggestions
  • helpful, and would like more information on how
    to
  • make your screenplay the best it can be, you are
  • welcome to a free report from an actual Hollywood
  • Script Writer . . .

37
Now, GET WRITING!
  • The very best of luck to you and the amazing
    story
  • you keep locked away in your mind its time to
  • share it with the world
  • I look forward to seeing your work up on the big
  • screen!
  • Here's to you becoming the next Hollywood script
  • writer!

38
What Now?
  • Download Your FREE Report Here
  • http//www.howtowriteascreenplaythatsells.com
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