Title: How To Write A Screenplay
1What Is A Screenplay?
- A Beginners Guide To Screenplay Writing
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2So, You Think You Can Do Better?
- How many times have you
- watched a boring movie
- and felt that even though
- you haven't actually
- written a screenplay, you
- can still tell a story
- better than that
- Hollywood script writer?
3What Are You Waiting For?
- Maybe it's time for you
- to stop being a
- "wishful player" and
- produce that story that's
- been swirling around in
- that creative brain of
- yours all these years.
4How do I put my story into a screenplay format?
- What is a screenplay exactly?
- How is it structured?
- How does one describe characters, scenes,
environments, etc.? - How do I write a screenplay that will sell?
5Where Can I Find Help?
- There always seems to be such a lack
- of appropriate guidance and tips on
- how to start such a challenge.
6So What Do I Do?
- Sure, you can find suggestions online, you may
- even come across some valuable instruction, but
it - always seems to fall just short of what you truly
- need in order to bring your story to life.
- Likewise, when you ask someone of authority how
to write - a screenplay, chances are high that they will not
provide - you with the true guidance in which to see your
vision come - to life.
7Learning The Ropes
- Nonetheless, there are some tricks and tips
- you should know before you hit that
- keyboard. . .
8Trick 1 To Dream In A Professional Manner
- So here you are, you've got your story in
- your mind (where it has been locked away
- for some time more than likely) and your
- convinced it will be highly engaging to an
- audience.
-
9You Know Your Story. . .
- You believe in your characters, the plot, the
- sub-plot, the location, all of it...but every
- time you sit behind the keyboard, your
- mind draws a blank and your vision
- quickly recedes back into dreamland
10Dream While You Write!
- Don't misunderstand me, you must dream
- your tale before it becomes a reality, the trick
is to - dream professionally...meaning you must dream
- your script as you pound the keys on your
- keyboard. Imagination only takes you so far until
- work must take over. . .
11Writers Block
- Don't worry about writer's block. Every writer
- experiences days in which nothing will come
- forth. Every script has had moments when
- "writer's block" freezes the artist's mind to
- the point where it's difficult to even type the
- word, "Hello".
12Fight The Mind-Freeze
- The key to you creating the next Hollywood
- script is to fight that mind-freeze and push
- through the fog, even when you have
- convinced yourself you'd be better off
- watching a movie then writing one. . .
13Trick 2 Believable Characters
- This is very important! You've got to get the
- audience caring about them in one way or
- the other, so when something happens to
- the individual characters, the one reading
- the script is moved, either to joy or sadness,
- pain or comfort, etc.
14Making Them Real
- One very good piece of advice is to write
- what you already know. In other words, pick
- someone you have known -or do know- and
- describe that person's quirks, likes, dislikes,
- habits, mannerism, sense of humor, and all
- the little things that make them real.
15Bringing Them To Life
- Building off this knowledgeable foundation will
- produce highly believable and interesting
- characters (granted that the person you are
basing - them on is not mind-numbingly dull). A
fascinating - this that may happen is sometimes your characters
- will surprise you as he/she evolves . . .
16Taking On A Life Of Their Own
- Sometimes your characters they may even spook
- you a bit. That is often a natural progress as
they - are coming to literary life. You should not fear
- this, on the contrary, roll with it and see where
it - takes you (as long as you keep your screenplay on
- track, otherwise it can be construed as lack of
- focus).
17Describing Your Characters
- Another critical realm is describing those
- traits I mentioned in your characters in order
- to bring them to life. Remember, the first rule
- of writing is . . .
18(No Transcript)
19Dont Bore The Reader
- You don't want to write (tell) the reader that
- one of your characters is tall by simply
- saying Bob is very tall."
- That is lacking in imagination and it loses
- the interest of the reader quickly. By
- the time you get to killing them off, the
- reader will be glad theyre dead!
-
20Showing vs. Telling
- You would want to describe (show) Bob's
heightmaybe this way - "Bob ducked his head slightly as he walked
- through the doorway."
- To describe (show) someone who is large one might
say - "Mark was stuffed in the chair in front of his
boss desk."
21Making The Reader See
- That tells the reader either Mark is a big-boy,
or - the chair is too small for him. Of course which
ever - point you want to get across will be up to you.
- Defining the difference between the two could be
- as easy as saying
- "Mark was stuffed into the small seat in
- front of his bossdesk."
22Action Always Speaks Louder Than Words
- Another example would be if Steve can't pay
- his bills and doesnt care, you may describe
- it this way
- "Steve sifted through his overdue
- bills tossing them one by one into
- the trash can."
23The Difference Between A Novel And A Screenplay
- There is a vast difference between book writing,
- and scriptwriting. In a novel you would go into
- detail about whether or not the character is
inside - or outside, and what the environment entails . .
.
24Write Dont Direct!
- A screenplay -is more often then not- far
- more simplified then a novel in this manner,
- for it is a visual produced by the director
- instead of a vision created by the readers
- imagination.
25Remember You Are The Writer
- One thing you want to be careful of, is directing
the - characters too much. In other words, don't
dictate - every little facial expression or movement in a
- characters scene. That is the directors job, not
- yours.
26Examples Of Directing In Writing
- Steve Robbins picked up the news
- paper and scowled as he read the
- front page. He then locked eyes
- with his partner, Charlie McGee."It was you,"
Steve growled. you did this?
27Examples Continued
- What? Charlie asked, stuffing
- his face with a doughnut and
- washing it down with lukewarm
- coffee. He had it comin.
- You stupid bastard. Steve walks away, shaking
his head.
28To Much For A Screenplay
- That example was way to much info for a screen
play. A - screenplay describing this would be something
like - EXT. NEW YORK CITY NEWSSTAND - DAY
- STEVE ROBBINS flips the magazine attendant a
nickel - and picks up the morning paper staring at it.
CHARLIE - MCGEE is standing next to him, eating a doughnut
and - drinking his lukewarm coffee. Steve jabs his
index finger - into the front page and locks eyes with Charlie.
. .
29Screenplay Layout
- STEVE ROBBINS It was you.. you did this?
- CHARLIE MCGEE He had it comin'. STEVE
ROBBINS He was barely twenty! He was just a
kid! CHARLIE MCGEE Yeah well, he should
have kept his mouth shut!
30Fight The Temptation To Direct
- It is very tempting to end this
- scene with something like
- Steve Robbins throws the newspaper
- in Charlies face and storms away.
- In a screenplay, that would be
- directing.
31Action And Dialogue
- This scene tells you quite a bit without a lot of
- description. It tells you they are in New York.
It - also tells you it's probably late morning because
- Charlie is drinking lukewarm coffee and having a
- doughnut.
- The scene is a time period piece because
- Steve Robbins only paid a nickel for the
- paper.
32The Mystery
- The scene also tells you there was likely a
- serious crime committed for it was in the
- news, and something clued Steve into the
- fact that it was Charlie who committed it.
33Keep The Reader Guessing
- It tells you they are partners, but what it
- doesnt tell you isare they mobsters or
- are they crooked cops?
34Dont Give Away Too Much Until Its Time
- In a novel I would probably end the scene leaving
the - reader still wondering their identity this way
- Steve Robbins stormed back up to Charlie, their
faces - inches from one another's.
- You have any idea how much focus you put on our
- operation by this, do ya? Robbins growling
through - clinched teeth.
- Relax Charlie assured him. I took care of it
its - gonna be fine, I promise.
-
35SoWhat Is A Screen Play?
- In short, a screenplay is a structured
- collection of scenes with mostly dialogue
- and action to carry it through.
36Much More Ahead!
- There are many more aspects to writing a
- screenplay that will sell of course. These
examples - are but a few. If you have found these
suggestions - helpful, and would like more information on how
to - make your screenplay the best it can be, you are
- welcome to a free report from an actual Hollywood
- Script Writer . . .
37Now, GET WRITING!
- The very best of luck to you and the amazing
story - you keep locked away in your mind its time to
- share it with the world
- I look forward to seeing your work up on the big
- screen!
- Here's to you becoming the next Hollywood script
- writer!
38What Now?
- Download Your FREE Report Here
- http//www.howtowriteascreenplaythatsells.com