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Victorian Photography

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Title: Victorian Photography


1
Victorian Photography
  • ENL 3251
  • 11/8/10

2
Victorian Photography
  • The invention of photography influenced the style
    of literature and art in Victorian England
  • Ability to precisely copy nature created a
    standard by which other media were judged
  • Visual nature of photography led to demand for
    visual imagery in literature
  • Question of whether or not photography was an art
  • Very accurate at depicting details
  • Not so good at creating a whole composition
  • Anybody can do it
  • Literature and art should show signs of human
    ingenuity

3
Photography and Realism
  • In some ways, photography is considered the
    ultimate form of realism
  • Can perfectly copy appearances of things
  • In other ways, it falls short of realist
    depictions
  • Literature and art should show signs of human
    intervention
  • Realism is a literary and artistic technique
  • Realism should show signs of human intervention

4
Brief History of Photography
  • Camera obscura
  • A dark room with a pinhole opening that reflects
    an image, upside-down onto a wall
  • Image can be traced from the wall onto paper
  • Works like the human eye
  • Existed at least since 16th century
  • Probably much older (ancient cultures)

5
Brief History of Photography
  • Early nineteenth-century saw attempts to create
    images using chemicals and light
  • Earliest efforts couldnt render the image
    permanent
  • First permanent image made in France, in 1827, by
    Joseph Niépce
  • Required eight hours of exposure to create

6
Brief History of Photography
  • Niépce teams up with Louis Daguerre in 1829
  • After Niépces death, Daguerre continues
    experiments
  • Brings exposure time to 1/2 an hour
  • Calls invention the daguerrotype in 1839

7
Brief History of Photography
  • In England, Henry Fox Talbot invents the
    callotype in 1839
  • Can be reproduced, which was a huge adventure
    over the daguerrotype
  • Publishes book of photographs, The Pencil of
    Nature (1844)
  • By 1851, exposure times reduced to several
    seconds
  • Photography became widely accessible

8
Art Photography
  • Questions immediately raised over the status of
    photography as an art
  • Considered more of a mechanical trade
  • However, some attempt artistic techniques
  • Combining negatives (Oscar Reijlander, Henry
    Peach Robinson)
  • Soft Focus (Julia Margaret Cameron)

9
Oscar Reijlander (1817-1875)
  • Reijlanders The Two Ways of Life (1857)
  • Combine negatives to create narrative scenes
  • Groups photographed individually from models and
    over 30 different prints
  • Controversial for nudity
  • Criticized for exposing his technique
  • In spite of patronage by Queen Victoria and
    Prince Albert, still died in poverty

10
Oscar Reijlander, The Two Ways of Life (1857)
11
Henry Peach Robinson (1830-1901)
  • Admired Reijlander but criticized him for
    exposing his technique
  • Also created images using composite of negatives
  • Fading Away (1858) his most famous
  • Created from five different negatives
  • Controversial for depiction of painful subjects
  • Much more successful than Reijlander

12
Henry Peach Robinson, Fading Away (1858)
13
Julia Margaret Cameron (1815-1879)
  • Began photography as a hobby at the age of 49, in
    1863
  • Daughter gave her camera as a present
  • Became a widely known and highly respected
    photographer
  • Did many portraits of famous figures
  • Known for her use of soft-focus (glow)
  • Also recreated literary scenes
  • Influenced by the Pre-Raphaelites

14
Julia Margaret Cameron,The Kiss of Peace (1869)
15
Julia Margaret Cameron,Charles Darwin (1870)
16
Julia Margaret Cameron,King Lear, allotting his
Kingdom to his three daughters (1872)
17
Discussion Questions
  • Is photography an art?
  • Do literature and art need to show signs of human
    intervention?
  • How might the invention of photography influenced
    some of the works weve read so far in class?
  • How might modern day technologies and inventions
    have influenced our own expectations of
    literature and art?
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