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EXPRESSIONISM 1901-1927

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Title: EXPRESSIONISM 1901-1927


1
EXPRESSIONISM1901-1927
Daniel Sobol
2
Expressionism Overview
  • Political and Social Context
  • What is Expressionism?
  • Expressionism in Art and Film Noir
  • Expressionism in Theater
  • Franz Kafka

3
World War One, The Great War
  • World War One consisted of two stages
  • conventional warfare from 1914-1916
  • War of desperate expedients, as both sides
    struggled for their own existences

4
World War One- Whos Involved
  • The Allied Powers
  • France
  • Great Britain
  • Russia
  • United States
  • Central Powers
  • Germany
  • Austria-Hungary
  • Turkey/Ottoman Empire

5
Germany in World War One
  • On June 28, 1914, Franz Ferdinand, the
    Austro-Hungarian heir to the throne, is
    assisinated
  • Germany allies with Austria-Hungary
  • On August 3rd, 1914, Germany delcares war against
    France, and German soldiers invade Belgium,
    seizing towards France
  • By August 27th, Germany sends forces to the
    eastern front

6
Germany in World War One
  • The Trench is built on the western front- the
    battle in the west becomes a war of attrition
  • Forces on the eastern front trapped by Russian
    forces
  • May 31, 1916, the U.S. enters the War, after
    having ships attacked and sunk by the German navy

7
Germany is defeated
  • March- September, 1918 The Allies surge Germany
    and push them back from the western front
  • Germany has lost 1,000,000 soldiers, leaving them
    with an army of 2.5 million
  • The German army is down 191 divisions to the
    400-500 of the Allies
  • Bulgaria (Germanys ally) is defeated in late
    September
  • German army is defeated

8
Impact of World War One on Germany
  • Throughout the war, Germans had been led to
    believe by government propaganda that they were
    winning the war
  • Germany literally being starved of food due to
    Britains blockade of Northern ports
  • Germanys leader- William II, forced to abdicate
  • The Social Democratic Party comes into power, led
    by Friedrich Ebert
  • SDP announces that Germany is now a republic

9
More Effects of the War on Germany
  • Ebert completely unable to control Berlin,
    establishes the Weimar Republic
  • Soldiers returned from war still armed, blaming
    the government (although it was not Eberts fault
    that Germany had lost the war)
  • 2 million soldiers killed. Because these
    soldiers had been Germanys workforce, the
    countrys economic situation plummeted

10
In SummationWorld War One resulted for Germany
in
  • Economic disaster
  • Loss of manpower
  • Complete disrespect for the government
  • Thousands of armed, disillusioned soldiers
    roaming streets
  • A civilian population devastated and traumatized
    by the impact of war
  • A political revolution, transforming the nation
    into a republic led by an unpopular and opposed
    government

11
Women in the early 20th Century Germany
  • For centuries, women in Germany are considered
    inferior to men
  • The Weimar Republic in 1919 gives women new
    freedoms and privileges, including
  • Emphasis on secondary education
  • The right to vote
  • This small progress towards equality ends in 1933
    when Adolph Hitler comes to power

12
Womens Fashion in Berlin, 1912-1916
13
ToExpressionism!
  • Expressionism is a term that was first coined in
    1901 to distinguish paintings done by
    neo-impressionists who tried to capture the
    appearance of objects under a particular light
    and moment
  • Expressionism in painting emphasizes strong inner
    feelings about an object
  • Portrays life as modified, twisted, and distorted
    by the artists personal perception of reality
  • Does not try to imitate reality, but transform it.

14
So what is expressionism?
  • Expressionism seeks to discover and examine the
    essence of life, the internal, eternal meanings
    of facts, objects, and people.
  • Expressionism seeks to find a deeper reality than
    on the surface
  • Expressionism is not sight it is vision

15
Expression in Visual Arts Starry Night, Vincent
Van Gogh 1889
16
Madonna- Edvard Munch, 1894
17
The Tempest- Oscar Kokoschka,1914
18
The Scream- Edvard Munch,1893
This painting in often interpreted as
an EXPRESSION of Munchs personal torment and
mental illness.
19
Expressionism and Film Noir
  • German Expressionism sprung a small, distinct
    period of filmmaking, which included stylized
    representations of reality
  • The soul in anguish
  • Exaggerated shadowing, high-contrast lighting,
    skewed sets, and off-kilter camera angles
    visualize psychological states.
  • The Cabinet of Dr. Cilgari, 1919- First attempt
    to create expressionist film

20
The Cabinet of Dr. Cilgari
21
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22
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23
Expressionism in Theater!
  • 1910- Expressionism introduced in Germany
  • An anthropomorphic view of existence,
    expressionism projected human views and emotions
    into inanimate objects.
  • Expressionists sought truth in human spirituality
    rather than in external appearances

24
  • Expressionists rejected realism, believing that
    it focused only on the surface of life, implying
    a fixed and materialistic nature of society, not
    the real truths of the universe.
  • Expressionists believed that external reality is
    malleable,
  • and should be changed until it is in harmony
    with human
  • spirituality, the only significant truth

25
  • Expressionists viewed the society in which they
    lived as one which mechanized and distorted the
    human spirit, preventing the attainment of truth
    and happiness
  • Some expressionist dramatists, thus, took this
    militant view into their art and sought to
    transform social and political conditions and
    effect change.

26
Expressionist Technique
  • Expressionist Truth was subjective
  • New artistic means were needed in order to
    express these new perspectives and bring
    audiences beyond the surface
  • Distorted line
  • Exaggerated shape
  • Mechanical stage movement and body language
  • Abnormal coloring of set and lighting

27
Expressionism Through the Protagonists eyes
28
  • Often expressionist plays were shown through the
    perspective of the protagonist
  • Seeing a piece of theater through the eyes of the
    protagonist alters emphasis and imposes dramatic
    interpretations on the event, story, character,
    and thus the audiences perception of the piece.

29
Thematic and Structural Elements of Expressionist
Plays
  • Generally Episodic
  • A central idea creating unity in a piece, often
    questioning the idea of a future Utopia, and the
    possibility of such
  • The struggle between old values and new
    conventions
  • The Beggar by Reinhard Johannes Sorge (1912)
    tells the story of a visionary poet striving for
    fulfillment in a harsh and materialistic society.
  • The journey to find fulfillment and truth in life

30
History of Expressionism in Germany
  • With the impending threats of World War One, the
    emphasis of expressionist work turned away from
    personal problems and became a warning of
    universal catastrophe and a plea for the
    reformation of man and society.
  • Until revolution overthrew the German monarchy in
    1918, little expressionist theater was being
    produced due to strict and imposing censorship.

31
Expressionism Flourishes
  • When the war ended, however, expressionism took
    root in Germany.
  • Theaters began to take expressionist plays into
    their repertoire
  • 1919-1924- Expressionism was the principle type
    of theater in Germany

32
Decline of Expressionism
  • As the state of German society declined, so did
    the optimism of the end of the war turn to
    disillusionment and disappointment.
  • The ideals and views of Expressionist thinkers
    were crushed.
  • By 1924, Expressionism had essentially become
    dead, and what expressionist works remained
    evoked pessimism and personal despair.

33
Great Expressionist Playwrights
  • Georg Kaiser (1878-1945)
  • His trilogy of expressionist
  • plays reveal his perception
  • of the world as it recedes into
  • despair, paralleling the state of
  • Germany
  • Coral (1917) Protagonist comes to understand the
    soul- fails, but is optimistic about the future.
  • Gas I (1918) Son on a journey to regenerate
    society- fails but is left optimistic about the
    future.
  • Gas II (1920) Desperation of mankind- the world
    is self-destructing at the end of the play

34
Franz Kafka
  • Born July 3, 1883 in Prague, Bohemia
  • Grew up in a middle-class Jewish family, with the
    constant presence of his domineering shopkeeper
    father.
  • Received a degree in law in 1906
  • Could sustain a livelihood and have time to
    write.
  • 1917- Kafka diagnosed with tuberculosis, spends
    most of his time in sanatoriums and health
    facilities.
  • Dies June 3, 1924

35
Kafkas life as reflected in his writing
  • Kafka lived in emotional dependence on his
    parents
  • In much of his writing, a sense of impotence
    (even in rebellion) underlies thematically.
  • Kafka had many fruitless love affairs his values
    contradicting between an utter aversion to
    intercourse and a fondness for prostitutes.
  • In his writing, Kafka connects sex with guilt,
    treating it as an attractive and enticing
    abomination.

36
Some of Kafkas Expressionist Works
  • The Judgment- 1913
  • The story of a rebellious son who is condemned to
    suicide by his overbearing father
  • The Metamorphosis- 1915
  • The story of a son, an outsider, who undergoes a
    physical and symbolic transformation into a
    repulsive and fatally wounded insect.
  • The Penal Colony-1919
  • The story of a torture machine, its operators,
    and its victims. Parallels are made to a persons
    inner morality, guilt, and retribution the age
    of World War One.

37
  • Kafkas concise writing style sharply contrasts
    the complexity, anxiety, absurdity, and
    powerfully oppressive symbols of torment that
    fill his vision as a writer.
  • Kafkas writing both elicits and defeats any
    attempt
  • at conclusive explanation and is thus
  • expressionistically subjective.

38
The Guardian of the Tomb-1916
  • Nightmarish vision of a castle on the threshold
    between the human sphere and the other
  • Cool yet grotesque style.
  • Contains little plot set in a timeless room in
    an unnamed country.
  • Portrays the challenge of discovering ultimate
    truth

39
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40
But I know it is getting blacker and blacker,
this time it is an autumn sad beyond all measure.
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