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Whose Desires?

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Whose Desires? D. H. Lawrence s The Blind Man from England, My England, and Other Stories (1922) Leading Questions Characters: Isabel, Bertie and Maurice. – PowerPoint PPT presentation

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Title: Whose Desires?


1
Whose Desires?
  • D. H. Lawrences
  • The Blind Man

from England, My England, and Other Stories
(1922)
2
Leading Questions
  • Characters Isabel, Bertie and Maurice. The story
    starts with Isabels listening for two sounds and
    ends with her receiving the two men, seeing one
    fulfilled and one defeated. How are Bertie and
    Maurice set against each other? What role does
    Isabel play in between the two men?
  • Spaces and the two trips to the farm The spaces
    in the story are also set in contrast to each
    other. How is the farm different from the house?
    How are Isabels and Berties trips to the farm
    different from and similar to each other? (e.g.
    pp. 72, 73
  • The ending What does the mens touching each
    other mean?
  • Symbolic meanings the scar, light and (palpable)
    darkness, cat, touch, flower bowl, etc. (pp. 73,
    74, 77, 81-83)

3
Three Levels of the Story Possible Approaches
  • 3. Main Argument the characters contradictory
    desires reveal the contradictions in Lawrence
    actually.

4
Introduction
  • structure of the text
  • 1. Beginning So Bertie was coming. . . 2nd
    par. Flashback-The background of the story(pp.
    68-71)
  • 2. The Present time a. Isabels trip for
    Maurice in the barn (p. 71-)
  • b. Maurice in his own room. (p. 75)
  • c. Berties arrival
    Isabel (75-76)
  • d. tea and conversation in the living
    room (77-
  • e. Berties trip for Maurice in the
    barn (p. 80)

5
The Three Characters in Trouble/Need
  • A. Isabel and Maurice, the couple (pp. 68-69)
  • M a. self-sufficiency in his sightless and
    physical world
  • With his wife he had a whole world, rich and
    real and invisible. (p. 69, also p. 70)
  • b. post-trauma syndrome (depression)
  • B. Isabel isolation, sense of burden and
    intimacy sees the coming baby as her salvation
    (still a mother, but becomes a lover rather than
    a loved object) nervous but maintaining calmness
    (p. 71)
  • ? Beginning of action letter (p. 71) Let him
    come. worried about each other (75)

6
The Three Characters with Contradictory Desires
  • C. Berties fear of intimacy (pp. 69-70 78)
  • Maurice vs. Bertie sensitivity/slow thinking vs.
    intellectual quickness/emotional slowness.
  • Isabel
  • suffers to look at M in front of B.(78)
  • despises and admires B
  • Maurice There's a good deal when you're not
    active.'
  • vs. Bertie. When there is no thought and no
    action, there is nothing. (79)

7
Symbols The Conflicts between Rational Mind and
Physical Senses
  • Or in Lawrences own words mental consciousness
    vs. blood consciousness (note)
  • Dualism in Lawrence and the underline parts this
    story
  • blood/mind sensuality/intellect
  • Dark/light Sun/moon animal (cat horses)
    /insect or flower arrangement Moisture/dry
  • man/woman male autonomy and community vs. female
    possession

8
I. The Sensual man vs. the intellectual man
  • A. Maurice and Berties Differences
  • Occupationfarmer, lawyer
  • Appearance Characteristics (in Is eyes) M p.
    74 B 78
  • B. Their Ways of Talking to Isabel
  • Maurice short phrases (e.g. 73-74)
  • Bertie articulate but pretentious (75-76)
  • Isabel feels divided, but confirms Ms
    something else (79)

9
Symbols (2) Spaces and the Two Trips to the
Realm of the Senses
  • A. Is trip
  • farmers house 72
  • The stable p. 73, -- I afraid, stirred, wanting
    to see
  • Isabels house 74 safe
  • B. Bs trip
  • M becomes more articulate, while B, shy, stiff
    and pretentious p.81
  • Touching p. 82 ? What does this mean?

10
What do they each desire?
  • The final touches
  •  Maurice to know each other
  • He welcomes it as if fate (p.
  • Isabel
  • To be left alone but she still has her womanly
    patience p. 71)
  • Justify the communication p. 70
  • a mother allowing the one son to be beaten by the
    other Im so glad
  • Bertie to escape Would you be like Bertie?

11
What does Lawrence want?
  • Story written around 1918
  • between 1914 and 1918 wants to escape from
    England
  • His increasingly poor health was exacerbated by
    the English climate
  • There was the psychological pressure caused by
    the suspicions with which others regarded
    Frieda's German nationality and the couple's
    outspoken opposition to World War I.

12
What does Lawrence want? (2)
  • Form a "Blutbruderschaft" (blood-brother
    relationship) with John Middleton Murry and
    Murry's wife, Katherine Mansfield at their
    cottage in Cornwall.
  • The Murrys left because "were embarrassed by the
    violence of Lawrence's quarrels with Frieda."
  • ? His need to set up such a cult makes him
    prejudiced against women and lower classes, using
    them as the Other in his symbolic system of
    belief.

13
Lawrences philosophy
  • The brain is. . . the terminal instrument of the
    dynamic consciousness. It transmutes what is a
    certain flux into a certain fixed cypher. . .
    The mind is the instrument of intruments it is
    not a creative reality.
  • Psychoanalysis and the Unconscious 247
  • For the blood is the substance of the soul, and
    of the deepest consciousness. It is by blood
    that we are and it is by the heart and liver
    that we live and move and have our being, are one
    and undivided. (Apropos 111)
  • The blood also thinks, inside a man, darkly and
    ponderously. . .

14
Lawrences philosophy (2)
  • modern We always want a conclusion, an
    end.
  • Primitive having mythical and symbolic
    consciousness.
  • To them a thought was a complete state of
    feeling awareness, a cumulative feeling, a
    deepening thing, in which feeling deepened into
    feeling in consciousness till there was a sense
    of fullness. (Apocalypse 80)
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