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חלל שלילי נומה בר - בריינספא

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חלל שלילי נומה בר - בריינספא – PowerPoint PPT presentation

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Title: חלל שלילי נומה בר - בריינספא


1
Negative Space Art by Noma Bar
2
  • Israeli illustrator Noma Bar cleverly uses
    negative space to create some thought provoking
    illustrations. His artworks are so simple, yet so
    clever you cant fail to be impressed.
  • An artist using negative space relies on the
    space that surrounds the subject to provide shape
    and meaning. Of course, the term also refers to
    any topic that conjures feelings of unease and
    discomfort, says the artist in his latest book
    called Negative Space.
  • Born in 1973 in Israel, Noma graduated from
    Bezalel Academy of Art Design in 2000. Since
    2001, he has been working in London with a lot of
    big names and media outlets including Vodafone,
    Coca Cola, BBC, The Observer, The Economist,
    Wallpaper and many more. Bar has illustrated over
    sixty magazine covers, published over 550
    illustrations and released two books Guess Who
    The Many Faces of Noma Bar, in 2008 and
    Negative Space in early 2009

3
  • ?????? ??????? (???????) ???? ?? - Noma
    Bar ????? ?????? ???? ????? ????? ???? ???????
    ??????? ??????? ?????. ??????? ??? ?? ?? ??
    ?????? ??? ??? ?? ?? ????? ???? ??? ?????? ???
    ??????."??????? '??? ?????' ???? ????? ?? ?????
    ????? ?? ????? ?? ??? ???? ?? ???? ???????.
    ?????, ????? ?????? ?? ????? ????? ?????? ?? ????
    ??? ??? ????? ", ???? ???? ????? ?????? ????" ???
    ????? ".
  • ???? ?? ???? ???? 1973 ??????, ???? ??
    ??????? ?????? ?????? ????? ???? 2000. ??? 2001,
    ??? ???? ??????? ?? ???? ????? ?????? ?????
    ????????? ???????? ???? ???????, ???? ????, BBC,
    Observer, ??????????, IBM ????. ?? ???? ?????
    ?????? ???? ???????, ???? ????? ? 550 ??????
    ?????? ???? ??? ????? '???? ?? - ????? ????? ??
    ???? ??', ? 2008 ? '??? ?????' ?????? 2009 .

4
Bomb
5
Globalization
6
Burka Ban
7
Jailed
8
Pointed sense
9
Escape the Weather
10
Forgive Your Enemies
11
Fatal Attraction
12
Final Cut
13
Great Jones Street (D. DeLillos novel)
14
Gun Crime
15
Hoodies
16
Hunger
17
(No Transcript)
18
(No Transcript)
19
IBM In India Tiny Loans Can Make a Difference
20
IBM Now Food Can Tell How Fresh it is
21
(No Transcript)
22
Iraq Oil
23
Algae Fuel
24
Spock
25
(No Transcript)
26
(No Transcript)
27
Political Cities
28
Reserved
29
Think Harder
30
Pensions and Properties
31
Power to the Individual
32
Wish You Were Here
33
Red Riding Hood
34
Shy Guy
35
Swimmer
36
Tea for Two
37
Book Cover
38
Charlie Chaplin When Bar works with black and
white, he relies on negative space to create
forms that allow elements to float. Here, Bar
uses one of Charlie Chaplin's most famous
on-screen moments to define his face, though
there are few actual lines . Inspired by
Chaplin's shoe-eating scene in The Gold Rush, Bar
turns a shoelace sum spaghetti strand into
Chaplin's eye and nose the shoe works double
duty as both moustache and mouth.
39
Bill Murray As Bar started work on Bill Murray,
he was pleased to discover that in profile,
Murray's face created a ghoulish figure in the
negative space. The Ghostbusters icon for an eye
is a rather obvious, but effective choice.
40
Harry Potter We've all been exposed to the Harry
Potter hype. The success of this image is how it
speaks directly to the fictional Harry Potter
story, as well as the reality of this
multi-million dollar industry. The centerpiece of
the illustration is the wand, which evokes
fanciful magic, as well as the almighty dollar.
41
George Bush
42
Uri Geller
43
William Shakespeare The first face Bar ever
published, a full page for Time Out London
related to a feature article about a BBC program
called 'The Search for Shakespeare.'
44
Joseph Stalin The hammer and sickle get
rearranged into Joseph Stalin's nose and mouth.
That these two icons can be taken out of context,
but remain in context in that they possess such
associative power that the viewer will know who
this feature face is, bolsters the effectiveness
of Bar's approach to illustration
45
Bob Dylan A true cultural icon, Bob Dylan is no
stranger to being interpreted. Bar keeps this one
simple, using three of Dylan's tools of the
trade musical notations, guitar, harmonica. That
Bar can invest such age and mystery into a face
that is primarily white negative space is yet
another example of his ability to see subjects as
more than just people -- they are their careers.
46
Albert Einstein Commissioned by The Economist for
a cover story about 100 years of Einstein. Though
the illustration was never printed, Bar considers
this a perfect example of combining two icons,
which results in something that is 'almost like a
logo.' Einstein's famously unkempt hair and the
atomic symbol, with the molecules as eyes, for
this famous face.
47
Nelson Mandela Many of Bar's subjects become his
subjects because of dubious behavior. Nelson
Mandela's anti-apartheid activism, however, is a
story of incredible strength in the face of
imprisonment and injustice that concluded with
triumph. Mandela was South Africa's first
president to be voted into office in a
representative democratic election. Mandela
figuratively broke the shackles that imprisoned
him for 27 years, and it is this strength that
Bar celebrates with this illustration
48
Kim Jong-Il Known the world over for his cavalier
rhetoric about North Korea's nuclear capability,
missile contrails make for the glasses of Kim
Jong-Il. Commissioned by the Guardian, Bar was
under a deadline, and to this day when he looks
at this illustration, he wishes he had had the
time to use only one missile. Be that as it may,
the illustration works, as it looks like Kim and
also incorporates what he is known for, weaponry
and antagonizing the United States.
49
Noma Bars Profile
http//www.dutchuncle.co.uk/illustrators/noma-bar/
show_profile
Noma Bar Negative Space A video clip
http//www.youtube.com/watch?vE7KSvl-dOkc
Noma Bar - Printed Interview
http//grainedit.com/2010/03/17/noma-bar-interview
50
Artwork All from the WWW
Music Ernesto Cortazar - Red Roses for a Blue
Lady
DISCLAIMER In accordance with Title 17 U.S.C.
Section 107, any copyrighted work in this message
is distributed under fair use without profit or
payment, for non-profit research and educational
or criticism purposes only. NO COPYRIGHT
INFRINGEMENT DONE HERE
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11/2011
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