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Typography

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Title: Typography


1
Typography Web Use
  • Michael Kun Yung Howard
  • October 30, 2007
  • CS 502 Individual Project

2
What is Typography?
  • Typography is the art, techniques, and style of
    type design arranging type for an assortment of
    different mediums.
  • Traditional typography, known as text is composed
    to create a readable, legible, coherent, and
    visually pleasing pieces, without distracting the
    reader.

3
Anatomy of Type
4
Different Styles of Type
5
Why is X-Height Important
  • The x-height creates the impression of the
    fonts size.
  • Most of what we see of a typeface, gives a
    typeface its visual impact.
  • Can vary between different fonts

6
Typeface Categories (7)
  • Oldstyle - Originally developed from the
    traditional hand-lettering form, following the
    way scribes held their pens and drew letters.
  • Modern - Came about during the industrial
    revolution, reflects a strong emphasis on
    structure and form.
  • Slab Serif - Created during the birth of the
    advertising industry, fattened up the entire
    letter-form.
  • Sans Serif - These typefaces have absolutely no
    serifs, which make the typeface a little less
    readable.

7
Typefaces Categories (Continued)
  • Grudge or Distressed - Also called fringe
    typefaces, are typically distorted,
    schizophrenic, deliberately trashed, often making
    it harder to read.
  • Scripts - Emulate hand-lettering in many
    varieties such as black-letter (bibles written by
    scribes), calligraphy (wedding invitations),
    drafting (architects' drawing), cartoons, and
    etc.
  • Decorative - These typefaces were created only
    for the use of giving a piece a decorative look.

8
Examples of Typefaces
9
Readability
  • Readability refers to whether an extended amount
    of text is easy to read such as in articles,
    books, reports, and etc.
  • Most readable text is the classic oldstyle serif
    faces because the serifs help the reader's eye go
    from one letter to the next.
  • Want typefaces with moderate features and a lack
    of attention to them.

10
How to Improve Readability
  • Never use all caps!
  • Even and consistent letter spacing.
  • Even and consistent word spacing.
  • Average line lengths.
  • Even and consistent line spacing.
  • Know when to use extra bold or extra thin.

11
Legibility
  • Legibility refers to whether a short burst of
    text is instantly recognizable such as in
    headlines, subheads, catalogs, listings, signs,
    and etc.
  • Sans serif letter-forms are more instantly
    recognizable when there is a small amount of
    text.
  • Want typefaces that are direct and clear to the
    reader, with no serifs.

12
How to Improve Legibility
  • Sometimes having small x-heights can reduce
    legibility.
  • If you want to increase legibility choose a
    typeface with an average x-height.
  • Use of regular or medium weight.
  • Use of lowercase letters and caps when they
    belong.
  • More letter-spacing with small fonts, less
    letter-spacing for large fonts.

13
Punctuation Is Important
  • Always use true quotation and apostrophe marks.
  • Know when and where to use apostrophe and ditto
    marks.
  • Always include the periods and commas inside
    quotation marks
  • Semi-colons and colons belong outside of the
    quotation marks.
  • Only include punctuation within parentheses if
    its a full sentence.

14
Hang That Punctuation
  • Reasons Why to Hang . . .
  • Keep clean and strong alignment or edge.
  • Eliminates any awkward gaps that can be caused by
    punctuation.
  • When To Hang . . .
  • Type is set aside from the main body text.
  • When set a large as in quotations, pull quotes,
    headlines, posters, and etc.
  • When type is flush (left or right)
  • Dont need to hang punctuation with small type.

15
Baseline Shift
  • The baseline is an invisible line upon which all
    the characters sit.
  • The term baseline shift refers to moving
    characters up or down in relation to that
    baseline.
  • When To Shift the Baseline . . .
  • Parentheses or hyphens.
  • Dingbats as bullets.
  • Initial caps.
  • Decorative words.
  • Corrections in Company names or Logos.

16
ExamplesHanging Baseline Shift
17
Kerning
  • Kerning is the process of adjusting the space
    between individual letters the process of
    fine-tuning.
  • End result is visually consistent letter spacing,
    which strengthens readability of the text.
  • Types of Kerning . . .
  • Kerning pairs.
  • Auto kerning.
  • Range kerning.
  • Tracking.

18
Other Important Details
  • Linespacing - the space between the lines of
    type.
  • Leading - is measured in points, the amount of
    space after the type and before the next line of
    type.
  • Paragraph Spacing - either indent or add space
    between paragraphs dont do both!
  • Alignment - can play a vital part in the look and
    readability of your text. (left, center, right,
    justified)
  • Consider those phrases, be conscious of your
    choices!

19
Headlines and Subheads
  • Used to provide organization and visual contrast.
  • Be aware the following
  • Avoid using all caps or small caps.
  • Watch the leading for multiple line heads.
  • Be consistent, if flush left, flush everyone left
    as well.
  • Always be more space above rather than below.
  • Create a clear distinction between heads and
    subheads.
  • Choose typefaces that create a strong contrast.
  • Always remember that your purpose is to
    communicate!

20
Pull Quotes
  • Pull quotes are intended to add some visual
    interest.
  • Helpful Tips
  • Include a wide outer margin.
  • Include simple rules to set it apart.
  • Colored or black boxes to show contrast.
  • When using tall or narrow settings, make sure to
    give them plenty of extra space.
  • Try using horizontal quotes that extend across
    several columns.

21
Pull Quotes In Action
22
Emphasizing Type
  • Things to never do . . .
  • Underline or use all caps.
  • Things you can do . . .
  • Italic or bold italic.
  • Use different typefaces altogether.
  • Use colors warm and cool colors.
  • Add empty space.
  • Use rules.
  • Make either really big or really small,
    surrounded by lots of empty space.

23
Web-tastic Typography!
  • Typography rules and terms are pretty much the
    same and still apply when it comes to use on the
    web.
  • When creating type on the web designers use CSS.
    (Specify specific characteristics)
  • font-type - font-weight
  • font-size - font-style
  • font-color - and etc.
  • There are some problems though
  • Cross-platform Issues
  • Installed fonts.
  • Systems display.

24
  • Web Appropriate Type -
  • Verdana (sans serif) - high legibility, improves
    when it gets smaller. (more content)
  • Georgia (serif) - also very legible in large type
    size.
  • Never use Times New Roman, was designed to look
    good in print not the web. (Default)
  • Punctuation - remember to use the character
    entities!
  • - lt (
  • - gt ()
  • Anti-aliased Type -
  • Is a technique that uses computer graphics to
    optimizethe appearance
  • of type on screen, smoothing out the edges by
    adding an additional
  • intermediate colored pixels along the edges.
  • Looks more pleasant and readable.

25
  • Pixels and Grids
  • Pixels are the individual dots that collectively
    make up what we see on the screen, they are in
    organized rows and columns that form a grid.
  • Pixels are a fixed size, absolute, cannot be
    split or broken.
  • Some fonts because of there design fit the grid
    more naturally than others. (specially designed)
  • Size Matters
  • Absolute Measurements in, cm, mm, pt, pc.
  • Relative Measurements px, em, ex, . (rec. ems)
  • Resolution Matters
  • Should take into account when designing.
  • Appearance of type - type set way too small may
    look blocky in a low resolution screen which
    becomes nearly impossible to read and is ugly.
  • Blurred type - low resolution screens, very
    difficult to read.

26
Open Type and Expert Sets
If theres time left!
  • Expert Sets
  • Are additions to basic font sets, designed for
    when we want more and better choices.
  • Is actually a collection of fonts in the same
    font family.
  • Have the regular font, plus other variations.
  • Open Type
  • Based on Unicode.
  • Fonts that can contain more than 65,000 glyphs.
  • Can include entire character sets.
  • Are cross-platformed.
  • Are smart fonts.
  • Eventually going to replace expert sets.

27
Different Ways In Making Type Beautiful(ex.
Small Caps)
If theres time left!
The example above is the use of small caps,
which can be found in open type and expert sets.
  • Others are . . .
  • Oldstyle Figures
  • Display Type
  • Many more . . .

28
  • References
  • The Non-Designer's Type Book by Robin Williams
    (Peachpit Press, 1998)
  • Typography by Joe Gillespie (Webpage Design for
    Designers as of October 26, 2007)
  • Web Typography by Ross Shannon (HTML Source HTML
    Tutorials as of October 26, 2007)
  • Cross-platform Issues by Lynch and Horton (Web
    Style Guide 2nd Edition as of October 26, 2007)
  • Type Graphics by Lynch and Horton (Web Style
    Guide 2nd Edition as of October 26, 2007)
  • Web Design/HTML by Jennifer Kyrnin (About.com as
    of October 26, 2007)
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