SoundeMotion

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If you do something not only with knowledge,
wisdom, and experience butalso with emotions,
do not be surprised that it leads you to success.
You willcreate a piece of art like song,
painting, ballet, or unique acoustic system.
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Our company and strategic partnership

• Sound-e-Motion is a small and creative company
  engaged in designing and manufacturing of
  acoustic systems.
• Our strategic partners are
• UNISOUND, USA manufacture of acoustic systems.
• Russian Game, Russia pricing policy, market
  analysis and sales.
• American Audiophile Network, USA - pricing
  policy, market analysis and sales
• Rhythmica, Poland - pricing policy, market
  analysis and sales
• Our strategy
• fast response to market changes in direct
  cooperation seller - designer, making high
  quality projects and products.

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Sound-e-Motion acoustic systems

• Sound-e-Motion is a state-of-the-art sound
  system which brings the latest technological
  advances and superior woodworking together.
• All of our acoustic systems are madeof wood.
  The reason we use valuable wood species is
  their attractive and sufficiently robust inner
  fiber structure.

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Wood Sawing

• Cutting wood is radial sawing what allows
  foreseeing both subsequent shrinkage losses and
  deformations of wood. If tangential sawing is
  done, deformations control of wood shrinkage is
  practically impossible and results in internal
  stresses and cracks in finished products.

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Wood Drying

• Lumber is dried in press vacuum wood drying
  equipment under pressure up to record low
  moisture content values. For example, oak reaches
  less than 4 per cent of final moisture content,
  and we consider it as a limit value. After this
  limit wood is plasticized, stabilized, its
  internal capillaries are closed, and it loses
  capacity to take up moisture. Plasticized wood
  will keep its shape always even if humidity
  changes. Now we are safe, and there is no risk
  that wood cracks or changes in size. To dry oak
  less than 6 per cent in a conventional drying
  kiln seems to be impossible because wood will
  intake air and change in size as an effect of
  air-dried moisture. It also concerns any product
  manufactured from such wood.

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Wood case
Every wooden piece is examined, processed, and
glued together with special glue type manually.
While doing so, grain flow in each wooden
element is respected. Having identical grain flow
of glued wooden pieces, we get minimum internal
stresses in a future loudspeaker case. Acoustic
system case is turned from glued work-parts and
is worked inside with a special mixture against
cracking in any climate.
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Wood case
Outside thin surface of wooden case is slightly
polished with natural wax. Each case is
carefully examined, and only those with no
imperfections are offered to customers. We
guarantee quality of our cases and give ten-year
warranty against cracks and splits.
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Wood case
Case of our acoustic system is a closed type case
having no damping material. Inside spherical
surface is a good dampener of extraneous waves.
In that way, absence of damping material and
influence of extraneous waves allow driver
working without any additional forces and strain.
Antiresonance loudspeaker body is made of
several hundreds of elements, and each of them
has its own size, and thus, a unique resonance
frequency.
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Sound-e-Motion components

• Speaker mounting brackets are made from
  non-magnetic stainless steel. Spikes are of
  induction case hardened carbon steel so they
  are hard outside and soft inside. With their
  pointed tips, the speakers stand only on a very
  small area of the floor what reduces resonance.
• Sound-e-Motion uses components only of
  internationally known companies Scan-Speak,
  Jensen capacitors, WBT, NORDOST
• All crossover elements are crimped with cable
  end sleeves made of special pure OFC copper with
  24 karat gold plating. Not soldered.

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Sphere features

• We take a sphere as a basis for our product.
  Really, it has natural routes because sphere is
  an ideal acoustic shape and repeats sound wave
  dispersed in space and time.If the case does no
  modifications in sound wave form, a sound pattern
  is transmitted just in the way it was originated,
  i.e. minimum distortions and additions.

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Theory

• Let us deep into the theory.
• Skimming through a bible for acoustician The
  Loudspeaker Design by Vance Dickason, we can
  easily find that in sphere frequency response
  changes are within /- 0,5 dB against /- 5 dB of
  cuboid or /- 3 dB of ordinary parallelepiped.
• Difference is so tremendous that it confirms by
  itself hopelessness of attempts to make an ideal
  acoustic system of classical squared shapes.
• Pyramidal shapes are a little bit better with
  their uneven frequency response up to /- 1,5 dB.
  Still, we strive for creating ideal system and
  take a basic spherical shape.

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The Loudspeaker Design by Vance Dickason
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Sphere features
Loudspeaker case is spherical one both from
inside and outside. Inner sphere damps different
extraneous waves and prevents standing waves
occurrence. At the same time, outside sphere,
repeating shape of wave, creates no sound
distortions and prevents diffraction and
interference of the waves reflected from case.
Absence of inside and outside angles excludes
such an effect as angular reflections. As the
result, if the sound is transmitted at angle,
frequency response deflections are minimal.
Moreover, diffraction lapses are practically
absent (and in classical acoustic system such an
observation cannot be done). So we get widely
spread clear sound without any distortions and
additions.
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Classical acoustic systems, zone of comfortable
listening and minimum diffractional distortions.
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Spherical acoustic systems, zone of comfortable
listening and minimum diffractional distortions.
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Sound-e-Motion acoustic systems

• Exact designing and tuning of acoustic
  components are the basis of ultra-linear
  frequency response. On angles up to 30 degrees
  from centroidal axis, deflections on stated
  diapason do not exceed 2 dB. Thorough accuracy
  and authenticity of sound reproduction are
  achieved.
• Sound-e-Motion is
• unique panorama of sound, pure and unadulterated
• small and space-efficient, minimal crowding of
  room corners and walls
• attractive aesthetic form, hand crafted from
  selected wood
• Sound-e-Motion acoustic systems ideally suite
  for professional record studios, home cinemas,
  public halls, and night clubs.
• The world of ideal sound for audiophiles.

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Sound-e-Motion M20-20 BF

• Monitoring type - floor standingClosed case
  Transfer band     60 Hz .. 40 000 Hz (2.0 dB)
  Low extended    -3 dB  50 Hz    -6 dB  40 Hz
  Resistance rating - 4 Ohm Effectiveness 91.5
  dBPower rating - 140 W Recommended amplifier -
  10 W .. 200 W Spherical case   Inside
  diameter - 34 cm   Outside diameter - 40 cm  
  Wall thickness - 3 cm Volume V 2 x 20
  lMaterial High class natural wood Column
  dimensions height x width x depth  96 cm x 40
  cm x 56 cm Weight 36 kg

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Sound-e-Motion M10-20 BF

• Monitoring type - suspended (BC) or permanent
  stand (BF)  Closed case Transfer band     60
  Hz .. 40 000 Hz (2.0 dB) Low extended    -3
  dB  55 Hz    -6 dB  41 Hz Resistance rating - 8
  Ohm Effectiveness - 87 dBPower rating - 70 W
  Recommended amplifier - 10 W .. 150 W
  Spherical case   Inside diameter - 34 cm  
  Outside diameter - 40 cm   Wall thickness - 3 cm
  Volume V 20 lMaterial High class natural wood
  Column dimensions height x width x depth 
  107.5 cm x 40 cm x 40 cm Weight 18 kg

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Sound-e-Motion M10-5 BF

• Monitoring type - permanent or adjustable stand
    Closed case Transfer band     80 Hz .. 40
  000 Hz (2.0 dB)
• 100 Hz .. 40 000 Hz (1.0 dB)
• Low extended    -3 dB  70 Hz    -6 dB  60 Hz
  Resistance rating - 4 Ohm Effectiveness - 87 dB
  Power rating - 70 W Recommended amplifier - 10
  W .. 150 W Spherical case   Inside diameter -
  22 cm   Outside diameter - 28 cm   Wall
  thickness - 3 cm Volume V 5 lMaterial High
  class natural wood Column dimensions height x
  width x depth  123 (67) cm x 30 cm x 36 cm
  Weight 15 (14) kg

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Sound-e-Motion M10-5 BF
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Sound-e-Motion A10-20 BC

• Monitoring type - suspended (BC) or permanent
  stand (BF)Closed case Transfer band     60 Hz
  .. 20 000 Hz (2.0 dB) Low extended    -3 dB 
  55 Hz    -6 dB  44 Hz Resistance rating - 8 Ohm
  Effectiveness - 86 dBPower rating - 70
  WRecommended amplifier - 10 W .. 150 W
  Spherical case   Inside diameter - 34 cm  
  Outside diameter - 40 cm   Wall thickness - 3 cm
  Volume V 20 lMaterial High class natural wood
  Column dimensions height x width x depth  43
  cm x 40 cm x 50 cm Weight 12 kg

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LFCh-L Active Low-Frequency Channel-Large

• Case - "BANDPASS" Transfer band    22 Hz ..
  70 Hz (-3 dB)    25.5 Hz .. 50 Hz (0
  dB)Amplifier - 150 W Continues - 103 dB  25.5
  Hz .. 50 HzVolume V 120 liter Material High
  class natural woodColumn dimensions height x
  width x depth  72 cm x 78.5 cm x 40 cm Weight -
  50.5 kg

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LFCh-2x10 Active Low-Frequency Channel-2x10
litre

• Closed case Transfer band    34 Hz .. 85 Hz
  (-3 dB)Amplifier - 150 W Volume V 2 x 10
  litre Material High class natural woodColumn
  dimensions height x width x depth  37 cm x 37.5
  cm x 41 cm Weight - 20 kg

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LFCh-2x10 Active Low-Frequency Channel-2x10 litre
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Slim Top Main Channel

• 2-way speaker
• Closed box
• Solid hard wood case

Nom/Peak Power Handling (W)
80/140
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Slim Top Main Channel
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Slim Top Monitor

• 2-way speaker
• Closed box
• Solid hard wood case

Nom/Peak Power Handling (W)
80/140
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Slim Top Monitor
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Slim Top Subwoofer

• Active Low Frequency Channel
• Closed box
• Solid hard wood case

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Slim Top Subwoofer
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