Title: The Romantic Era 18201900
1The Romantic Era(1820-1900)
- Romantic ? romantic (someone involved in romance)
- Movement in not only music but also art,
literature, poetry, politics, philosophy, etc. - Evolution of Classical Era, not innovative
- Carries on Beethovens tradition
- Stresses emotion, imagination and INDIVIDUALITY!
2The Romantic Era(1820-1900)
- Emphasis on
- Freedom of expression
- Obsession with self
- Autobiographical works
- Nationalism
- Middle and working class
- Oliver Twist, Huckleberry Finn
- The realm of fantasy and the Gothic
- Frankenstein, The Hunchback of Notre Dame, The
Legend of Sleepy Hollow, Edgar Allen Poe - Art that tells a story
- Exoticism
- Nature
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5Romanticism in Music
- Expansion (not invention)
- Increased technical demands on performers
- Musical forms and structures
- Ex 90 minute Symphonies vs. 20 minute Symphonies
- Harmony
- More chromaticism and dissonance
- Dynamics
- ppiano, pppianissimo fforte, fffortissimo
- pppp, ppppp ffff, fffff in romantic era
6Romanticism in Music
- Composers with recognizable individual style
- Elements include
- Increased use of folk music
- Nationalism
- Program music
- Exoticism
- Heightened contrast and emotions
- Middle-class audiences (no courts)
- Virtuosi based on public persona
7Schubert Schumann
- Early Romantic composers
- Contemporaries of Beethoven
- Symphonies overlooked by Beethoven symphonies
- Masters of Voice Piano pieces
8Franz Schubert(1797-1828)
- Earliest master of Art Song
- - wrote 600
- No official musical posts
- - got by composing and playing piano
- Not recognized until after his death
9The Art Song
- Solo piece for voice and piano
- Lied German text
- Usually set to poetry
- Music matches text (like text painting)
- Song Cycle set of songs
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11The Erlking by Johann Wolfgang von Goethe
"Do you want to come with me, fine lad?My
daughters should be waiting for youMy daughters
lead the nightly dancesAnd will rock and dance
and sing you to sleep." "My father, my father,
can't you see there,The Erlking's daughters in
the gloomy place?""My son, my son, I see it
wellThe old willows seem so gray." "I love
you, your beautiful form entices meAnd if
you're not willing, I shall use force.""My
father, my father, he's grabbing me now!The
Erlking has wounded me!" The father shudders he
rides swiftly,He holds in his arms the moaning
child.Barely he arrives at the yard in
urgencyIn his arms, the child was dead.
- Who rides, so late, through night and wind?It is
the father with his child.He holds the boy in
the crook of his armHe holds him safe, he keeps
him warm. - "My son, why do you hide your face so
anxiously?""Father, do you not see the
Erlking?The Erlking with crown and cloak?""My
son, it's a wisp of fog." - "You lovely child, come, go with me!Many a
beautiful game I'll play with youSome colorful
flowers are on the shore,My mother has some
golden robes." - "My father, my father, can't you hear,What the
Erlking quietly promised me?""Be calm, stay
calm, my childThe wind rustles through dry
leaves."
12Robert Schumann(1810-1856)
- Composed mostly arts songs piano works
- - short piano works w/ descriptive titles
(autobiographical) - Writer Critic
- - wrote articles on modern classical music
- - discovered some of the works by Schubert
- - promoted Chopin Berlioz
13Program Music
- Instrumental music that is associated with a
story, poem, idea, or scene. - Elements being described are the Program
- Made known by title of piece, movement or
additional notes provided by the composer - Different ranges of degree to which program will
be represented. - For Example
- Title Only
- Beethoven, Symphony No. 6 Pastorale
- Tchaikovsky, Romeo and Juliet Fantasy Overture
- Movements
- Rimsky-Korsakovs Scheherazade
- The Sea and Sinbad's Ship
- The Kalendar Prince
- The Young Prince and The Young Princess
- Festival At Baghdad
14Program Music
- Absolute music- Music for its own sake (no
program) - Ex. Bach Toccata Fugue in d Minor
- Programs will come in varying degrees of
representation and specification - Programmatic music often makes compositions more
enjoyable and understandable.
15Program Music
- Programmatic Symphony
- - Symphony with a program
- Concert Overture
- - One movement, short piece, like an Opera
Overture - Symphonic Poem (Tone Poem)
- - One movement, long piece, very free in form
(compared to a Symphony) - Incidental Music
- - Music before or during a play
16Hector Berlioz (1803-1869)
- First French Romantic
- Studied at Paris Conservatory
- 1830- Prix de Rome
- Famed Conductor and journalist
- Unconventional Music, turned
- Opera companies etc. away
- Monstrous works (massive ensembles, over the top
operas)
17Hector Berlioz (1803-1869)
- Fascination with Shakespeare
- Related to and was inspired by
- dramatic truth
- Set Shakespearean plays to music
- Obsession with Harriet Smithson
- Shakespearean actress
- Inspired
18Symphonie Fantastique (1830)
- Program Symphony in 5 movements
- Berlioz writes detailed description of each
movements representation and intent (aka
program notes) - Meant to tell the story of an artist gifted with
a lively imagination who has poisoned himself
with opium in the depths of despair because of
hopeless love."
19Symphonie Fantastique
- Rêveries - Passions (Dreams - Passions)
- Un bal (A ball)
- Scène aux champs (Scene in the country)
- Marche au supplice (March to the scaffold)
- Songe d'une nuit de sabbat (Dream of a witches'
Sabbath)
20Idee Fixe (Fixed Idea)
- This melodic image and its model keep haunting
him ceaselessly like a double idée fixe. This
explains the constant recurrence in all the
movements of the symphony of the melody which
launches the first allegro. The transitions from
this state of dreamy melancholy, interrupted by
occasional upsurges of aimless joy, to delirious
passion, with its outbursts of fury and jealousy,
its returns of tenderness, its tears, its
religious consolations all this forms the
subject of the first movement. -Berlioz