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Else Whats a Metaphor

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Agatha Christie, Parker Pyne, Detective. Words / Thoughts Control Thoughts ... Already, the Kay Report identified dozens of weapons of mass destruction-related ... – PowerPoint PPT presentation

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Title: Else Whats a Metaphor


1
Else Whats a Metaphor?
  • McLuhans Use of Language
  • (metaphor.doc)

2
  • Poetry remains unintelligible so long as we
    separate words from their meanings and treat them
    as mere signs.
  • I.A. Richards

3
  • The right word is not the one that names the
    thing but the word that gives the effect of the
    thing.
  • Take Today The Executive as Dropout, p. 42

4
A drunk goes into a bar one day
  • What cant be coded can be decorded if an ear
    aye seize what no eye ere grieved for. Now, the
    doctrine obtains, we have occasioning cause
    causing effects and affects occasionally
    recausing alter-effects.
  • James Joyce, Finnegans Wake

5
What Does This Mean?
  • O S H U E
  • H O U S E

H
6
McLuhan Says
  • Words are complex systems of metaphors and
    symbols that translate experience into our
    uttered or outered senses.
  • They are a technology of explicitness. By means
    of translation of immediate experience into vocal
    symbols the entire world can be evoked and
    retrieved at any instant.
  • Understanding Media, p. 57

7
Robert Browning
A mans reach should exceed his grasp,or whats
a heaven for? The Faultless Painter
8
Apologies to Robert Browning
  • A mans reach must exceed his grasp,or whats a
    metaphor?

MMcL The spoken word was the first technology
by which man was able to let go of his
environment in order to grasp it in a new
way. Understanding Media, p. 57
9
McLuhan Says
  • All media are active metaphors in their power to
    translate experience into new forms.
  • Understanding Media, p. 57

10
McLuhan Says
  • Money is a language for translating the work of
    the farmer into the work of the barber, doctor,
    engineer, or plumber.
  • Time is money, and money is the store of other
    peoples time and effort
  • Understanding Media, Ch. 14, p. 127 ff.

11
Believing is Seeing
Seeing is Believing
  • When truth is reduced to mere matching of inner
    and outer, any statement can be questioned.
  • From Cliché to Archetype, p. 30

12
What is Truth?
  • Today the multimedia have demobilized
    consciousness. We speak of lie as credibility
    gap. Truth once again becomes trust, not
    Cartesian certainty.
  • From Cliché to Archetype, p. 34
  • Truth is whatever upsets the apple cart.
  • Agatha Christie, Parker Pyne, Detective

13
Words / Thoughts Control Thoughts / Words
  • Dont you see that the whole aim of Newspeak is
    to narrow the range of thought? In the end we
    shall make thoughtcrime literally impossible,
    because there will be no words in which to
    express it.
  • Every concept that can ever be needed will be
    expressed by exactly one word, with its meaning
    rigidly defined and all its subsidiary meanings
    rubbed out and forgotten.
  • Every year, fewer and fewer words, and the range
    of consciousness always a little smaller
  • George Orwell, 1984 A Novel

14
Group Exercise
  • What are some other ways in which language is
    used to control thought? (of which most may well
    be unaware!)

15
Bushspeak
  • But let us be candid about the consequences of
    leaving Saddam Hussein in power. We're seeking
    all the facts. Already, the Kay Report identified
    dozens of weapons of mass destruction-related
    program activities Had we failed to act, the
    dictator's weapons of mass destruction programs
    would continue to this day.
  • G. W. BushState of the Union Address, 20 Jan
    2004

16
Bushspeak
  • But let us be candid about the consequences of
    leaving Saddam Hussein in power. We're seeking
    all the facts. Already, the Kay Report identified
    dozens of weapons of mass destruction-related
    program activities Had we failed to act, the
    dictator's weapons of mass destruction programs
    would continue to this day.
  • G. W. BushState of the Union Address, 20 Jan
    2004

17
Bushspeak
  • We have faced serious challenges together, and
    now we face a choice We can go forward with
    confidence and resolve, or we can turn back to
    the dangerous illusion that terrorists are not
    plotting and outlaw regimes are no threat to us.
    We can press on with economic growth, and reforms
    in education and Medicare, or we can turn back to
    old policies and old divisions.
  • G. W. BushState of the Union Address, 20 Jan
    2004

18
Bushspeak
  • We have faced serious challenges together, and
    now we face a choice We can go forward with
    confidence and resolve, or we can turn back to
    the dangerous illusion that terrorists are not
    plotting and outlaw regimes are no threat to us.
    We can press on with economic growth, and reforms
    in education and Medicare, or we can turn back to
    old policies and old divisions.
  • G. W. BushState of the Union Address, 20 Jan
    2004

19
Bushspeak
  • Youre either with us, or against us.

20
Cliché as Soporific
21
Breakdown as Breakthrough
  • Every emperor must have his clown In rigid
    hierarchical societies only this licensed
    character dare exercise the probe of free speech.
    The clown is indispensable as audience-checker
    without his clown, the emperor has no means of
    contact with the public
  • From Cliché to Archetype, p. 133

22
McLuhan Says
  • Social anger and sensitivity sharpen the
    awareness of the funny man so that his jokes
    are stabs or probes into the cultural matrix that
    plagues him.
  • From Cliché to Archetype, p. 132

23
  • What do Attila the Hun and John the Baptist have
    in common?
  • Why did the barber win the race?
  • Where did Napoleon keep his armies?

24
  • What do Attila the Hun and John the Baptist have
    in common?
  • Why did the barber win the race?
  • Where did Napoleon keep his armies?

Ground becomes figure
Homophone as probe
Unpack the word and sharpen
25
Shakespeare
  • All the worlds a stage,
  • And all the men and women merely players.
  • They have their exits and their entrances.
  • And one man in his time plays many parts,
  • His acts being seven ages.
  • As You Like It, Act II, Scene VII

26
With Apologies to Shakespeare
  • All the stage is a world,
  • And all the players, merely men and women
  • They have their excitements and their trances.
  • And one part in its time is played by many
    actors,
  • It ages. A being in many acts.
  • How Do You Like It?

27
Sharpening Clichés
  • A teacher asked her class to use a familiar word
    in a new way. One boy read The boy returned
    home with a cliché on his face. Asked to explain
    his phrase, he said, The dictionary defines
    cliché as a worn out expression.
  • From Cliché to Archetype, p. 54

28
Into Probes
  • Punning / word association
  • Spoonerisms / interchange ofwords phrases

Sir, you have tasted two whole worms you have
hissed all my mystery lectures and been caught
fighting a liar in the quad you will leave by
the next town drain.
  • Homophones or homographs

Knowledge Economy ? No-ledge economy
  • Superfices

Francisco Franco The reign (rain) in
Spain Time flies like an arrow.Fruit flies like
a banana.
The Green house, the green house,the greenhouse
  • Synonyms for words in the cliché

Value statement ? value invoice
  • Retrieve an old cliché into a new contextas an
    archetype.

29
McLuhanisms
  • Diaper backwards spells repaid.
  • Food for the mind is like food for the body. The
    outputs are never the same as the inputs.
  • Invention is the mother of necessity.
  • Leaders seek audiences. Emperors give audiences.
  • Nothing exceeds like excess.

30
McLuhanisms
  • A man wrapped up in himself makes a small
    package.
  • The future of the future is the present.
  • The ignorance of how to use new knowledge
    stockpiles exponentially.
  • When a thing is current it creates currency.

31
Individual Playtime!
  • Take the cliché that you brought and sharpen it
    into one or more probes.

32
Probing a Cliché, eh?
33
For Next Time(Think aloud on the weblog)
  • Readings
  • Understanding Media, Ch. 8 9 (Spoken Written
    Words)
  • From Cliché to Archetype, Cliché as Probe.
  • (Optional) The Virtual Marshall McLuhan, McLuhan
    as trickster The poetry of cliché.
  • Weblog
  • Select one or two clichés that are common in your
    field or discipline (verbal, procedural,
    approaches, etc.) and sharpen into probes and use
    them to discover a new insight into an issue.
  • Select one paragraph or passage from the
    readings, and probe its applicability to your
    ground.
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