Title: Ulysses
1 Ulysses
2Published in Paris in 1922 by Silvia Beach, the
owner of Shakespeare Company
3Overview
- Ulysses is set in Dublin, and the events unfold
over 24 hours, beginning on the morning of
Thursday, 16th June 1904. - The work has 18 chapters which correspond, often
approximately and strangely, to episodes in
Homers The Odyssey.
4Homeric Parallels
- One of the most important heroes of the Trojan
War, Odysseus was presented in the two Homeric
epics, the Iliad and the Odyssey as the cleverest
of all the Greek heroes. - The Greeks won the war in Troy, but it took
Odysseus another 10 years to return home. His
adventures were many and most of them were caused
by the anger of the God of the seas Poseidon who
revenged him for blinding his son, the Cyclop
Polyphemus. -
5Penelope/Molly
- While Odysseus has been away, Penelope has been
weaving a shroud for Laertes, Odysseus' father.
She had stated that when she had finished she
would choose between the suitors. By night,
however, she undid what she had woven during the
day. In book 23 of The Odyssey Penelope is
awakened and informed of her husbands return and
the slaughter by her nurse Euryclea. When she
meets him she refuses to believe that it is he,
and proceeds to 'test' him. What finally
convinces her of his identity is his knowledge of
the secret of the construction and immovability
of their bed, to which they then retire, "mingled
in love again".
6The Molly Monologue
- The final episode of Ulysses takes place in the
early hours of Friday, June 17, and takes the
form of a monologue uttered by Molly Bloom. - The structure of the episode is intensely
stream-of-consciousness, lacking punctuation and
traditional sentence structure. - We're taken inside the consciousness of Molly,
and to do so is "to plunge into a flowing river.
If we have hitherto been exploring the waste
land, here are the refreshing, life-giving waters
that alone can renew it.
7Chapter Content
- The episode begins with the word "Yes," which
resonates throughout Molly's soliloquy and ends
the episode as well in a stream of affirmation of
life and human love. - The entire episode takes place in bed, except for
a succession of moments upon the chamber-pot as
Molly attends to her menstrual needs and urinates
(thereby continuing the theme of herself as
symbolic of the female "stream" working for
renewal and regeneration of life). - Leopold has asked Molly to bring him his
breakfast in bed the following morning, and this
leads to a series of reflections and
reminiscences concerning him. - She surmises that he must have ejaculated
somewhere "Im sure by his appetite anyway love
its not or hed be off his feed thinking of her".
8Content (continued)
- Molly Bloom lies in bed, thinking about her
husband, her meeting with Boylan, her past, her
hopes... Among myriad other things, she suspects
Bloom of having an affair, she thinks of woman's
lot in the games of courting and mating, she
remembers a clap of thunder (perhaps the one that
disturbed Stephen and Bloom explained away in
OXEN OF THE SUN), she thinks of her lovers, and
longs for a glamorous life. She thinks of beauty
and ugliness, and her thoughts are interrupted by
a train whistle. She thinks of her past life in
Gibraltar and laments the drabness of her
present. She thinks about her health and her
daughter, and she is interrupted again, this time
by the onset of menstruation. She thinks about
her visits to the doctor, and muses about
Stephen. Her thoughts turn to Rudy and Bloom. She
thinks of humiliating her husband, a clock
strikes, and she recalls the time on Ben Howth
when she and Bloom first made love.
9James Joyce from Ulysses ... a quarter after
what an unearthly hour I suppose theyre just
getting up in China now combing out their
pigtails for the day well soon have the nuns
ringing the angelus theyve nobody coming in to
spoil their sleep except an odd priest or two for
his night office the alarmclock next door at
cockshout clattering the brains out of itself let
me see if I can doze off 1 2 3 4 5 what kind of
flowers are those they invented like the stars
the wallpaper in Lombard Street was much nicer
the apron he gave me was like that something only
I only wore it twice better lower this lamp and
try again so as I can get up early Ill go to
Lambes there beside Findlaters and get them to
send us some flowers to put about the place in
case he brings him home tomorrow today I mean no
Fridays an unlucky day first I want to do the
place up someway the dust grows in it I think
while Im asleep then we can have music and
cigarettes I can accompany him first I must clean
the keys of the piano with milk whatll I wear
shall I wear a white rose or those fairy cakes in
Liptons I love the smell of a rich big shop at 7
1/2d a lb or the other ones with the cherries in
them and the pinky sugar 11d. a couple of lbs of
course a nice plant for the middle of the table
Id get that cheaper in wait wheres this I saw
them not long ago I love flowers Id love to have
the whole place swimming in roses God of heaven
theres nothing like nature the wild mountains
then the sea and the waves rushing then the
beautiful country with fields of oats and all
kinds of things and all the fine cattle going
about that would do your heart good to see rivers
and lakes and flowers all sorts of shapes and
smells and colours springing up even out of the
ditches primroses and violets nature it is as for
them saying theres no God I wouldnt give a snap
10of my two fingers for all their learning why dont
they go and create something I often asked him
atheists or whatever they call themselves of and
wash the cobbles off themselves first then go
howling for the priest and they dying and why why
because theyre afraid of hell on account of their
bad conscience ah yes I know them well who was
the first person in the universe before there was
anybody that made it all who ah that they dont
know neither do I so there you are they might as
well try to stop the sun from rising tomorrow the
sun shines for you he said the day we were lying
among the rhododendrons on Howth head in the grey
tweed suit and his straw hat the day I got him to
propose to me yes first (I gave him the bit of
seedcake out of my mouth and it was leapyear like
now yes 16 years ago my God after that long kiss
I near lost my breath yes he said I was a flower
of the mountain yes so we are flowers all a
womans body yes that was one true thing he said
in his life and the sun shines for you today yes
that was why I liked him because I saw he
understood or felt what a woman is and I knew I
could always get round him and I gave him all the
pleasure I could leading him on till he asked me
to say yes) and I wouldnt answer first only
looked out over the sea and the sky I was
thinking of so many things he didn't know of
Mulvey and Mr Stanhope and Hester and father and
old captain Groves and the sailors playing all
birds fly and I say stoop and washing up dishes
they called it on the pier and the sentry in
front of the governors house with the thing round
his white helmet poor devil half Duke street and
the fowl market all clucking outside Larby
Sharons and the poor donkeys slipping half asleep
and the vague fellows in the cloaks asleep in the
shade on the steps and the big wheels of the
carts of the bulls and the old castle thousands
of years old yes and those handsome Moors all in
white and turbans like kings asking you to sit
down in their little bit of a shop and Ronda and
11the Spanish girls laughing in their shawls and
their tall combs and the auctions in the morning
the Greeks and the jews and the Arabs and the
devil knows who else from all the ends of Europe
and the windows of the posadas glancing eyes a
lattice hid for her lover to kiss the iron and
the wineshops half open at night and the
castanets and the night we missed the boat at
Algeciras the watchman going about serene with
his lamp and O that awful deep down torrent O and
the sea the sea crimson sometime like fire and
the glorious sunsets and the figtrees in the
Alameda gardens yes and all the queer little
streets and pink and blue and yellow houses and
the rosegarden and the jessamine and geraniums
and cactuses and Gibraltar as a girl where I was
a Flower of the mountain yes when I put the rose
in my hair like the Andalusia girls used or shall
I wear a red yes and how he kisses me under the
Moorish wall and I thought well as well him as
another and then I asked him with my eyes ask
again yes and then he asked me would I yes to say
yes my mountain flower and first I put my arm
around him yes and drew him down to me so he
could feel my breasts all perfume yes and his
heart was going like mad and yes I said yes I
will Yes.
12Meaning/Form
- Molly tries to fall asleep.
- As her mind continues to drift, she thinks of her
love for flowers-- "Id love to have this whole
place swimming in roses God of heaven theres
nothing like nature. - This begins the final rush of thoughts which
involve her vivid recollection of her first
sexual encounter with Leopold, of the passion and
affirmation of it. - She recalls, "I put my arms around him yes and
drew him down to me so he could feel my breasts
all perfume yes and his heart was going like mad
and yes I said yes I will Yes". - Molly's final uttered affirmation--"yes I said
yes I will Yes"--reasserts her essential love for
Leopold, as well as her own engagement with the
natural world, of the essence of creation. - Her stream of conscious reverie is analogous to
the waters which wash Odysseus home to his own
wife and bed.
13Content/Form (continued)
- The household symbol for Molly's monologue is the
bed, which represents a Homeric parallel of
homecoming as well as the theatre for human
procreation, for restoration of life's creative
forces through sexual intercourse. - Molly's voice is the essence of female creative
energy, with its constant recurrent "Yeses" and
its stream like structure as her inner discourse
flows from one subject to another, with an
emphasis on her love for Leopold and all its
implications the point to which it consistently
returns. - The soliloquy is full of images of nature, of
mountains and flowers and rivers and seas. - She is the voice of Nature herself, and judges as
the Great Mother, whose function is fertility.
14Stream of Consciousness
- Literary technique that records the continuous
flow of multifarious thoughts and feelings of a
character without regard to logical argument or
narrative sequence. - The writer attempts by the stream of
consciousness to reflect all the forces, external
and internal, influencing the psychology of a
character at a single moment. - The phrase stream of consciousness to indicate
the flow of inner experience was first used by
William James in Principles of Psychology (1890).