Title: Shakespeare and the Elizabethan Era
1Shakespeareand the Elizabethan Era
James 1, after 1603
- 1564-1616
- Queen Elizabeth 1
Died 1603
2Welcome to Renaissance England.
3Before Elizabethan times.
- Introduction
- Throughout the middle ages plays were performed
by workers in towns and were based on religious
issues, often retelling stories from the Bible. - However, this ended after Henry VIIIs break from
Rome and formation of the Church of England in
1533. - After this, playwrights took inspiration from the
Roman theatre and writers like Seneca, who wrote
about crime, revenge, witches and ghosts. - Â Â Â Â Â Elizabethan writers introduced theatre
audiences to horror, the supernatural and GORE
4Shakespeare
- William born 23rd April 1564, 3rd of 8 children
- Born in Stratford on Avon, son of John
Shakespeare, a prosperous glove maker and
meat/wool trader, grandson of Richard a
successful farmer in Snitterfield. His mother was
Mary Arden, of the rich Arden family of Wilmcote.
In 1565 John became an Alderman, but in 1577, he
ran into debt and in 1586 turned his back on the
Church. - Attended local school in Stratford till age 13/14
- Apprenticed as glove maker
- 1582 married Anne Hathaway ( daughter of farmer
in Shottery) - they had 3 children - The lost years till 1593. We know nothing else
till Shakespeare is in London
5Shakespeare - the writer
- The development of Elizabethan drama was
primarily due to Christopher Marlowe( 1564-1593-
Tamburlaine, Faustus) but Marlowes early death (
stabbed in a tavern brawl) left the field open
for another dramatist. - Shakespeare was a member of Lord Stranges Troupe
performing in the Rose Theatre as actor and
writer - 1594 , Shakespeare was a member of the company of
Chamberlains Men based at the Theatre. From
1594 on, he wrote an average of two plays a year
till 1608 and consolidated his place in the
company and became, in his lifetime, the most
highly sought after dramatist of the Elizabethan
and Jacobean stage
6In memoriam
- Shakespeare is buried in Holy
- Trinity Church in Stratford on
- Avon. He wrote his own
- epitaph and it reads
- Good friend, for Jesus sake
- forbear, to dig the dust enclosed here!
- Blest be the man who spares these stones
- and curst be he who moves my bones
- http//ise.uvic.ca/Library/SLT/life/death.html
7Shakespeare - the successful writer
- 1596 the Shakespeare family was granted a coat
of arms with the motto non sanz droict not
without rights
The description of the coat of arms Gould, on a
Bend, Sables, a Speare of the first steeled
argent . And for his creast or cognizaunce a
falcon, his winges dispplayed Argent standing
on a wreath of his coullers.
1602 sketch
8Its
Time!
9Its time to don your doublet!
10Tighten your trussing!
11Get on your galligaskins!
12Females, fit on your farthingales!
13Smooth your stomachers!
14Remember your ruffs!
15Slip on your shoes!
And grab your gloves!
16Gentlemen?
Ladies?
17Is everybody ready?
Were going to the theatre!
18(No Transcript)
19The Globe!
Shakespeares theatre is located just outside of
London, England.
20The Playhouses
21Playhouses of the time
- The contract for the building of the Fortune
gives useful information about the size of the
theatre, and the accommodation for the audience. - The building was to be three stories in height,
with four "gentlemen's rooms," "sufficient and
convenient divisions for twopennie roomes," and
seating in all the galleries. - The stage area measurements indicate quite a
large area
22The FortunePlayhouse
The stage area is measured in feet
23A white flag is flying. Theres a play today!
24Playhouses
- The Performances
- The theatres often had mechanisms that allowed
angels and gods to be lowered down onto the
stage. Stages were also equipped with a trapdoor
leading to a Hell beneath the stage. The
trapdoor was also used as a grave in theatrical
funerals. - There was very little scenery available for
theatres, so the writers often used to dialogue
to explain to the audience where the scene was
taking place. - Costume was very important in Elizabethan
theatre. Actors wore colourful and elaborate
costumes that would tell the audience the
characters status, family ties or profession. - The emphasis that was given to a characters
clothing made the theme of disguise a common
convention of Elizabethan theatre. In order to
exchange places with another character or conceal
his identity, all an actor needed to do was to
change his costume. - Â The Elizabethan theatre also used a variety of
sound effects. Music played an important role in
the setting the mood of the plays. Other sounds
created were thunder, running horses, falling
rain, and cannon blasts.
25Its afternoon, time for the play to start.
- The groundlings have paid their penny (1/12 of
weekly salary) and are standing to watch the
play, while the very rich sit upstairs in the
covered gallery for 6 pence a seat - A quarto edition of the play cost 6 pence
- The stage is a lower class profession, and no
women will appear there. - The young men are dressing up to take the female
roles.
26Its one of Shakespeares tragedies!
The play is about to begin!
27(No Transcript)
28Were in for a real treat
- The wealthy are in the upper decks
Its good the plague is over and the theatres are
open again.
29Now, let the show begin!
30London in the 1500s
- a labyrinth of tiny streets, with only one route
across the Thames, the river which dominated the
city - Most of the 200,000 population was crammed within
the city walls( 50,000 in time of Henry VIII,
increased under Elizabeth 1) - The lord mayor ran the city
- The houses and palaces of the nobility lay to the
west, near Westminster - People worked long hours, with workers often
living on the work premises with their masters - Theatres were outside the walls of the city, with
the brothels and bear gardens
31Elizabethan Age
- 1558 to 1603 (Elizabeth I's reign)
- Time of exploration and discovery
- Diffusion of knowledge (inventions...)
- Renaissance
- Male superiority
- Return to Protestantism
- Improvement of the educational system
- English language gains importance
- Literary movements and developments
- Drama, theatres and Shakespeare
32The Plague ( Bubonic Plague)
- Ravaged London in 1564, in 1592-93, 1603,1632
causing over 100,000 deaths - The plague spread from the suburbs to the centre
- It was seen as God punishing the wickedness of
the city and theatres were closed immediately
there was an outbreak - Rosemary was used as a remedy people put it to
their noses and in their ears - Houses were branded with a Red Cross and boarded
up with the occupants sealed off from the outside
world, whether they were ill or not
33The plague an artists impression
34Transmission of the Plague
35 Daughter of Henry VIII and Anne Boleyn
Succeeded her half-sister Mary (daughter of
Catherine of Aragon) Received a humanist
education Spoke French and Italian fluently
could read Latin and Greek Her status was
justified through comparisons with other female
leaders body natural ? female gender body
politic ? role as a monarch timeless absolute
Elizabeth 1
36Queen Elizabeth I
- Believed in royal absolutism
- Rising against her and her laws was not only
criminal but also a blasphemous act - Had an immense influence over the country
politically and socially - Reckless, unpredictable
- execution of Mary, Queen of Scots
- imprisonment of Sir Walter Raleigh
- Persecution of Catholics
37Some of the issues of the time.
- The Plague
- Elizabeths lack of an heir
- England v Spain
- Emgland v France
- Catholicism v Protestanism
- Taxation increases
- and Deforestation
The Spanish Armada
38Have you heard these phrases?
- I couldnt sleep a wink.
- He was dead as a doornail.
- Shes a tower of strength.
- They hoodwinked us.
- Im green-eyed with jealousy.
- Wed better lie low for awhile.
39They are just some of the many expressions coined
by that master of language, William Shakespeare.
40Sources Used
- Fashion pictures from High Fashion in
Shakespeares Time by Andrew Brownfoot, Five
Castles Press Ltd., 1992 - Of the timeShakespeares Book of Insults,
Insights, Infinite Jests, by John W. Seder,
Templegate Publishers, 1984 - The Story of English by Robert McCrum, et. al.,
Penguin Books, 1987