Title: 1. SPANISH LANGUAGE MEDIA 2. CLEAR CHANNEL
1 1. SPANISH LANGUAGE MEDIA2. CLEAR CHANNEL
- Linguistic and radio oligopolies
2Hispanic Media Market Attractions (1)
- Hispanic population projected to triple in size
by 2050, accounting for 24 of the population. - Growth in this market greatly exceeds growth in
comparative markets. - Media age of Hispanics is 26.6 versus 35.8 for
non-Hispanics. - One in five teens are Hispanic.
- Hispanic teen pop. Grew 30 1993-2001, while
non-Hispanic teen pop grew 8 is expected to
grow further 62 by 2020 compared with
non-Hispanic teen growth of 10. - 18 of Hispanic viewers in the 18-34 age range.
3Hispanic Media Market Attractions (2)
- Hispanics watch more TV (4.6hrs) than whites
(3.9hrs) and Asians (3.5hrs) - Average Hispanic teen spends 320 monthly (total
19bn spending power), 4 more than average
non-Hispanic teen - 96 of Hispanics use at least some Spanish at
home 86 do so at work or school. - 70 Hispanics learn more about products when
advertised in Spanish - 50 Hispanic households prefer watching programs
in Spanish
4Hispanic Media Market Attractions (3)
- Hispanics are more brand-oriented.
- Hispanic advertising industry grew at average
rate of 17 a year 1997-2002, from 1.7bn to
3bn. - U.S. leading advertisers under-investing in
Hispanics allocated only 2.4 of advertising
expenditures 1999-2002, although Hispanics
accounted for 13 of U.S. population. - Hispanic purchasing power is 630bn in 2003.
- Hispanic middle class grew 80 1979-1998.
5MERGER 1 Telemundo NBC
- Established
- 2002 Telemundo network, No.2 in U.S. Hispanic TV
market acquired from Sony Liberty by NBC. - Cost of purchase 2.7 bn
- Potential market 35.3 m Hispanics (14 of U.S.
market, but 3 of advertising pie) - Advantages of synergy
- Telemundo (in 1993, 300m in debt) gets access
to NBC sales, marketing, formats, news gets
increase in market share NBC gets broadcasting
in both languages for major news stories (e.g.
2004 Olympics), since 40 of Telemundo staff is
bilingual
6Merger 1 Telemundos Strategy
- Will concentrate more on telenovelas in
primetime, particularly Mexican telenovelas since
Mexican Americans prefer imports from Mexico - New imports come mainly from TV Azteca (No.2
network in Mexico)
7Merger 2 Univision HBC
- Univision (No. 1 U.S. Hispanic TV and radio,
reaching 97 of all U.S. Hispanic TV households
owns and programs 66 radio stations in 17 of top
25 U.S. Hispanic markets) Univision is fifth
most watched network in U.S. - In 2003, Univision announced merger with Hispanic
Broadcasting Corporation (HBC) a Spanish-language
broadcaster with 63 stations in 15 of top 20
Hispanic marketsFCC approved merger Sept 2003 - This merged company would control nearly 70 of
Spanish-language TV ad revenue in the U.S. and
40 of Hispani audience radio ad revenue - Largest HBC shareholder is Clear Channel (8.4bn
rev).
8Merger 2 (ctd)
- Univision owns
- Univision Television Network
- Telefutura (24 hr broadcast-TV network)
- Galavision (No.1 cable network for
Spanish-speakers in U.S.) - Univision Music Group (leading LatAm co., with
more than 35 market share - Univision Online
- Univision gets most of its telenovelas from
Mexicos Televisa
9Advantages of Univision-HBC deal
- Scope for marrying Univision recording artists
with Univision/HBC TV/radio shows potential
trouble for independent artists - Cross promotional prospects for commercials
promoting Univision artists on Univision/HBC
TV/radio - Links with Clear Channel to marry Univision/HBC
TV/radio with Clear Channel artists, concerts,
promotions
10Problems with Univision-HBC merger
- Both Clear Channel / Univision run by politically
active billionaire Republicans at a time when - GOP reaching out to Hispanic voters (most vote
Dem) - Clear Channel syndicates many right-wing talk
shows and shock jocks - Both Clear Channel and Univision exert
near-monopoly power in their respective markets.
In 2000-2001 Univision accounted for ALL top
20-rated Spanish programs - Clear Channel owns 1,200 radio stations (970 more
than nearest competitor) 37 TV stations, 770,000
billboards and hold of venues, promoters and
tours to exert control over concert industry
(sold 30m concert tickets in 2002, 70 of
national total). Said to have the power to
determine which artists get to be heard by
public. Exercises political censorship.
11Problems ctd.
- Neither Univision nor HBC is controlled by
Hispanic Americans Univision, once owned by
Hallmark, is owned by Jerrold Perenchio, Televisa
of Mexico and Venevision of Venezuela. But half
the board is Hispanic as are its three highest
paid officers - 87 of Hispanics in US are opposed to having
Spanish language media owned by non-Hispanics - Perenchio is strong GOP supporter as is Clear
Channels CEO Lowry Mays, and its investor/board
member Tom Hicks
12BUT
- Univision only attracts 5 of U.S. TV viewers,
and 2 of ad. dollars but it had more than 50
of Hispanic audience in L.A..
13A Third Player Azteca America
- Azteca America is an off-shoot of TV Azteca which
broke Televisas monopoly in Mexico and now
commands 40 of the audience in Mexico. - TV Azteca is owned by Group Salinas, which also
owns Group Elektra (home electronics), Unefon
(cellular phones), Todito.com (Internet services)
and half of the Mexican soccer league. - Launched 2001, in L.A.
- In 2002, AAs LA station, KAZA-TV 54 had been
3-4 of total U.S. Spanish language TV sales.
Controls WPMF 38 in Miami (but Miami Cuban
audience not so receptive to programming from
Mexico)
14CLEAR CHANNEL (1) The Complaint
- Consolidation has made radio even more
cookie-cutter bland, with narrow, unimaginative
playlists. -
- Demographic targeting and audience testing
eliminate variety, stifle regionalism and foist
the least objectionable music on the public.
15Clear Channel (2) Complaint ctd.
- Advertising pricing policies undermine
competing stations - Payment deals that skirt laws prohibiting
payola - Purchases of stations across the Mexican border
to bypass domestic ownership caps - Strong-arming of artists to perform with Clear
Channel's concert production arm - Four or fewer companies control 70 percent or
more of market share in nearly all local markets
16Clear Channel (3) The Complaint
- Owns more than 1,200 local radio stations in all
50 states - Dominates rock and Top 40 formats in many of the
countrys largest markets - CC stations control 60 percent of the rock radio
market nationally - CC stations share logos, promotional bits but
draw from same pool of on-air talent - CC runs programming and advertising operations of
many stations it does not own
17Clear Channel (4) The Complaint
- In S.F., CC has 7 radio stations, massive concert
business, and many of the city's billboards. And
through its subsidiary, Adshel, it may soon
control street distribution of newspapers
18Clear Channel (5) The Complaint
- Radio station owners use their power to push
around record companies that want their songs
played on the air - Clear Channel often demands rising artists play
at live concerts promoting individual Clear
Channel stations. Stations continue playing
group's music only if it appeared at the concert.
Record companies must bear group's expenses. Such
appearances dilute audience for groups own
concerts.
19Clear Channel (6) The Defense
- In its defense, Clear Channel says top 10 radio
companies only control 44 percent of the radio
industry. In contrast, top 10 film studio owners
account for 99 percent of movie profits, and five
record distributors dominate 84 percent of that
market.
20Clear Channel (7) The Defense
- Owns only 10 of nations 11,000 stations
- (BUT takes 20 percent of advertising rev and
attracts 25 of listeners nationwide about a
third of the population) - Surveys show people prefer tight, predictable,
repetitive play-lists - Specialization has led to stations that play only
hip-hop or dance music - Focus attention on under 35s decline in classic
stations - Subscriber sat services such as XM and Sirius,
and Internet radio promise more choice