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Aesthetics: Contemporary Theories

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To discuss a range of topics that are relevant to the judgment and appreciation of art ... ever present changes and novel creations, makes it logically impossible to ... – PowerPoint PPT presentation

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Title: Aesthetics: Contemporary Theories


1
Aesthetics Contemporary Theories
2
Aims of the Course
  • To provide an introduction to Contemporary
    Aesthetics
  • To discuss a range of topics that are relevant to
    the judgment and appreciation of art
  • To think about a range of topics in relation to
    works in Tate Modern

3
Further Information
  • See www.artandallusion.com
  • My email nigelwarburton_at_aol.com

4
Week by Week
  • 1) Against Definition
  • 2) The Institutional Theory
  • 3) Identifying Art (change!)
  • 4) Aesthetic Concepts
  • 5) Artists Intentions
  • 6) Style and Personality

5
Traditional Aesthetic Theories
  • Define art
  • Give its essence
  • Spell this out in terms of necessary and
    sufficient conditions

6
WEITZ
  • Focus not on What is Art?
  • But on What sort of concept is Art?

7
Necessary Conditions
  • pre-requisites
  • E.g. necessary condition of being a fox that a
    mammal
  • E.g. necessary condition of being a student that
    you are studying something

8
Sufficient Conditions
  • guarantees
  • E.g. sufficient condition of being a student that
    you are studying at Oxford University
  • E.g. sufficient condition of being on this
    course, that you have a ticket.

9
Art and Nec. And Suff. Conditions
  • According to Clive Bell a work of art is
  • 1) An Artifact (necessary but not sufficient)
  • 2) Has Significant Form (necessary and sufficient)

10
Weitz on the attempt to define art.
  • a logically vain attempt to define what cannot
    be defined (p.411).
  • treating art as a closed concept when it is an
    open one

11
Open Concepts
  • Derived from Ludwig Wittgenstein on games in
    Philosophical Investigations
  • No common essence of game
  • Open concepts require a decision with new cases
    closed, can state nec. and suff. conditions

12
Sub-concepts of Art
  • E.g. is this work a sculpture?
  • Answer isnt given by reference to nec. and suff.
    conditions but by decision of whether or not to
    extend concept of art to cover it.

13
Summary (p.413)
  • the very expansive, adventurous character of
    art, its ever present changes and novel
    creations, makes it logically impossible to
    ensure any set of defining properties.
  • Can close the concept

14
BUT
  • What is Weitzs evidence?
  • 1) Past failures of definitions
  • 2) Plausibility of family resemblance notion.
  • Does it follow that it is logically impossible?
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