Creature

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Creature
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n creature 'krE-chr 1 an animate sentient
being and living entity, including lower animals,
charismatic megafauna, human beings, birds, bugs
and little brothers, etc. or 2 as above,
but of anomalous or uncertain nature.
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Salmon Minji lee, ECI Foundation
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Hope (2005) Jennifer Allora and Guillermo
Calzadilla
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We are all Animals Geoffrey Cottenceau
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Pug Suzanne Kwong, ECI Foundation
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Bat Landfill leachate Alexis Rockman
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Sean Barner
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Museum for Communications in Frankfurt am Main
Germany
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Shapeshifter Brian Jungen
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Knitted Pelts in the Exact Likeness of My Cat
Ruth Marshal
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2D gt 3D
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Thomas Demand is a mid-career German artist who
re-creates scenes from real-life and from
photographs using cut colored paper. The above
picture of a Florida vote-counting
station. Although Demand's reconstructions are
apparently accomplished at full-scale, they have
some of the pleasures of miniaturization, of
reducing the real with all its detail and
incomprehensibility into a schematic which feels
both easily understood and an agent of potential
further understanding (think of the uses to which
models are usually put in architectual planning,
et al, as well as the resonance of the word
"reconstruction" in the Unsolved Mysteries
sense).
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En route vers la gloire 2003Carton ondulé, 2, 40
x 10 x 6 m Sylvie RENO
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Shigeru Ban
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Tara Donovan Moiré, 1999 Adding Machine
Paper2' 8"(H) x 29'(W) x 24' 6 1/2"(D)
Tara Donovan Untitled, 2000 Ink on Handmade
Paper4' 3"(H) x 3' 3"(W)
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Chris Natrop
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Peter Callesen
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Anish Kapoor
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Eric Gjerde
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A template is used to transfer the scoring layout
onto a sheet of 220gsm A1 cartridge paper. An
empty ballpoint pen is used to score the fold
lines, the outline is then cut and the wing is
folded by hand. A velcro strip was used to attach
the wings to the clothing, allowing for
repositioning as necessary. Richard Sweeney
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3D X 3, Part 1 Please select 3 different
creatures at random and make a small well-made 3D
preliminary model a maquette - of each one
using techniques similar to those shown
here. The goal is to explore the methods for
transforming 2D materials purposefully into forms
of 3D representation. Each maquette should convey
the qualities, characteristics, and personality
of each creature, and fit roughly into your
hand. Please present these next week for 10 of
your final grade. Also bring drawing and modeling
supplies.
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Basis for Evaluation Craft Insight Investment Pot
ency Embodiment
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3D X 3, Part 2 Using only one material, please
make a 3D representation of your creature out of
a 2D sheet or flat material. This could include
paper, card, fabric, thin sheet materials, foils,
bus transfers, tickets, receipts, newspaper,
pages etc. You are free to use any material but
please consider the way your material choice
reinforces the qualitative aspects of your
creature. The goal is to explore the ways 2D
materials can manifest 3D qualities of
creature-ness, No bigger than a breadbox Due the
following week for 10 of your final grade.
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end