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Title: Linking Curriculum and Community Through Oral History


1
Linking Curriculum and Community Through Oral
History
October 2006
The Many Bricks of the Schoolhouse Association
of Independent Maryland School (AISGW) April, 2008
2
  • Glenn Whitman
  • Dean of Studies
  • gwhitman_at_saes.org

3
Workshop Objectives
  • 1. Demonstrate the value of oral history as an
    educational and historical methodology.
  • 2. Demonstrate that when students are empowered
    to be and think like oral historians, they can
    make lasting contributions to the communities in
    which they live and study.

4

What are the first ten names in United States
History that come to your mind?
  • Student Responses
  • September 2004
  • George Washington
  • Thomas Jefferson
  • Martin Luther King, Jr.
  • Ronald Reagan
  • Abraham Lincoln
  • John F. Kennedy
  • Bill Clinton
  • Only 3 women (Eleanor Roosevelt, Rosa Parks,
    Harriet Tubman) were mentioned among the list of
    15 students
  • Student Responses
  • September 2007
  • George Washington
  • Christopher Columbus
  • FDR
  • Harriet Tubman
  • Abraham Lincoln
  • Hillary Clinton

How do we account for such lists? Who is
missing from these lists?
5
What is Oral History?
  • What it is
  • A historical method that
  • collects and preserves
  • first-hand, spoken
  • memories through
  • recorded interviews
  • -Donald A. Ritchie
  • Doing Oral History
  • What it is not
  • Journalism
  • -Kissing Cousins Journalism and Oral History
    (OHR, 2004)
  • Folklore
  • Role Playing

6
What skills and values should we teach students
to prepare them for the world they will inherit
in the 21st century?
  • Honesty and integrity
  • Flexibility
  • Teaming
  • Collaboration
  • Inclusiveness
  • Value diversity
  • Problem solving (Complex, real-world)
  • Public Speaking
  • Self-discipline
  • Leadership

7
Preparing Students for their Right Brained
Future (not our Left Brained Past)
  • The Six Senses
  • Design
  • Story (Direction, Inspiration, Compelling
    narrative)
  • Symphony (Bringing skills and values together,
    Synthesis)
  • Empathy (EQ versus IQ)
  • Play (Unsupervised, unrestricted and imaginative)
  • Meaning

8
Preparing Students for their Right Brained
Future (not our Left Brained Past)
  • Five Minds
  • The Disciplined Mind
  • The Synthesizing Mind
  • The Creating Mind
  • The Respectful Mind
  • The Ethical Mind

9
Why I Use Oral History as an Educational
Methodology
  • Trains the next generation of historians through
    Cognitive apprenticeships
  • -Kim Porter, University of North Dakota
  • Empowers student with their own learning (and
    confusion)
  • Allows students to connect with the past that
    will be more enduring than Jefferson or Lincoln
  • Generates student experts who serve as
    co-teachers for the class
  • Accessible to all types of learners, across grade
    levels, and disciplines
  • Creates a more inclusive history for marginalized
    groups of people
  • Its fun! (An underappreciated educational
    methodology)

10
Why I Use Oral History as an Educational
Methodology
  • No geographic limitations
  • You dont have to be famous for your life to
    have history.
  • -Southern Oral History Program
  • Everyman and woman can be his own oral
    historian.
  • An oral history project can meet and often
    exceeds state and national standards of learning.
  • Helps to build intergenerational bridges
  • Opportunity for Service Learning (Allowing
    students to make important contributions to where
    they live and study)
  • An oral history project can be integrated across
    disciplines, grade levels and types of schools
    and programs

11
Bringing Diversity to Your School or Program
12
Sharing Authority(Fostering Intergenerational
Bridges)
13
Sharing Authority(Fostering Intergenerational
Bridges)
  • Imagine having a teacher
  • for every student in
  • your class.

14
Its What Students Will Remember About Your
Course!
p. 10
15
Barbara TuchmanPracticing History
  • Professional Historian
  • Someone who has had
  • graduate training leading
  • to a professional degree
  • and who practices within
  • a university.
  • Amateur Historian
  • Someone outside the
  • university without a
  • graduate degree.

The two need each other to help democratize the
historical record
16
The Student Oral Historian Preserving History
Today for the Historians of Tomorrow
. . . Do it for me and for the legion of other
social scientists and historians who will come
upon your students work ages hence--and will
learn important things about your community, and
how it was to live in what we, from our limited
perspective, call modern times. - James W.
Loewen, author Sundown Towns, Lies Across America
and Lies My History Teacher Told Me in the
Foreword to Dialogue with the Past Engaging
Students and Meeting Standards Through Oral
History
17
The Oral Historians Classroom
The Traditional Classroom Setting
18
Creating and Conducting an Oral History Project
- Frank Ernest by Bob Thaves
19
When Creating and Conducting an Oral History
Project Think P
  • Preparation
  • Practice (educator and student)
  • Process (Principles and Standards of the OHA)
  • Product
  • Preservation
  • Publication

20
Goal To make a useable, accessible, and enduring
primary source
Oral History is a Historical Process
  • Oral History methodology and training (on-going).
  • Interviewee selection (Where do you find
    interviewees?)
  • Pre-Interview Worksheet and meeting
  • Research/Content Background (Research timeline)
  • Interview Questions (Get to the sub-text)
  • Interview (Location, equipment, student safety,
    emotional questions/responses)
  • Interviewer/Interviewee release forms (A must!)

Ipod Nation
Ch. 5
21
The Project Process
  • (8) Transcription (Does every project need to be
    transcribed in full?)
  • - At the time of the project, I can remember
    complaining
  • profusely about how laborious transcription
    is. Here I will
  • grudgingly admit that which did not kill me
    made me stronger.
  • - Libby Barringer, St. Andrews Episcopal
    School Student
  • - Cost often necessitates Time Indexing Log
    rather than complete transcription
  • (9) Analysis/Interpretation (bias, distortions,
    presentism, trauma). All historical sources
    need to be treated with equal skepticism.
  • Archiving/Preservation/Publication It become
    history when booked (James Lowen)

22
The American Century Projectat St. Andrews
Episcopal Schoolwww.americancenturyproject.org
23
Interviewees650 interview tapes and
transcriptions
  • Sandra Day OConnor
  • John L. Lewis
  • General John Shalikashvili
  • Marion Barry
  • Ernest Green
  • Jack Valenti
  • Helen Thomas
  • Joey Thompson
  • Bob Rast
  • Ivona Kaz-Jepsen
  • Warren Allen Smith
  • Ernest Burke
  • Eugenia Kiesling
  • Virginia Ali
  • Ann Stevens

24
Annual Oral History Coffeehouse
25
Student Museum Exhibits
26
American Century Project Archive
Dreyfuss Library, St. Andrews Episcopal School
Maryland Digital Cultural Heritage - www.mdch.org
27
Project Feedback (Students)
  • "Not only did it teach us about history, but it
    taught the larger message of respect and
    responsibility that come with historical
    knowledge.
  • (Drew Saylor, SAES student)
  • "In the case of my project, examining the role of
    women in the 1950s, my interview totally
    contradicted my research. I could not understand
    why this woman did not hate staying at home
    raising five children with no career or
    educational opportunities. I thought that I had
    done something wrong. What I learned, however,
    is that her story was one that had never been
    told. I told her story.
  • (Amy Helms, SAES student)

28
  • I got the packet today . . . I cant tell you
    how much I enjoyed reading it, and how much it
    touched me. These are questions Ive always
    wanted to ask you, and about you, and the war
    that I always wanted to know about, and hear you
    talk about. I guess its like Carol sons wife
    said, its easier to talk to a stranger than to
    talk to someone who is close to you. I know
    youve talked to me a little about it, but never
    this in depth or that much about your feelings.
    I want you to know that after reading this, even
    more so now, that I thank God that my father is
    alive and that my children have a real
    grandfather instead of just a memory to hear
    about from me.

29
The Student Oral Historian Preserving History
Today for the Historians of Tomorrow
  • Without the student
  • oral historian far too
  • many stories would be
  • lost it would be like a
  • library burning down.
  • - Donald A. Ritchie, Doing Oral History

St. Andrews Episcopal School Student Michael
Bryan with interviewee Ernest Burke a player in
the Negro Baseball League
30
Resources/Must Haves for Oral History Education
  • Lanman, Educating the Next Generation of Oral
    Historians
  • Oral History Association (Extensive Resource
    Information under Education Committee)
    http//www.dickinson.edu/oha/
  • Ritchie, Doing Oral History
  • Whitman, Dialogue with the Past
  • Wood, Oral History Projects in Your Classroom
  • Become a member of the OHA or COHE

31
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