Tapas y Flamenco

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Tapas y Flamenco
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Las tapas
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Las tapas
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Flamenco Then and Now
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Palos del Flamenco
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Early History of Flamenco

• Origin of the name
• Sources
• Style
• Influences
• Emotional dimensions

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Evolution XV to XVII Centuries

• Expulsion and re-entry of cultural minorities
• No musical accompaniment
• The first Palo
• The Triangle of Tríana, Jerez and Cádiz

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Map of the Triangle
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Innovations of the XIX Century

• Introduction of the Guitar
• The Dance and the Cafés Cantantes

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Early XX Century

• Operas Flamencas
• Innovative styles of the early century
• International recognition
• Concurso de Cante Jondo in Granada, 1922
• Role of Lorca and de Falla

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Federico García Lorca
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Manuel de Falla
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Late XX Century

• Flamencos Renaissance
• Tablaos
• Flamencología
• Recorded Anthologies
• Concurso nacional del arte flamenco de córdoba
• Schools of Flamenco

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The Present

• Camarón de la Isla
• Paco de Lucía

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Camarón de la Isla
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Paco de Lucía
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Future

• New instruments
• Ascendency of the Guitar
• Fusion (Jazz, Tango, Rock, etc.)

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http//redgeomatica.rediris.es/elenza/exposiciones
/expo_carteles.htm
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http//redgeomatica.rediris.es/elenza/exposiciones
/expo_carteles.htm
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Lament for Ignacio Sanchez Mejias

• 1. Cogida and deathAt five in the
  afternoon.It was exactly five in the
  afternoon.A boy brought the white sheetat five
  in the afternoon.A frail of lime ready
  preparedat five in the afternoon.The rest was
  death, and death alone.The wind carried away
  the cottonwoolat five in the afternoon.And the
  oxide scattered crystal and nickelat five in the
  afternoon.Now the dove and the leopard
  wrestleat five in the afternoon.And a thigh
  with a desolated hornat five in the
  afternoon.The bass-string struck upat five in
  the afternoon.Arsenic bells and smokeat five in
  the afternoon.Groups of silence in the
  cornersat five in the afternoon.And the bull
  alone with a high heart!

• At five in the afternoon.When the sweat of snow
  was comingat five in the afternoon,when the
  bull ring was covered with iodineat five in the
  afternoon.Death laid eggs in the woundat five
  in the afternoon.At five in the afternoon.At
  five o'clock in the afternoon.
• A coffin on wheels is his bedat five in the
  afternoon.Bones and flutes resound in his
  earsat five in the afternoon.Now the bull was
  bellowing through his foreheadat five in the
  afternoon.The room was iridiscent with agonyat
  five in the afternoon.In the distance the
  gangrene now comesat five in the afternoon.Horn
  of the lily through green groinsat five in the
  afternoon.The wounds were burning like sunsat
  five in the afternoon.At five in the
  afternoon.Ah, that fatal five in the
  afternoon!It was five by all the clocks!It was
  five in the shade of the afternoon!

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Internet Resources

• http//www.tristeyazul.com/
• http//www.ugr.es/berlanga/index.htm
• http//horizonteflamenco.com/
• http//en.wikipedia.org/wiki/Flamenco
• http//www.flamenco.org/glossary.html
• http//www.red2000.com/spain/flamenco/
• http//www.xs4all.nl/davidbos/flamenco/
• http//www.flamenco-world.com/
• http//www.esflamenco.com/esindex.html
• http//www.flamencoconnection.com/
• http//www.flamencousa.com/