Sam Broadhead, John Gamble, Zuzanna Marekova and Sarah Binless - PowerPoint PPT Presentation

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Sam Broadhead, John Gamble, Zuzanna Marekova and Sarah Binless

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Research, scholarship and ... HE staff and Progression manager Theoretical framework Joint Practice ... Using action-research evidence to change art studio critiques ... – PowerPoint PPT presentation

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Title: Sam Broadhead, John Gamble, Zuzanna Marekova and Sarah Binless


1
Working together to improve FE to HE progression
for Access students
  • Sam Broadhead, John Gamble, Zuzanna Marekova and
    Sarah Binless
  • Research, scholarship and pedagogy Working with
    students to develop undergraduate research in Art
    Design

2
  • Sam Broadhead Access to HE (part-time) course
    Leader
  • John Gamble Second year Access student
  • Zuzana Marekova First year Surface Pattern and
    printed Textiles undergraduate student
  • Sarah Binless First year Interdisciplinary Art
    and Design undergraduate student

3
Who are Access students ?
  • Mature students with Access backgrounds tend to
    be in a different stage in their life and it
    could be argued that they are untypical to
    students who have studied A levels and the pre BA
    Foundation course, (Penketh and Goddard, 2008,
    p316).
  • Although most Access students are as mature, the
    statistics based on 2011 National cohorts of
    Access provision across all subject areas show
    that 47 students are under 25 (QAA, 2012, p7).
  • It is not useful to make assumptions about the
    class, gender, race or age of these students, as
    non-traditional, mature students are not a
    homogenous group (Osborne et al, 2004, p295).

4
The research funded by LSIS over 3 years
  • Phase one
  • How well are Access students prepared for HE?
  • 18 ex-Access students were participants and HE
    course leader
  • Students reported they were not always confident
  • Students from specialist areas like photography
    felt they had not been prepared well
  • HE course leader reported some students needed to
    think more critically

5
  • Phase 2
  • Access staff and HE staff worked collaboratively
    to improve progression from Access to HE
  • Various shadowing activities between Access and
    HE staff and students were documented and
    evaluated
  • Focus on the studio critique was basis of
    observations and discussions between Access and
    HE staff
  • Practices were modified and carried out in the
    studio

6
  • Phase 3 (currently being undertaken)
  • Develop a wider community of researchers
    interested in improving transition experience of
    FE students into HE
  • Focus on identifying new design skills needed by
    undergraduate students
  • Working with Pre BA Foundation staff, HE staff
    and Progression manager

7
Theoretical framework Joint Practice Development
(JPD), (Fielding et al, 2005).
  • Rather than passing or cascading practices to
    colleagues a more sustainable process would be to
    develop relationships and trust between groups of
    professionals where ideas can be explored
    together over time, (Fielding et al, 2005).
  • Other aspects that need consideration are
    teacher and institutional identity in practice
    transfer learner engagement and an
    understanding of the time needed to successfully
    engage with JPD, (Fielding et al, 2005).

8
  • JPD could be seen as a move towards the ideal of
    democratic-professionalism which proposes
    co-operation between teachers and other partners
    in education as an alternative way forward to the
    market model of education, (Coffield and
    Williamson, 2011, p72).

9
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10
Changing practises in the Access studio based JDP
  • Introduce cross-year studio critiques
  • Four or five first and second year learners who
    would manage the process rather than the
    teachers.
  • Everyone would present one piece of art, craft or
    design work to be discussed.
  • One group member would be responsible for asking
    questions,
  • Another would make notes about the conversations
    that took place.
  • In their groups they would critique each others
    work using modified Socratic questions as a
    prompt.
  • After the process the two year groups met up
    again to feed back to the teachers.

11
Socratic questioning for the studio critique
  • Seek clarification
  • Can you explain why you have made this work?
  • Probe reasons
  • Why do you think it works?
  • How can it be improved?
  • Explore alternative views
  • Is there another way you could have responded to
    the brief?
  • Test implications and consequences
  • Do you agree with what people have said about
    your work?

12
Students engaged in critical evaluation of work
13
Impact from point of view from Tutors
  • The findings have provided additional ideas for
    improving critiques as formative assessment.
  • Access students felt validated in choice of
    course and in their own readiness to progress
  • More contact between FE and HE courses
  • Increased motivation and engagement with
    professional development

14
Impact from the students point of view,
over to John, Zuzana and Sarah
15
Johns Drawing work
16
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17
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18
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19
Zuzana s Access work
20
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21
First project on degree
22
Zuzanas degree work
23
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24
Sarah Binless
25
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26
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27
Sarahs degree work
28
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29
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30
Bibliography
  • Broadhead, S (2012) Using action-research
    evidence to change art studio critiques Inside
    Evidence bulletin issue 13 Summer 2012 pp29-30
    found at http//repository.excellencegateway.org.u
    k/fedora/objects/eg2216/datastreams/DOC/content
  • Broadhead, S and Garland S (2012)The Art of
    Surviving and Thriving How Well are Access
    Students Prepared for their Degrees in Art and
    Design? Networks, Issue 17 April 2012,
    University of Brighton found at
    http//arts.brighton.ac.uk/projects/networks/issue
    -17-april-2012
  • Coffield, F and Williamson, B (2011) From Exam
    Factories to Communities of Discovery The
    democratic route
  • Coffield, F (2006) Just suppose teaching and
    learning became the first priority London,
    Learning and Skills Network
  • Fielding, M. et al (2005) Factors Influencing the
    Transfer of Good Practice, Nottingham, DfES
    Publications.
  • Leeds College of Art, (2010) Further Education
    Student Achievements and Career Routes 2009-2010
  • Osborne, et al. (2004) Becoming a Mature
    Student How Adult Applicants Weigh the
    Advantages and Disadvantages of Higher Education
    in Higher Education , Vol. 48, No. 3 (Oct.,
    2004), pp. 291-315
  • Penketh, C., and Goddard, G.,(2008) Students in
    transition mature women students moving from
    Foundation Degree to Honours level 6 in Research
    in Post-Compulsory Education Vol. 13, Iss. 3,
    2008
  • QAA, (2012) Access to Higher Education Joint
    agency statistical report, June 2012 Gloucester,
    The Quality Assurance Agency for Higher
    Education
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