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Literature and literacies EDUP3032 week 9

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... readers = summarizer, literary luminary, artful artist, word wizard, creative ... Artful artist: depicts a part of the reading ... – PowerPoint PPT presentation

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Title: Literature and literacies EDUP3032 week 9


1
Literature and literacies EDUP3032 week 9
  • Managing multilevel learning and teaching with
    literary texts in the middle school years

2
Group work
  • We believe that much of what is seen as small
    group work in classrooms today is not group work
    at all, but is merely individual work planned to
    be done in group seating arrangements.
  • Reid et al 2002.

3
The nature of groups
  • forced groups - e.g. lifts, queues, tutorials,
    buses
  • Self chosen groups - e.g. tute tables, car loads,
    trivia night teams, choir
  • What is the difference?
  • Body language
  • Speech styles
  • Comfort zones
  • ...

4
Why do groups exist?
  • Social purposes
  • Practical contexts
  • Management - making it possible to achieve
    organisation

5
Classroom groups
  • home groups - free choice with friends
  • Negotiated groups - for projects
  • Teacher driven
  • Mixed ability
  • Same ability
  • Age levels
  • Boy vs girls (?)

6
EDUP3032 Trivia
SEARCH AND
/R/E/A/D/I/N/G/
ME REPEAT
7
Effects of groups
  • Support
  • Competition
  • Loss of motivation
  • Ownership
  • Extension
  • Remediation

8
Theoretical underpinning
  • Gee (1990)learning as social practice - primary
    discourses and secondary discourses
  • e.g. talking at home and talking at school,
    reading at home and reading at school
  • Children need to acquire mastery of a range of
    social discourses through participation as well
    as explicit teaching

9
Modelled, guided and independent group work
  • Genre approach allows us to explicitly teach the
    structures of texts.
  • Group work allows us to scaffold different needs
    within the structures guided reading
  • Group work allows children to learn along side
    others in social situations - the zone of
    proximal development (Vygotsky 1978)
  • Practice and participation

10
Practical advantages of small groups
  • Students develop self-confidence as learners
  • Students who are quiet or disruptive tend to talk
    more and more effectively
  • Students are more prepared to think aloud and use
    talk to explore ideas
  • Students gain confidence in presenting to
    audience because they have tested their ideas
    with a small audience first.

11
Student centred learning
  • The teacher is not the focus
  • Teacher structures learning
  • Students create communities of practice where
    common purpose and commitment are driving forces
  • key is realtasks

12
Productive pedagogy
  • A model of classroom practice that recognises the
    importance of
  • Intellectual quality - what to teach at what
    level
  • Relevance or connectedness
  • Supportive environment
  • Recognition of difference
  • through active involvement

13
Flexible learning
  • DO NOT FORM PERMANENT GROUPS
  • For practical reasons - have practical groups
  • How often do you change groups?
  • How do you change groups?
  • Why do you change groups?

14
A teaching model
  • Engagement teacher provides shared experiences
    for whole class
  • Exploration thinking aloud in groups around the
    topic - no explicit task
  • Transformation working with ideas at different
    levels and for different purposes
  • Presentation explaining to discoveries to others
    (often assessed)
  • Reflection what have I learned?

15
Modelling group work
  • Engagement teacher reads first section of Two
    hands Together to class
  • Exploration students talk in pairs/ home groups
    about what they know about racism
  • Transformation students predict what they think
    will happen to girl, father or mother (two groups
    given to each character)
  • Presentation each group shares its findings with
    another group
  • Reflection whole class reflects on possibilities

16
Next step ...
  • Exploration of more of the story after it has
    been read on a general level and for explicit
    teaching purposes. For example the language of
    narrative -Theme, pronouns, adjectives, action
    processes.
  • Transformation in ability groups children work
    on task e.g. most able highlight the adjectives
    used to describe characters in the orientation.
    Two other groups turn their passages into cloze
    exercises by removing Themes or action processes.
    The least able group works with the teacher on a
    cloze to highlight pronouns.

17
  • Presentation regroup the working groups so that
    there are members of all groups within new
    groups. These groups share round their cloze
    passages for others to complete.
  • Reflection students return to their home groups
    and discuss what they have learnt. This is
    followed by a whole class rap up of the key
    teaching points.

18
Literacy development cycle
  • Modelled, guided, independent
  • Orientation to text
  • Reading the text
  • Working with the text
  • Reviewing the text
  • Using group then regroup strategy - similar
    strengths and then mixed ability
  • Unsworth 2001

19
Guided reading
  • 1. Before reading - group size and type
  • 2. Orientation to text - introduce text, text
    type, give specific focus
  • 3. Reading the text - focus children, read with
    students or listen, monitor, select different
    student, monitor, pause and talk about text,
    remind student of four sources of meaning
    semantic, grammatical, graphological,
    phonological.
  • 4. Working with text - use focus in reading
  • 5. After guided reading - use focus in activities

20
Different levels of scaffolding
  • Give proficient readers text sample and ask them
    to identify stages of genre and name genre
  • Give less proficient readers name of genre and
    stages on a separate sheet, they have to find
    parts within the whole
  • Give least proficient readers the text marked
    into stages but with labels for sections as
    post-it-notes to name stages

21
Literature circles
  • Traditional approach to text but using discussion
  • small temporary discussion groups
  • Daniels 1994
  • Roles for readers summarizer, literary
    luminary, artful artist, word wizard, creative
    connector, discussion director
  • Pen 140 from PETA
  • www.literaturecircles.com

22
Role definitions
  • Summariser gives a brief overview of the reading
  • Literary luminary selects an interesting part of
    the reading to share and justifies choice
  • Artful artist depicts a part of the reading
  • Word wizard selects 4 words and defines them and
    creates a word activity
  • Creative connector finds a link between reading
    and own life
  • Discussion director devises a number of open
    ended questions about the reading

23
Steps to run a literature circle
  • Teacher presents books students choose text
  • Groups decide how much they will read
  • Students complete reading and prepare for
    discussion
  • Discussion takes place with roles
  • Steps 3 and 4 repeated until text is finished
  • Group evaluates learning progress
  • (Roles as a starting guide)

24
Critique of literature circles
  • How to go beyond I liked the book?
  • Reader response journals in Netlibris
  • PETA suggests more critical roles
  • Paradigm profiler - using key factors such as
    age, gender, physical appearance to lead to
    critical analysis of value of character to story
  • Investigator - reader picks out characters that
    author seems to favour or dislike and looks for
    character attributes that signal the values/
    ideology of author
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