Carlo%20Bernardini,%20The%20Corner

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Carlo Bernardini, The Corners Revenge 2011,
Optic fibers, stainless steele, mt h 18 x 3 x
4. MACRO Museo darte contemporanea di Roma.
Courtesy Delloro Arte Contemporanea, Rome
Berlin.
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Carlo Bernardini, Field of organic light 2010,
Optic fibers installation interior/exterior, mt H
5 x 20 x 10. La Scultura Italiana del XXI secolo,
Fondazione Pomodoro, Milano.
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Carlo Bernardini, Field of organic light 2010,
Optic fibers installation interior/exterior, mt H
5 x 20 x 10. La Scultura Italiana del XXI secolo,
Fondazione Pomodoro, Milano.
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Carlo Bernardini, Ecliptic Orbit 2011, Tesla
coil, micro neons of 3 mm (diameter), cm H 100 x
180 x 90. Principia - Stanze e sostanze delle
arti prossime, Padiglioni Molecolari, Piazza
Duomo, Milan.
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CARLO BERNARDINI, GHOST OF DUCHAMP 2009, Fiber
optic, plexiglass, OLF surface, video, feet h
9,5x5x1,5 Museo darte, Villa Ciani, Lugano.
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CARLO BERNARDINI, GHOST OF DUCHAMP 2009, Fiber
optic, plexiglass, OLF surface, video, feet h
9,5x5x1,5 Museo darte, Villa Ciani, Lugano.
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CARLO BERNARDINI, GHOST OF DUCHAMP 2009, Fiber
optic, plexiglass, OLF surface, video, feet h
9,5x5x1,5 Museo darte, Villa Ciani, Lugano.
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CARLO BERNARDINI / MANU SOBRAL - THE FOURTH
DIRECTION OF SPACE 2008 - Project 2004, optic
fibers, video interactive, sound. Milan, Bruna
Soletti Gallery.
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CARLO BERNARDINI / MANU SOBRAL - THE FOURTH
DIRECTION OF SPACE 2008 - Project 2004, optic
fibers, video interactive, sound. Milan, Bruna
Soletti Gallery.
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CARLO BERNARDINI / MANU SOBRAL - THE FOURTH
DIRECTION OF SPACE 2008 - Project 2004, optic
fibers, video interactive, sound. Milan, Bruna
Soletti Gallery.
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Carlo Bernardini, Space interrelations 2008,
optic fibers installation, feet H 11 x 25 x 36,
Rivara (TO) Castello di Rivara.
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Carlo Bernardini, Space interrelations 2008,
optic fibers installation, feet H 11 x 25 x 36,
Rivara (TO) Castello di Rivara.
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Carlo Bernardini, Space interrelations 2008,
optic fibers installation, feet H 11 x 25 x 36,
Rivara (TO) Castello di Rivara.
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LIGHT CATALYST
2007, stainless steel, optic fibers, feet
12,5x28x24,5. Bollate-Milano, Fabbrica Borroni.
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LIGHT CATALYST 2007, optic fibers, feet h
10,5x17,5x14. Trani, Castello Svevo.
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EVENT HORIZON 2007,
optic fibers, stainless steel spheres feet h
14x45x35 (part.). New York, Swing Space, LMCC.
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EVENT HORIZON 2007,
optic fibers, stainless steel spheres feet h
7x21x17,5. Como, Allarmi3, Casema De Cristoforis.
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LIGHT CATALYSTS
2005, stainless steel, optic fibers, feet h
11x25x7 and h 11x16x6, Rome, S.Luca Academy.
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LIGHT CATALYST 2005, stainless steel,
optic fibers, feet h 11x14x22 (one-dimensional
vision). Castelbasso, Fondaco-Palazzo Pirocchi.
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LIGHT CATALYST
2005, stainless steel, optic fibers, feet h
11x14x22. Castelbasso, Fondaco-Palazzo Pirocchi.
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PERMEABLE SPACE 2004, environmental
light installation in optical fibers, 2 mm of
diameter, and sculpture in stainless steel, feet
h 9 x 27 x 21. Pinerolo (TO), En Plain
Air Gallery.
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PERMEABLE SPACES 2003, environmental light
installation in optical fibers of 3 and 2 mm of
diameter, dimensions variable in accordance with
site, feet h 15x75x30 Como, Spazio Como.

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PERMEABLE SPACE 2003, environmental light
installations in optical fibers (2 mm of
diameter) and electro-luminescent surface (1 mm
thick), dimensions variable in accordance with
site, feet h 9x13,5x12. Napoli, Palazzo Reale,
XIV Quadriennale Preview.
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PERMEABLE SPACES 2002, environmental light
installations in optical fibers (1,5210,2 mm of
diameter) and electro-luminescent surface (1 mm
thick) dimensions variable in accordance
with site, feet h 27x39x33 Milan, Triennial
Palace, Triennial of Milan.
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PERMEABLE SPACES 2002, environmental light
installations in optical fibers (1,5210,2 mm of
diameter) and electro-luminescent surface (1 mm
thick) dimensions variable in accordance
with site, feet h 27x39x33 Milan, Triennial
Palace, Triennial of Milan.
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VIRTUAL SURFACES WITH LIGHT-SHADE LINES 1996
White pigments in acrylic powder and phosphorous
on boards, feet h 10 (h.) x 19. (Initial, real-
light viewing conditions. A surface of
phosphorous underlying the picture surface
creates a second visual field in the absence of
light - a sort of negative of the preceding
image. Displayed at the 12th National
Quadriennial Art Exhibition of Rome Latest
Generations, Palazzo delle Esposizioni.

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VIRTUAL SURFACES WITH LIGHT-SHADE LINES 1996
White pigments in acrylic powder and phosphorous
on boards, feet h 10 (h.) x 19. (A surface of
phosphorous underlying the picture surface
creates a second visual field in the absence of
light - a sort of negative of the preceding
image. Displayed at the 12th National
Quadriennial Art Exhibition of Rome Latest
Generations, Palazzo delle Esposizioni.