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Title: Akbar, 1542-1605


1
Akbar, 1542-1605
2
Early challenges
  • At the time of Humayuns death Akbar is 14 and
    learning the ropes of government as the new
    Governor of Punjab
  • Bairam Khan, the Persian Shia General is his
    mentor
  • The other influential person in his life is Maham
    Anaga, his old nurse
  • Soon after Humayuns death, the general Hemu
    leads the Suri forces towards Delhi. Bairam Khan
    and Akbar defeat them decisively at the Second
    Battle of Panipat in 1556

3
Who is in Charge?
  • During Akbars minority Bairam Khan ruled as his
    Gaurdian
  • Maham Anaga and a clique of supporters wished to
    use Akbars emotional connections to challenge
    Bairam Khan
  • The Royal women, including Hamida Banu Begum
    disliked each factionBairam Khan due to his
    affiliation and alleged favoritism of fellow
    Shias, Maham Anaga for her low origins and her
    sons uncouth behavior

4
Akbar comes into his own
  • While Bairam Khan was a competent administrator
    and re-conquered much of the old Mughal
    territories, his power was growing
  • By 1560 Akbar was old enough to dismiss the
    General, who left for a pilgrimage to Mecca
  • Adham Khan and his mother proved to be much
    harder to dislodge
  • The Malwa campaign and Baz Bahadur
  • The intrusion into the harem, Adham Khans death
    1561

5
Different Directions
  • Expansion of EmpireRajasthan, Central India,
    Sind, Kashmir, Ahmadnagar (see map)
  • Ties with Rajput ruling houses
  • Setting up of a centralized bureaucracy
  • Balancing power groupsTurani, Irani, Rajput,
    Uzbeki, etc.
  • Patronage of Arts and architechture
  • Experiments with spirituality
  • Reforms of law, patronage of different groups

6
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7
Akbars Perspective
  • Appears to have favored a practical compromise
    between Timurid traditions and local South Asian
    traditions
  • Keenly aware of South Asian culture, taboos,
    symbols
  • Functionally illiterate, but with mastery over
    informationadministrative, cultural, music, art,
    theology
  • Extremely independent, willing to try radical
    solutions
  • Hot tempered and sometimes restlesslearnt slowly
    to discipline himself
  • Attempted to attract different men of talent to
    his court

8
Symbols for a new Empire
  • Marriage alliances and diplomacy
  • Tilak, Jharoka, and the new turban and hairstyle
  • But also continued use of khtuba and khillat
  • The court as a miniature representative of the
    empirediversity and hierarchy
  • Personal and charismatic leadershippersonalized
    interviews
  • Institutionalization of debates in court as a way
    of hearing from different groups
  • An absolutist monarchy (with a warmer, fuzzier
    image)

9
A Young Akbar in his court
10
Akbars Spiritual Journey
  • Early interest in Chisti Sufis of Ajmer
  • 1562 pilgrimage and birth of Prince Salim
  • Early translations of Mahabharata and
    Ramayanconversations with yogis (ascetics),
    Brahmins, Jains, and others
  • Revocation of Jizya1564
  • The Ibadat Khana debatesincludes Shia, Sunni,
    Sufi, different Hindu groups, Jains, and Jesuits
  • Religious grants extended to non-muslims
  • Emperor declared the final legal authority

11
Jesuits at Akbars Court
12
Some consequences of new Religious Policies
  • Sulh-i Kul (Peace with all) does create good will
    towards the court for a majority
  • Effectively creates a somewhat secularist Empire
    (some historians see the Din-i Ilahi cult
    differently)
  • Orthodox ulema and more conservative Muslims are
    hostile to changes
  • Imperial qazi (judge) and sadr (grants manager)
    rebel
  • Unflattering history by Badauni reveals discontent

13
Differences in Opinion seen in the source
  • Abul Fazls Ain-i Akabri and Akbarnama
  • flattering images, Akbar portrayed in an almost
    quasi-divine way
  • Badauni very critical, bitter about debates,Fazl,
    and heresy
  • Jesuits and other travelers useful texts, but
    misunderstand Akbars interest as conversion
  • Akbars own understanding and position is often
    lost, but not impossible to find
  • Motivations can be multiple from personal quest
    to imperial ambition
  • Long reign shows a steady progression towards a
    unique understanding of the place of religion in
    peoples lives

14
Break
15
Foundations of an Imperial style
  • 1556-1605

16
A Movable Empire
  • Although Akbar designated three Imperial cities
    Agra, Fatehpur Sikri, Lahore his reign was one
    of constant movement
  • The Imperial campa massive and magnificent tent
    city probably was most used
  • The reforms in the economy, court rules,
    finances, and family life facilitated this mobile
    lifestyle, but also bring into question the ways
    in which scholars have understood Akbars court

17
The moving Court
  • Fixed places for Emperor and royal family,
    enclosed within an armed camp
  • Provisions for markets, banking, food, fodder,
    arts and crafts
  • Use of scouts, engineers, purchasing agents to
    make travel easier
  • Two sets of royal pavilions, one for use, one to
    travel ahead
  • Army, artisans, soldiers, family travel with
    court
  • Evidence of the independent movement of royal
    women Senior women, rajput princess to natal
    homes and back, hunting parties, pilgrimages

18
Imperial Cities
  • Movement further facilitated by the presence of
    Imperial cities (Delhi, Lahore, Agra, Sikri)
  • Focus points for Imperial architecture,
    patronage, new courtly styles
  • Also several forts in key locations such as
    Allahabad, Chunar, Ajmer, etc. with storehouses
    of wealth, treasury, reserve forces

19
Allahabad Fort
20
Mobility and Empire
  • The Emperors mobility facilitated the new style
    of administration built on efficiency,
    communication, and information
  • Constant communication with newswriters
    (akhbarnawis) was facilitated with reports from
    provincial government and frequent inspections by
    the Emperor himself
  • The Emperors mobile court also facilitated
    one-on-one audiences with lower nobility, rural
    elite, and helped to limit the possibility of
    rebellion
  • The growing economy and the mobility of capital
    also aided travel
  • Remittances of mansabdars (officials)
  • Loans made to army units
  • Investment by individuals in trade
    (maryam-us-zamanis ships)
  • Shipment of grain

21
The Trading Networks
  • Building of new roadsextension of Grand Trunk
    Rd.
  • Abolishment of local tolls and taxes on trade
  • Faujdars (imperial commanders) charged with
    keeping peace
  • New currency regulations lift the value of Mughal
    coinage
  • New carvanserais, kos minars, baolis built
  • Riverine systems dredged, port regulations
    formed, provisions made for the care of foreign
    travelers

22
The new Hybrid Imperial Style
  • Monumental architecture in red sandstone and
    marble
  • Stylistic motifs borrowed from indigenous
    stylesdecorative motifs, pavilions, chattris

23
Panch Mahal in Fatehpur Sikri
24
Interpreting Akbars designs
  • An imperial camp in stone?Timurid roots
  • An homage to the chisti Sufi designating the
    Imperial space as sacred (Fatehpur Sikri)
  • New Architecture reflects new policy of borrowing
    and mixing Indigenous elements
  • Reflects an entirely new way of thinking about
    urban planning and the new domestic space
  • Can all of these be true?

25
Decorations from the Kacchwa palaces at Amber
26
Detail of wall at Fatehpur Sikri
27
Amber Hindu Temple, Mughal residence?
28
The Imperial Sacred Space
  • Sheikh Chistis tomb in Sikri
  • Note the serpentine brackets
  • Mixture of Islamic and indigenous building styles
  • Ritual use of screens

29
Ibadat Khana at Fatehpur Sikri
  • Radial arrangement of space
  • Elevated column/throne
  • Architecture mirroring new policy of Sulh-i Kul?

30
Multiplicity of Motives?
  • Humayuns tomb in the new style
  • The hasht-bihisht symbolism in garden and
    building
  • The posthumous titles denoting sacredness
  • Containing both Timurid and Indigenous themes

31
Hybridity in Other arts
  • Notice central Asia/Chinese influence in the
    treatment of rocks
  • Attention to details of Krishna mythology
  • Mughal style apparent in the depiction of
    peopleindividualized portraits
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