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Lecture 3 Phonology

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Title: Lecture 3 Phonology


1
Lecture 3Phonology
  • Phonological Representations

2
Definition
  • Phonological Representations are those mental
    images in terms of which knowledge of a sound
    system is couched.
  • The BASIC units that comprise phonological
    representations are
  • features
  • segments
  • syllables
  • feet (metrical grids)

3
Features
  • Two Hypotheses
  • Segments are groups of features.
  • Segments are indivisible elements.

4
Features
  • Segments are not the ultimate (most primitive)
    units of phonological structure.
  • They are composed of smaller elements.
  • These sub-segmental building blocks are the
    FEATURES
  • the units of phonological structure that make up
    the segments.

5
Why Features?
  • Features reflect the coordinated articulatory
    activities.
  • Features capture natural classes.
  • Features allow for precise understanding of the
    nature of allophonic variation.

6
Coordinated Activities
  • Speech is produced by a number of coordinated
    articulatory activities
  • voicing tongue position lip rounding
  • Each feature is rooted in an independently
    controllable aspect of speech production
  • voicing tongue position lip rounding
  • ?voice ?high ?round
  • Thus, each feature or group of features defines a
    specific property of the segment.

7
Matrix
  • ??
  • ?syllabic ? ? These define the segment as
  • ?-consonantal ? ? consonant, vowel,
  • ?sonorant ? ? or glide.
  • ?-high ? ? These define the placement of
  • ?low ? ? the tongue.
  • ?back ? ?
  • ?-round ? ? This defines lip rounding.
  • ?tense ? ? This defines tenseness/laxness.

8
Natural Classes
  • Features define natural classes.
  • They are central to phonological analysis.
  • It is not only that individual phonemes such as
    /p/, /b/, /k/, and /g/ contrast in English.
  • Rather, the entire class of voiced stops contrast
    with the class of voiceless stops.
  • Therefore, it is the feature voice that is
    contrastive, not the individual segments.

9
Vowels in English Front vs. Back
  • Front Vowels Back Vowels
  • /??/ /?/ /??/ /?/ /?/ /??/ /?/ /??/ /?/ /??/
  • ?syllabic ? ?syllabic ?
  • ?-consonantal ? ?-consonantal ?
  • ?sonorant ? ?sonorant ?
  • ?-back ? ?back ?

10
Allophonic Variation
  • Allophonic variation is not simply the
    substitution of one sound for another.
  • It is the environmentally conditioned change or
    specification of a feature or features.

11
Liquid-glide Devoicing
  • In English, liquids and glides have voiceless
    allophones after syllable-initial voiceless stops
    and voiced allophones elsewhere.
  • liquids and glides voiceless stops
  • ?sonorant ? ? -voice / ? ?-syllabic ? _____
  • ?-syllabic ? ?consonantal ?
  • ?-nasal ? ?-continuant ?
  • ?voice ? ?-delayed release ?

12
The Syllable
  • Definition
  • It is a fundamental phonological unit consisting
    of a short sequence of segments, most typically a
    single vowel or diphthong possibly preceded and/
    or followed by one or more consonants.

13
Syllable Structure
  • There are four sub-syllabic elements
  • The nucleus (N) is the only obligatory member it
    is a syllabic element (usually a vowel).
  • The coda (C) consists of the elements that follow
    the nucleus in the same syllable.
  • The rhyme (R) is made up of the nucleus and the
    coda.
  • The onset (O) is made up of those elements that
    precede the rhyme in the same syllable.

14
Syllable Structure
  • Wd
  • ?
  • O R
  • N C
  • s p r ? n t

15
Phonotactics
  • Initial three-consonant clusters in English
  • ? ? ?? ?? Nucleus
  • ?? ??
  • ?? ??
  • ??
  • Gaps
  • spw, stl, and stw

16
Syllabification
  • Setting up syllables involves the following
    steps
  • Assign vowels to syllable nuclei.
  • Maximize onsets.
  • Associate remaining consonants to codas.

17
Assign vowels to syllable nuclei.
  • ? ?
  • R R
  • N N
  • e k s t r im

18
Maximize onsets.
  • ? ?
  • /
  • /
  • /
  • /
  • /
  • R O R
  • /\
  • N
    /
    \ N

  • / \
  • e k s t r i
    m

19
Associate remaining consonants to codas.
  • ? ?
  • /
  • /
  • /
  • /
  • /
  • R O R
  • \ /\ \
  • N C /
    \ N C

  • / \
  • e k s t r i m

20
Syllabic Phonology
  • Does the syllable play any role in phonological
    analysis?
  • Native speakers demonstrate awareness of this
    unit of phonological structure.
  • They will say that a word like accident has
    three syllables arranged as
  • /?? . ?? . ????/.
  • Language games like backward talk verify that the
    postulated syllable divisions correspond to those
    internalized by native speakers.
  • One common form of backward talk is that of
    reversing whole syllables as units seg.ment
    becomes ment.seg.
  • However, the central reason for treating
    syllables as units of phonological structure is
    their relevance to phonological analysis.

21
Aspiration in English
  • A B C
  • ?????? tone ?????? stone ??.????.??
    tomato
  • ????n kin skI?n skin k?.nu?? canoe
  • p???n pan sp??n span p?.spa?I? perspire
  • English voiceless stops are aspirated when
    initial in a stressed syllable.

22
/r/-deletion in British English
  • A B
  • kA? car r?k rack
  • ??? care ???.rI? caring
  • kA?t cart krA?ft craft
  • In British English, /r/ deletes in the coda.

23
Heavy Syllables and Stress
  • A B C
  • v?.r??n.d? ?.????.?? sI?n?m?
  • veranda aroma cinema
  • cv.cvc.cv v.cv.cv cv.cv.cv
  • L H L L H L L L L
  • English nouns are stressed on the penultimate
    syllable when it is heavy otherwise, they are
    stressed on the antepenultimate syllable.

24
Word Stress
  • It is perceived prominence associated with one or
    more syllables in a word.
  • Syllable position and/or content (e.g. weight)
    are essential in locating stressed elements.
  • The formalization of stress rests on the use of
    units called metrical feet.
  • The foot is an element of metrical structure
    whose building block is the syllable.

25
Diversity of Stress Patterns
  • Stress is word-initial. (Latvian)
  • Stress is word-final. (French)
  • Left/Right Flank

26
Diversity of Stress Patterns
  • Rightmost Heavy Syllable, Otherwise Leftmost
    Syllable (Classical Arabic)
  • Leftmost Heavy Syllable, Otherwise Rightmost
    Syllable (Komi - Russia)
  • Rightmost Heavy Syllable, Otherwise Rightmost
    Syllable (W. Cheremis - Russia)
  • Leftmost Heavy Syllable, Otherwise Leftmost
    Syllable (Russian)
  • Syllable Weight
  • Left/Right Flank

27
Diversity of Stress Patterns
  • Main stress initial secondary stresses on odd
    numbered syllables
  • (Ono - New Guinea)
  • Main stress on the second syllable secondary
    stresses on even numbered syllables
  • (Araucanian - Chile)
  • Rhythm
  • Left/Right Flank

28
Diversity of Stress Patterns
  • Stress a final superheavy syllable.
  • Otherwise, stress a heavy penult.
  • Otherwise, stress a heavy antepenult.
  • Otherwise, stress the penult or the antepenult,
    whichever is separated by an even/odd number of
    light syllable from the preceding heavy syllable,
    or in the absence of such a syllable, from the
    beginning of the word.
  • (Urban Hijazi Arabic/Negev Bedouin Arabic)

29
Diversity of Stress Patterns
  • Syllable Weight
  • Rhythm
  • Left/Right Flank

30
Principles
  • Boundedness
  • The distance between the constituents head and
    the boundary is restricted to one element
  • (???)(???)(???) (???????)
  • bounded unbounded

31
Principles
  • Headedness
  • Constituents are either right-headed or
    left-headed
  • Foot Level ( ??? ) ( ??? )
  • iambic trochaic
  • Word Level ( ??? ) ( ??? )
  • rightmost leftmost

32
Principles
  • Quantity-sensitivity
  • Heavy syllables attract stress
  • Syllabic trochee ( ??? ) (quantity-insensit
    ive)
  • Moraic trochee ( LL? )( H? ) (quantity-sens
    itive)
  • Iamb ( LL? )( H? )( LH? ) (quantity-sensiti
    ve)

33
Principles
  • Exhaustivity
  • Elements are exhaustively parsed into higher
    constituents
  • (?)(??)(??) exhaustive parsing
  • (??)(??)(??)? non-exhaustive parsing

34
Devices
  • Extrametricality
  • Peripheral elements are excluded form foot
    structure
  • (??)(??)(??)lt?gt
  • final syllable marked extrametrical

35
Devices
  • Directionality
  • Footing proceeds from left to right or from
    right to left
  • (??)(??)(??)? left-to-right
  • ?(??)(??)(??) right-to-left

36
Summing up
  • The pattering of phonological units is based upon
    general elements and principles.
  • They are applicable to the study of any human
    language.
  • The atoms of phonological representation are the
    feature values.
  • Features are grouped into segment-sized
    constituents.
  • The segments are grouped, around vowels, into
    syllabic constituents.
  • Syllables relate to each other in terms of
    relative prominence
  • Interacting with features and segmental
    processes, a limited set of parameters accounts
    for syllabification and metrification.

37
Rules or ConstraintsinPhonological Analysis
  • Optimality Theory
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