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Professor Gayle McPherson

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School of Creative & Cultural Industries Professor Gayle McPherson Chair in Events and Cultural Policy – PowerPoint PPT presentation

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Title: Professor Gayle McPherson


1
School of Creative Cultural Industries
  • Professor Gayle McPherson
  • Chair in Events and Cultural Policy

2
The Co-Creation of Public Policy the use of
mega-events to add cultural value
  • This research is a work in progress and comes
    from my interest in culture and events.
  • Globally events have become a fundamental policy
    conduit that develops in two main ways (a)
    events in policy making (b) events as policy
  • In aiming at securing (b) politicians, event
    owners, and cultural providers have had to use
    culture and value initially as a post-hoc
    justification but now as a key leveraging tool.

3
Co-creating policy
  • Roche (2000) talked of mega-events as expressions
    of public culture in the nineteenth century.
  • Leadership for the common good (Bryson and
    Crosby, 2010). Weve moved to supranational
    values emulated by bodies such as the IOC.
  • With community benefits clauses, legacy, impact
    and outcomes all buzz words of hosting a major
    event it is easy to see why the role of culture
    is debated heavily in economic and cultural
    domains.
  • The London 2012 Games has given policy makers the
    chance to go beyond the narrow confines of return
    on investment models
  • Leveraging value in communities, engaging and
    enhancing Britains cultural infrastructure and
    promoting the UK internationally has been a key
    responsibility of the cultural ambassadors,
    politicians, and others at the London 2012 Games.
  • Models of policy appraisal?

4
Models of policy appraisal
  • The selection of key indicators for monitoring
    and evaluation over others is often used to
    legitimate policy makers and event owners
    proposals.
  • Holdens 3 interdependent types of value
    instrumental, institutional and intrinsic
  • The need to have shared global leadership who
    really owns these events?
  • Whose interests are being represented?
  • Others have talked of multi-criteria analysis but
    how about we look at this in reverse.
  • Is there such a way to co-create policy in
    advance of bidding for global events and adopt
    this approach to national and local events?
  • All of this suggests long term planning and
    evaluation of the totality of benefits (a
    holistic approach) not that hard or incisive
    perhaps but then political leaders may not last
    beyond 4 year terms across the globe

5
Arguments for policy development

  • monitoring and evaluation holds the key to policy
    development at a strategic level
  • Need to move from snapshot of impacts to long
    term analysis of return on objectives not just
    RoI.
  • Creating a culture of collaboration and
    partnership deepens practice, output and the
    chance for sustained engagement
  • Whilst
  • not ignoring the need for headline statistics of
    impact and spectacle of images around the world
  • We need to capture cultural value through an
    understanding of elite decision making but also
  • We need to ensure that we involve the people of
    communities as subjects not objects
  • The multi-layered approach that will inform
    future policy

6
Circuits of Cultural Competition
  • International competition also drives national
    and local political actors to resource events
    policy instead of other policy priorities
  • The power of nomadic mega-events and the
    resources needed may intensify global division
    a hierarchy of nations
  • As platforms of trans-national brands events have
    bargaining power but must take care to protect
    the core hyper-experiential novelty that makes
    them distinctive and spectacular
  • And we as policy-makers, evaluators, influencers
    and academics must ensure we participate in the
    shared power world ensure the common good!
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