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The Caper

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Title: The Caper


1
The Caper
  • "Don't Know much About Art," by Simon Brett

2
If you've ever watched a movie where one thief
steals from an even worse thief, you've watched a
caper.
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When the criminal becomes a thieving hero, you
have  yourself a caper. 
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Throughout history writer's and audiences have
had a soft spot for the criminal  
  • and a major interest in
  • how the theft takes place
  • how the criminal will get away
  • how justice will be served

7
In this formula, the moral line takes a quite
flexible view of justice.
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Take Robin Hood for instance. 
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Normally stealing is wrong
  • But is it wrong if the government is failing the
    people through the over taxation of an
    illegitimate ruler? 

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  • When the villain, in this case Prince John, is
    more evil than that person stealing from them,
    the petty thief becomes the hero in our twisted
    sense of justice. 

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So stealing is wrong . . .
  • unless your stealing from an undeserving, evil
    villain for a good cause,
  • like to right their wrongs
  • revenge
  • or justice outside of the law. 

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The moral comment is that . . .
  • sometimes the underdog doling out comeuppance can
    replace legal justice so that the audience knows
    that the bad guy got what they deserved.  

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Here are the basic qualifications for the Caper
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1. The normal villain (petty thief) is the hero
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2. The crime is theft, not murder. 
  • It is hard to idealize a murderer.

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3. There is a righteous pursuer who may or may
not catch the thief. 
  • Still, the righteous pursuer can identify with
    and respect the thief. 

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4. The thief is not an evil mastermind
  • he may be smart, but it's the down to earth
    quality that helps the audience connect with the
    thief

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5. The focus of the story is how the thief will
get in and out successfully, not on how the
righteous pursuer will catch them.
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6. The thief is rarely harmed when their plans
are foiled, just a bit of wounded pride at most. 
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7. The Character is charming, clever, and witty
so that the audience will like him/her more than
the worse villain. 
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"Don't Know much About Art," by Simon Brett
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Characters
  • Billy Gorse narrator, petty thief
  • Wally Clinton thief who Gorse tried to drive to
    the airport, but ran out of gas
  • Mr. Loxton employer, private school voice
  • Mr. Depaldo the fence
  • Lord Harbinger Owner of Harbinger Hall

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So how is "Don't Know Much About Art" a caper? 
  • Let me count the ways.

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1. The normal villain (petty thief) is the hero 
  • In this story, Billy Gorse is the hero. 
  • He's a petty criminal and not a very successful
    one at that. 

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  • He looks dumb
  • Ex pro-wrestler
  • Stereotypical looking dumb villain

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He looks dumber than he is, but hes also done
some dumb things.
  • He looms, threatens, and hes made silly
    mistakes
  • Drove the wrong people away in the getaway car.
  • Accidentally returned stolen goods
  • Wrote his address on a ransom note

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Yet, he is less of a criminal than Mr. Loxton and
Lord Harbinger.
  • We can't help but cheer for him as he out-smarts
    the two crusty, know-it-all blue-bloods.

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2. The crime is theft, not murder
  • Billy is hired to steal a painting. 
  • But hes still a good guy
  • He tells us that he won't
  • do murder for hire
  • or mug old ladies,
  • so his crimes seem pretty harmless. 
  • Besides, what's the harm in stealing a old
    painting from a bunch of rich folks?

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3. There is a righteous pursuer who may or may
not catch the thief 
  • Yes and no on this one.
  • There is no police man or private investigator
    pursuing Billy
  • but Billy becomes the righteous pursuer when he
    realizes that he is being set up. 
  • He is then the one who must pursue Mr. Loxton and
    the man he was speaking to in order for himself
    to survive this deal.  

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4. The thief is not an evil mastermind
  • Billy is no evil mastermind but he isn't as daft
    as he first portrayed himself to be. 
  • He describes himself as a type of brainless,
    blunt object to be used to mindless tasks only
  • yet he manages to have the painting handed to him
    as he goes out the door. 

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5. The focus of the story is how the thief will
get in and out successfully, not on how the
righteous pursuer will catch them
  • The story, as told by Billy himself, focuses on
    how he could possibly steal this painting, or at
    least survive once he stole the painting. 
  • His success is his ultimate goal.

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6. The thief is rarely harmed when their plans
are foiled, just a bit of wounded pride at most
  • Billy and Lord Harbinger are not harmed. 
  • Billy seemingly embarrasses himself in front of
    Lord Harbinger, the other guests, and the staff
    as the painting falls out of his unzipped
    suitcase as he walks down the stairs. 
  • Lord Harbinger is humiliated in front of his
    guests as he tries to cover up the insurance
    scam.
  • Unfortunately, Mr. Loxton gets caught up in his
    own bombing scheme and dies while trying to drive
    the bomb-rigged car away from Harbinger Hall.

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7. The Character is charming, clever, and witty
so that the audience will like him/her more than
the worse villain.
  • What's not to love about Billy's self deprecating
    humor? 
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