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Alfred Hitchcock

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Alfred Hitchcock Auteur Filmmaker 1899 - 1980 British film maker considered pioneer of suspense and psychological thriller genres. Born London, England- son ... – PowerPoint PPT presentation

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Title: Alfred Hitchcock


1
Alfred Hitchcock Auteur Filmmaker
  • 1899 - 1980

2
  • British film maker considered pioneer of
    suspense and psychological thriller genres.
  • Born London, England- son of a green grocer.
  • Lonely and sheltered as a child. Had few friends
    due to his obesity.
  • Father would send him to the local police
    station for 10 minutes lock-up for bad behavior.
  • Harsh punishment or being wrongly accused is a
    common theme in Hitchcock's films.
  • - At 14, father dies.
  • Started out in engineering which led him to
    photography and ultimately to film.

3
EARLY CAREER 1920s
  • 1920sHitchcock's first job - title designer for
    silent films.
  • 1924 Begins collaborating with German filmmaker
    Graham Cutts.
  • -Works in art direction and set design.
  • 1926 Returns to London, marries Alma Reville,
    who becomes closest collaborator and confident.
  • 1929 Makes first sound picture, one of the first
    in the United Kingdom.

4
Auteurism
  • Huge success after British releases such as The
    Lady Vanishes (1938) and Jamaica Inn (1939) also
    make him famous in the USA.
  • David O. Selznick, an American producer,
    convinces him to move to the USA to direct an
    adaptation of du Maurier's Rebecca (1940).
  • After the release of Saboteur (1942), his films
    are named after him, too, and referred to as
    Alfred Hitchcock's Vertigo, Alfred Hitchcock's
    Rear Window, etc.

5
SIGNATURE STYLE
  • Hitchcock put cameos in every film he made.
  • - Used "wrong man" or "mistaken identity" motif,
    often.
  • Wore a formal suit while working.
  • Suspense used cross-cutting frequently to
    extend and suspend time.
  • Driving sequence shots cut between the drivers
    point of view and close-ups of the passengers,
    from the opposite direction. This technique kept
    the viewer 'inside' the car and intensified
    danger.
  • Used dark humour and dry wit, especially
    regarding murder.
  • Preferred studio shooting, not location shooting,
    in order to have full control of lighting, etc.
  • In many films he created shadows on the walls
    to enhance suspense and tension
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