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Narrative Patterns in Wuthering Heights

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Title: Narrative Patterns in Wuthering Heights


1
Narrative Patterns in Wuthering Heights
2
AH, YES, THE FLASHBACK
  • Everyone who has seen very many movies
    understands the technique of the flashback.
  • When an author uses the flashback, he usually
    begins in the present (Mr. Lockwood has rented a
    house, Thrushcross Grange, and is mightily
    intrigued by his rough and gruff landlord and
    neighbor, Mr. Heathcliff (first and last name the
    same)

3
The present . . .
  • When Mr. Lockwood visits the house known as
    Wuthering Heights both of his visits are
    unwelcome he is trapped there by a snowstorm and
    strange things begin to happen as he gets ready
    to go to bed
  • A tap, tapping at the window, a little voice that
    cries Do let me come in, and an icy little hand
    that grabs Mr. Lockwoods as he tries to shut the
    sash of the window set the stage for an
    intriguing story.

4
Mr Lockwood unnerved
  • Well, of course, Mr. Lockwood is unnerved he
    thinks that he has had a horrible dream UNTIL
  • Mr. Heathcliff rushes in, throws open the window,
    and howls for Cathy to haunt him.

5
Whats a man to think?
  • Naturally, Mr. Lockwood wants to know the whole
    story behind the ghost, the unidentified girl who
    lives with Heathcliff, and whatever other
    mysteries surround the harsh environment of
    Wuthering Heights, but how is he to find out what
    happened twenty years ago Heathcliff certainly
    isnt going to gossip

6
But Nelly Dean will gossip
  • In the house that Mr. Lockwood rented for the
    year there is a housekeeper, Nelly Dean. When Mr.
    Lockwood comes down with the flu ( he really
    should have stayed in during the storm) Nelly
    Dean promises to stay by his sick bed and tell
    him the WHOLE story about all of the strange
    goings on at Wuthering Heights BECAUSE

7
NELLY THE NARRATOR
  • Nelly lived at Wuthering Heights and worked for
    Catherines family (and later for Catherine) all
    of her life, and she was around to witness AND to
    participate in all of the events.
  • SO as Mr. Lockwood recuperates, Nelly Dean
    entertains Lockwood by telling him the tragic and
    violent story of the love between Heathcliff and
    Catherine

8
THE PAST
  • Now, through Nellie, the reader is taken back
    (flashback, get it) twenty years to the time when
    Mr Earnshaw brought home a waif from Liverpool
    and named him Heathcliff.
  • The reader will now, with the help of Nellys
    narration, progress through the past and will
    eventually (toward the end of the book)
    permanently return to the present.

9
But there is a catch
  • Remember reading the Great Gatsby in 11th grade?
  • Sometimes the narrator of a story may not be
    reliable or truthful. . . .

10
Veracity of the Narrator
  • Veracity of the narrator is a literary term which
    indicates that the reader must judge whether or
    not a character who narrates a story is truthful,
    is untruthful because he is deliberately lying,
    or is untruthful because his perception is skewed
    by his own experiences and personality

11
FOR EXAMPLE
  • Mr. Lockwood indicates to us (the readers) that
    Heathcliff is crude, crass, rough, and illiterate
  • HOWEVER
  • We soon see that Mr. Lockwood is a city slicker
    who is just a little (no, a lot) effeminate SO

12
MR LOCKWOOD
  • Of course he sees Heathcliff as a BRUTE
  • However, Nelly Deans story seems to confirm Mr.
    Lockwoods perception
  • EXCEPT

13
Dastardly NELLY?
  • Watch for what Nelly says about Heathcliff. She
    states that she ALWAYS-- from the very first day
    of his arrival-- hated Heathcliff
  • In fact when he was a young child stricken with a
    severe case of measles, and she was his nurse,
    she secretly took the child out on the cold
    stairs hoping that the chill would kill him.

14
DEMON CHILD
  • And when the freezing air didnt kill the young
    child, she pronounced him a demon child.
  • ( I just ask you, whos the demon here?)
  • But what about Joseph, the bad tempered gardener,
    who CONSTANTLY tells us that Heathcliff and
    Catherine are products of the devil?

15
Joseph
  • However, as you read you should see that Joseph
    believes that EVERYONE (except for him) is doomed
    to down under
  • ULTIMATELY

16
YOU
  • The reader must draw his own conclusions about
    the story and especially about the people who
    relate the events.
  • Be suspicious. See if you can make a case for
    Nelly Dean as a principal villain

17
Some other things to think about
  • What factors will motivate whom you marry?
  • Will you marry for love, security, social strata
    or passion?
  • What about Catherine? Who will she marry?
  • Decide which if any of her decisions are wrong.

18
Heathcliff
  • What about Heathcliffs total disregard of all
    the conventions of society? Is he a free spirit
    that lives a genuine, authentic life without
    regard to what other people think?
  • OR
  • Is he a horribly destructive force that
    threatens the fabric of society?

19
Revenge
  • AS YOU READ, EXAMINE
  • Does Heathcliff ever want revenge?
  • Whom does Heathcliff have a grudge against?
  • Does he punish anyone?
  • What are the results of his revenge?
  • Does it satisfy him?

20
Nature vs. Nurture
  • An age-old question why do we become who we are?
    Is it because of our naturewe were born to be
    what we become
  • OR
  • Is it because of the environment in which we are
    brought up?
  • What makes Heathcliff SOOOO bitter?

21
LOVE STORY
  • Why are Heathcliff and Catherine the ARCHETYPES
    of masculinity and femininity ?
  • Why is their story so enduring?
  • Why do girls ALWAYS choose the bad boys who
    NEVER treat them well
  • Why do girls NEVER appreciate the suitors who are
    REALLY in love with them?

22
Unconditional
  • Is this story so appealing because Heathcliffs
    love is unchanging and unconditional? Be ready to
    share your view at the end of the reading of this
    novel.

23
R for Violence
  • Watch out as you read -- how many scenes of
    violence can you identify? (Be careful, you may
    get so used to all of the scenes of violence that
    you began not to notice them.)

24
Moorlands
25
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26
Walker on The Bronte Way
27
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28
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