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Mr Themba P.Wakashe,

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Title: Mr Themba P.Wakashe,


1
UNESCO AND CULTURAL DIVERSITY
  • Mr Themba P.Wakashe,
  • Director-General
  • Department of Arts and Culture

2
INDEX
  • Introduction and background
  • UNESCOs Strategic Framework
  • SA National Commission for UNESCO
  • DAC and UNESCO
  • UNESCO and Cultural Diversity
  • The Convention on Cultural Diversity
  • Implementation of the Convention
  • Conclusion

2
3
INTRODUCTION AND BACKGROUND
  • UNESCO is one of the 15 specialized agencies of
    the United Nations and contributes to the
    building of peace, the eradication of poverty,
    sustainable development and intercultural
    dialogue through its mandate for education, the
    sciences, culture, communication and information.
  • UNESCO membership consists of 193 countries and
    seven associate members.
  • UNESCO is based in Paris and has over 50 field
    offices and many specialized institutes and
    centres throughout the world.
  • UNESCO has a number of priority projects within
    its field of expertise, which include literacy,
    technical and teacher training programmes
    international science programmes the promotion
    of independent media and freedom of the press
    regional and cultural history projects the
    promotion of cultural diversity international
    cooperation agreements to promote and protect the
    world cultural and natural heritage (World
    Heritage Sites), and attempts to bridge the
    worldwide digital divide.

3
4
UNESCOS STRATEGIC FRAMEWORK
  • UNESCOs Medium-Term Strategy for 2008 to 2013 is
    structured around five programme-driven,
    overarching objectives which are
  • Attaining quality education for all and lifelong
    learning
  • Mobilizing scientific knowledge and policy for
    sustainable development
  • Addressing emerging social and ethical
    challenges
  • Promoting cultural diversity, intercultural
    dialogue and a culture of peace
  • Building inclusive knowledge societies through
    information and communication.
  • UNESCOs Medium-Term Strategy also accords global
    priority to Africa and gender equality. Action in
    favour of Africa respects the priorities decided
    by Africa itself, through the African Union and
    its NEPAD programme.

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5
UNESCOs Strategic Frameworkcont
  • UNESCO is actively pursuing the Millennium
    Development Goals, especially those aiming to
  • Halve the proportion of people living in extreme
    poverty in developing countries by 2015
  • Achieve universal primary education in all
    countries by 2015
  • Eliminate gender disparity in primary and
    secondary education by 2005
  • Help countries implement a national strategy for
    sustainable development by 2005 and
  • Reverse current trends in the loss of
    environmental resources by 2015.

5
6
SA NATIONAL COMMISSION FOR UNESCO
  • The South African National Commission for UNESCO
    (SANATCOM) was established in 1998 with the core
    function to effectively integrate and coordinate
    UNESCO activities in South Africa, through
    cooperation with government departments and civil
    society organisations.
  • The SANATCOM under the leadership of the Minister
    of Basic Education is responsible for servicing
    six line departments whose areas of competency
    coincide with the broad mandate of UNESCO.
  • The SANATCOMs vision is to strive towards a
    knowledge based society characterised by the
    pursuance of educational, cultural, information
    and scientific excellence in accordance with
    UNESCOs ideals and for the development of the
    country.

6
7
SA NATIONAL COMMISSION FOR UNESCO
  • The SANATCOMs mission is to support the
    transformation of our society and strengthen our
    democracy by
  • Facilitating the implementation of UNESCO
    programmes in education, natural, social and
    human science, culture and communication
  • Facilitating cooperation on national UNESCO
    issues among National Departments
  • Facilitating the adherence to the UNESCOs
    ethical standards especially with regard to peace
    and human rights
  • Encouraging the application of UNESCO
    standard-setting instruments to support the
    redress of social disadvantage
  • Providing communication channels between South
    Africa, UNESCO and other National Commissions
    and
  • Participating actively in the affairs of UNESCO.

7
8
DEPARTMENT OF ARTS AND CULTURE AND UNESCO
  • DAC is involved closely with UNESCO, through the
    implementation of the following
  • Heritage (World Heritage, Intangible Heritage,
    Underwater Heritage)
  • Memory of the World
  • Cultural Diversity
  • South Africa was readmitted to UNESCO on 12
    December 1994, following the countrys transition
    to democracy.
  • In 1997 the country ratified the World Heritage
    Convention and served as a member of the World
    Heritage Committee from 2000 to 2005. SA was
    re-elected in 2009 to serve a 2nd term from 2010
    2013.
  • During this time South Africa, through the
    Department of Arts and Culture, successfully
    hosted the 29th session of the World Heritage
    Committee in 2005 and further facilitated the
    process that resulted in the establishment of the
    African World Heritage Fund in 2006.

8
9
DEPARTMENT OF ARTS AND CULTURE AND UNESCO
  • Memory of the World
  • South Africa became involved in UNESCOS Memory
    of the World (M.o.W) Programme in 2003.
  • The MoW Programme promotes the preservation of
    the worlds documentary heritage against natural
    and man-made disasters.
  • South Africa hosted the 8th UNESCO International
    Advisory Committee (I.A.C.) meeting for the
    Memory of the World (MoW) Programme in June 2007
    to evaluate all proposals submitted to UNESCO for
    enlisting in the UNESCOs Memory of the World
    International Register (MoWIR).
  • Two South African collections were accepted for
    registration in the MoWIR. These two collections
    are the Rivonia Trial collection, housed at the
    National Archives of South Africa, and the Living
    Apartheid collection which is housed at the Doxa
    Productions in Cape Town.
  • A call for nomination for the 2011 MoW IR listing
    was sent out late 2009 to heritage institutions
    in South Africa. Three new nominations were
    received. The CODESA, the Multiparty Collections
    aand the Medu Art Ensemble Collection at Freedom
    Park were submitted to UNESCO MoW Programme.
  • SA is also currently chairing the Africa Regional
    Committee of the Memory of the World.

9
10
CULTURAL DIVERSITY AND UNESCO
  • UNESCO defines and sees Cultural Diversity as a
    driving force of development, not only in respect
    of economic growth, but also as a means of
    leading a more fulfilling intellectual,
    emotional, moral and spiritual life. This is
    captured in all seven culture conventions at
    UNESCO, which provides a basis for the promotion
    of cultural diversity.
  • According to the UNESCO Universal Declaration on
    Cultural Diversity (2001), acceptance and
    recognition of cultural diversity is conducive to
    dialogue among civilizations and cultures,
    respect and mutual understanding. The promotion
    of cultural diversity is central to UNESCOs
    mandate.

10
11
CULTURAL DIVERSITY AND UNESCO
  • UNESCO published a World Report on Investing in
    Cultural Diversity and Intercultural Dialogue in
    2009.
  • The report states that Cultural Diversity is more
    than just the protection of heritage in danger.
    It is also the development of intercultural
    skills, the road towards new forms of governance,
    the lever of the effective exercise of
    universally recognized human rights and a means
    to reduce imbalances in the trade of cultural
    goods and services.
  • The Report especially suggests creating a World
    Observatory on Cultural Diversity, to monitor the
    impacts of globalization, setting up a "national
    mechanism for monitoring public policies as they
    relate to cultural diversity," and implementing
    "national language policies with a view to both
    safeguarding linguistic diversity and promoting
    multilingual competencies."

11
12
UNESCO CONVENTION ON CULTURAL DIVERSITY
  • The Convention on the Protection and Promotion of
    the Diversity of Cultural Expressions stands out
    among the heritage-related conventions in that it
    focuses primarily on the diversity of cultural
    expressions, as circulated and shared through
    cultural activities, goods and services, the most
    contemporary transmitters of culture.
  • The Convention responds to an existing need to
    actively protect and promote the diversity of
    cultural expressions in the face of the
    accelerated pace of globalization.
  • In 2001 UNESCO adopted the Universal declaration
    on Cultural Diversity.
  • In 2003, INCP Ministers of Culture made a
    submission to UNESCO to create a legal binding
    instrument that will address issues relating to
    Cultural Diversity.
  • In 2003 Member States requested UNESCO to pursue
    normative action to defend human creativity.

12
13
UNESCO CONVENTION ON CULTURAL DIVERSITY
  • After 2 years of intense negotiations at UNESCO
    between independent and government experts, the
    UNESCO Convention on the Protection and Promotion
    of the Diversity of Cultural Expressions was
    adopted by majority vote at the 33rd session of
    the UNESCO General Conference in 2005.
  • The Convention is the 1st normative international
    instrument that deals with the protection and
    promotion of cultural diversity on a global
    scale.
  • South Africa fully supports the Convention and
    ratified the Convention in December 2006.
  • The Convention came into force in March 2007 and
    SA chaired the 1st Conference of Parties on the
    Convention in June 2006.

13
14
UNESCO CONVENTION ON CULTURAL DIVERSITY cont..
  • The Convention has been heralded as the Magna
    Charta of International Cultural Policy,
    reaffirming the rights of governments to adopt
    and implement cultural policy measures necessary
    to protect and promote cultural expressions.
  • The main objectives of the Convention are to
  • Recognize that cultural goods and services convey
    identity, values and meaning and therefore can
    not be treated as mere commodities or consumer
    goods
  • Encourage governments to introduce cultural
    policies and measures that address al links in
    the value chain from creation, production,
    distribution, access and enjoyment of cultural
    expressions and
  • Promote international cooperation.

14
15
IMPLEMENTATION OF THE CONVENTION
  • The following activities should be pursued by
    all to ensure the effective implementation of the
    Convention
  • Develop a complete set of operational guidelines
    for the Convention
  • Encourage additional ratifications from all
    regions of the world and raise visibility of the
    Convention
  • Test and manage the International Fund on
    Cultural Diversity (IFCD)
  • Implement mechanisms that can provide
    preferential treatment for artists and cultural
    practitioners from developing countries and
    provide access for their goods and services in
    developed countries.

15
16
IMPLEMENTATION cont.
  • South Africa has been elected to serve on the
    Intergovernmental Committee (IGC) of the
    Convention for 4 years.
  • One of the main tasks of the IGC is to prepare
    the operational guidelines on the application and
    implementation of the Convention.
  • The purpose of the operational guidelines is to
    provide governments with a general framework on
    how they may implement and apply provisions of
    the Convention in their own countries.
  • Operational guidelines for article 7, 8, 11, 13,
    14, 15, 16, 17 and 18 has been developed and are
    in the implementation phase.
  • Work on developing operational guidelines for
    articles 9, 10 and 19 are currently underway and
    will be discussed during the 4th Ordinary Session
    of the IGC, which is due to take place in Paris
    from 29 November 3 December 2010.

16
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IMPLEMENTATION cont.
  • The Convention also recognises the establishment
    of financial support mechanisms for the
    developing world, through an international fund
    for cultural diversity.
  • The purpose of the Fund is to promote cooperation
    for sustainable development and poverty reduction
    in order to foster the emergence of a dynamic
    cultural sector in developing countries and to
    promote South-South-North cooperation.
  • To ensure the sustainability and smooth operation
    of the Fund, State Parties should be encouraged
    to play an active part in financing the Fund
    through voluntary and regular contributions to
    the Fund.
  • SA has made a voluntary contribution of R87 000
    to the fund which equals to 1 of our annual
    contributions to UNESCO.
  • The first call for applications to be funded
    through the International Fund for Cultural
    Diversity was made in March 2010 and SA submitted
    13 proposals in response to the call for
    proposals.

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CONCLUSION
  • The number of countries having ratified the
    Convention together with SA, has reached 113.
  • Efforts are still on the way to encourage
    increased ratifications and to raise
    awareness/visibility of the Convention,
    especially in under-represented regions.
  • DAC will be conducting consultative workshops
    throughout the country with provinces, associated
    institutions and civil society representatives in
    the arts, culture and heritage sector to promote
    the implementation of the approved operational
    guidelines of the Convention.
  • 21 May as been declared by UNESCO as World Day
    for Cultural Diversity for Dialogue and
    Development

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19
ThankYou
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