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Melville and his Moby Dick

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Title: Melville and his Moby Dick


1
Melville and his Moby Dick
2
First things first
  • You need to have a general understanding of the
    movements Moby Dick was born out of
  • This includes a background on
  • The Age of Reason
  • Romanticism
  • Transcendentalism
  • Gothic, and
  • Anti-Transcendentalism

3
Romanticism
  • The first major movement in American literature,
    Romanticism was a movement in art, literature,
    and music dating from the late 1700s to the
    mid-1800s
  • Romanticism is characterized by the 5 Is
  • Imagination
  • Intuition
  • Idealism
  • Inspiration
  • Individualism

4
Imagination
  • Romantics emphasized imagination over reason and
    logic
  • This was a backlash against the rationalism of
    the Enlightenment period or Age of Reason
    (1650-1789)
  • In the Age of Reason, people believed all truth
    and knowledge could be discovered through using
    reason, logic, science, and math.

5
Intuition
  • Romantics placed a high value on intuition, or
    feeling and instincts, over reason
  • Thus, emotions were hugely important in Romantic
    art and literature

6
Idealism
  • Idealism is the concept that we can make the
    world a better place
  • Romanitcs believed that thought (our mind and
    spirit) makes the world the way that it is thus,
    positive thinking actually makes the world a good
    place (if you think its good, then it is)
  • They were very optimistic about life

7
Inspiration
  • Romantics believed that artists and writers make
    their art through spontaneous inspiration
  • In art (this includes visual art, the written
    word, and music), they believed it was more
    important to follow your feelings and impulses
    than to try to get things exactly correct, or
    technically perfect

8
Individualism
  • Romantics celebrated the individual
  • They believed people should listen to their own
    feelings and their own moral compass to guide
    their actions and to find what is good and right,
    rather than just following what society says
  • They thought people should march to the beat of
    their own drummer
  • There are no universal truths -- we must search
    for our own truths!

9
Transcendentalism
  • However, Transcendentalists also believed that
    God was IN nature and humanity
  • This divine spirit was called the Oversoul
  • This belief was a response to the idea of God as
    a divine watchmaker, in which Age of Reason
    thinkers like Franklin and Jefferson believed
  • A uniquely American Philosophy its heyday was
    between 1820 and 1830.
  • Transcendentalism drew heavily on Romanticism
    its believers valued the same things the
    Romantics valued (the 5 Is)

10
Gothic Literature
  • Gothic literature arose around the same time as
    the Romantic movement (mid-1700s) and was wildly
    popular up until the Civil War
  • Both Gothic and Romantic writers were reacting to
    the Age of Reason, and both wanted to free the
    imagination.
  • However, Gothics saw POTENTIAL EVIL in the
    individual, while Romantics saw HOPE in the
    individual

11
Gothic Conventions
  • Setting
  • ancient castles,
  • decaying estates,
  • weird or haunted places
  • Plot
  • strange and terrifying events supernatural
    events
  • extreme situations (murder, torture, revenge)
  • These situations bring out mans true nature, and
    it is NOT good
  • Characters
  • Supernatural characters like ghosts, demons, and
    monsters (such as werewolves or vampires)
  • insane male characters
  • beautiful women who are dead/dying

12
Gothic Conventions
  • Style
  • macabre
  • macabre (adj)
  • including gruesome and horrific details of death
    and decay
  • imaginative distortion of reality
  • dark atmosphere
  • Subjects
  • the unknown,
  • the fantastic,
  • the demonic,
  • insanity
  • the human heart and mind

13
Anti-Transcendentalism
  • Moby Dick is an Anti-Transcendental piece
  • Anti-Transcendentalism was a 19th century
    (1840-60) literary movement that focused on
  • the dark side of humanity and
  • the evil and guilt associated with mans sinful
    nature

14
Anti-Transcendnetalism
  • This focus is similar to the focus of the Gothic
    writers
  • However, the Gothics used very specific
    conventions (the supernatural, the macabre, and
    the terrifying) that are not necessarily always
    found in Anti-Transcendentalist works

15
Why did this movement begin?
  • It began as reaction to a perceived naiveté in
    the unbridled optimism and idealism of the
    Romantics and Transcendentalists
  • It also challenges Neo-Classical (Age of Reason)
    notions about order and logic, as the Romantics
    did

16
Why did this movement begin?
  • Many scholars argue that Anti-Transcendentalism
    was born out of a human tendency to dwell on
    feelings of guilt and remorse over past sins

17
Why did this movement begin?
  • Additionally, writers were discontented with the
    ills of American society in the 1800s (poverty,
    mistreatment of workers, slavery, lack of womens
    rights)
  • Unlike the Romantics and Transcendentalists,
    these writers viewed societys moral dilemmas
    with a negative lens
  • Romantics thought these problems could be solved
    with a little positivity and good work
  • Anti-Transcendentalists did NOT

18
Key Ideas
  • Man has a great potential for destruction and
    evil. He is inherently sinful, and evil is an
    overwhelming force working through the universe
  • Man is forever uncertain, forever running into
    his own limitations, and thus forever ineffective
    (bound for failure)

19
Key Ideas
  • Like the Romantics and Transcendentalists,
    Anti-Transcendentalists believed there were no
    universal truths -- we should all find individual
    truths
  • However, these truths, they believed, were
    usually disturbing and awful
  • Like the Gothics, they believed that extreme
    situations brought out mans true nature, and
    that this nature was not good

20
Ideas about Nature
  • Nature is vast and incredibly powerful
  • As the creation of God, it cannot be understood
    by man
  • Encounters with nature bring out the struggle
    between good and evil
  • Sometimes man vs. nature conflicts bring out
    mans evil side (evil man vs. good nature)
  • Sometimes nature is the evil entity, and man is
    trying to work for good, but nature is powerful,
    and man is weak thus, he must fail

21
Writing Style
  • Raw and morbid diction (straight-forward, not
    sugar-coated, gloomy, horrific, and disgusting)
  • Strong focus on the inner struggles of the
    protagonist (interest in the inner-mind and
    internal conflict)
  • Protagonists are often haunted by some mental
    problem or past sin, and they are usually
    alienated from society
  • Heavy use of symbolism

22
Now, lets get more specific
  • What should I know about Moby Dick, specifically?

23
Lesson A Moby Dick is awesome
  • Moby Dick is one of the two major works of
    American literature most frequently cited as The
    Great American Novel (The other is Twains
    Huckleberry Finn)
  • As such, it is referenced constantly in popular
    culture if youre looking, youll see it
    everywhere, from The Sopranos, to Mad magazine,
    to The Onion, to popular cartoons.

24
Masterpiece
  • Of the novel, Melville wrote I have written a
    wicked book, and feel spotless as the lamb.
  • Doesnt that give you goose bumps? The man can
    write!
  • He wrote that he felt this was his true
    masterpiece.
  • (Readers, however, did not agree, at least not at
    first. He was mostly unknown until the Melville
    Revival of the 1920s, and his book had rotten
    sales)

25
Lesson BMelvilles life-story matters
  • Melvilles material is the kind of stuff that
    could only be born of a particular sort of life
    experience -- an experience that was precipitated
    by some key events in his life
  • 1) Melvilles father was unsuccessful in business
    (importing), and his bankruptcy was too much for
    him to handle. He fell ill and died when Melville
    was 12.

26
Melvilles life
  • 2) As a result of the familys financial troubles
    and the death of his father, Melville couldnt
    afford to go to college. As it was up to him to
    support his mother and sisters, he needed a good
    paying job
  • 3) He joined a merchant ship in 1837 (whaling was
    hugely profitable, as whale oil was used for
    fuel). At sea, his adventures included desertion,
    captivity, and enlistment in the U.S. Navy

27
Melvilles Life
  • Ishmael says in Moby Dick, A whaleship was my
    Yale College and my Harvard, and this is
    certainly true of Melville!
  • Melville took his experiences and wrote two
    wildly popular travel narratives, Typee and Omoo.
  • These describe his time as a captive among a
    cannibal tribe in the Marquesas Islands and his
    experiences an explorer in the Polynesian islands.

28
Melvilles Life
  • He grew bored of writing popular, but shallow,
    travel narratives, and began writing deeply
    philosophical and experimental books full of
    symbols
  • His book Mardi was such a book, and he considered
    it great art, but the public hated it, and he
    needed money, so he wrote a few more crazy travel
    narratives

29
Melvilles Life
  • When he published Moby Dick in 1851, he knew it
    was his great masterpiece, but it was a
    commercial failure, and he was extremely
    disappointed with this. He became very bitter
    toward the American reading public.
  • Afterward, his physical and mental health
    declined sharply due to his struggle with
    terrible debt, as he tried desperately to support
    his family (he had four children!), as well as
    his mother and sisters.

30
Lesson CMelville as Truth-Seeker
  • Melville called writing
  • The great Art of Telling the Truth
  • He believed that he and his good friend Nathaniel
    Hawthorne needed to probe the most profound
    truths, however dark -- truths most people could
    not bear to see (Renker n.pag.).

31
Truth-seeking
  • Thus, we can read Moby Dick as a meditation (an
    extended and serious study) on truth, or as part
    of Melvilles great quest for truth.
  • Isnt that cool?
  • But how does one execute such a reading? What
    should we be looking for?

32
Questing for Truth
  • Both Ishmael and Ahab (the two key characters)
    are on a search for truth, and both pursue this
    truth in the form of the whale
  • We can read the whale as a symbol for truth

33
Ishmaels Quest
  • Ishmael tries to find truth by trying to
    understand the whale from every angle possible
  • At first, it seems that he thinks it is possible,
    if one studies and thinks enough, to find true
    understanding (yes, of the whale, but we can
    extend this out to God, man, the universe)

34
Ishmaels Quest, Part 2
  • Ishmael tries to put together a complete
    classification system for whales, to analyze them
    from every angle
  • (This is where some of the boring stuff comes in.
    But, hey! at least it has meaning behind it!)
  • However, he realizes that this is a never-ending
    project -- he could study the whale and pursue
    its meaning FOREVER
  • For him, the whale is full of meaning he
    describes the search for knowledge and truth as a
    branching tree that never ends
  • This does NOT discourage him

35
How does this help me?
  • We can read the chapters on cetology (the study
    of whales), which are an attempt to dissect the
    whale and find its ultimate meaning (truly
    understand it), as an attempt to DISCOVER TRUTH
  • Read the whale as truth
  • (Hopefully, understanding this will help us avoid
    whining like babies about how boring these
    chapters are.)

36
What does Ishmael learn?
  • He finds that the whale is such a huge topic that
    his study can never be complete
  • What he shows us is that the world is so full of
    meaning that we cant ever grasp all of it
  • However, we should try! The effort is not futile!
    In fact, it is awesome and worthy!

37
Ahabs Quest
  • Ahabs quest, by contrast, is not one to
    classify whales in general, but to avenge himself
    on one whale in particular.
  • His quest for truth is not generative it doesnt
    create more branches, like Ishmaels, but
    destructive. It zeroes in on ONE target (Renker)

38
Ahabs Quest
  • Ahab is ENRAGED by his inability to understand
    Moby Dick (which he views as the same as
    understanding the absolute truth of the universe
    (just as Ishmael did))
  • He views the whale as a malicious force (thus,
    for him, the universe is evil)

39
Ahabs Quest
  • Ahab calls the white whale the inscrutable
    thing (inscrutable means hard to interpret)
  • He is furious about the limits of understanding
    we have as humans (he calls this limitation a
    wall, and he wants to break through it)
  • Notice that wall and whale echo each other
    (Cool, huh? Yes, it is.)

40
How does this help me? The Cliffs Notes Version
  • Both men view the whale as holding the ultimate
    truth
  • Ishmael can live with the understanding that the
    whale (read life, the universe, God) is both
    incredibly meaningful AND ambiguous (can be
    understood in more than one way has an unclear
    meaning)
  • Ahab CANT live with that

41
What we learn
  • Everything has many meanings truth is ambiguous
  • The universe is so vast as to be incomprehensible
    to man

42
Lesson D Multiple Meanings
  • This brings us to the fourth key point
  • EVERYTHING CAN BE INTERPRETED IN MANY, MANY,
    MANY, MANY, MANY WAYS
  • Early on, Ishmael writes about the Sperm Whales
    eyes it can see two different views at once,
    unlike man
  • Obviously, this invites us to read the story in
    multiple ways and see everything in it from
    multiple angles.

43
Look For
  • Multiple interpretations of
  • the painting in the Spouter-Inn
  • the doubloon
  • Moby Dick himself
  • something else? (be cool and find other items
    with multiple meanings and multiple
    interpretations)

44
This Lesson Is Long
  • Yes, I know, this lesson is getting hella long.
    Its a hella long, hella meaningful book.

45
Lesson E Form Mashup
  • The novel is like an encyclopedia of forms!
  • Youll see dictionary, whaling manual, comedy,
    tragedy, epic, prophecy, sermon, soliloquy,
    drama, bawdy humor and tales within tales, as
    wells as A BILLION allusions from Shakespeare,
    Milton, the Bible, adventure narratives, and
    technical books
  • (dont write all this down, just write that it
    uses MANY forms (duh))

46
Why so many forms?
  • Melville is trying to look at the whale from
    EVERY ANGLE POSSIBLE.
  • Hes also trying to look at the novel as a
    literary form from every angle possible.
  • In this way, Melville pursues that crazy
    generative (ever-building and growing) tree
    branch of knowledge that Ishmael talks about
  • He shows that knowledge is vast and can (and
    should) be pursued among bajillions of different
    avenues
  • HOW AWESOME IS THAT? So dont complain about how
    boring the dictionary-like chapters are.

47
Lesson FThe Novel as a Reaction to the Times
  • Number One Religion
  • Early theories of evolution, increasing
    scientific developments, and a new study of the
    Bible as a product of history rather than divine
    revelation have created a crisis of faith in the
    Western world. People are asking Is there a
    God?

48
Religion
  • Melville uses Ishmael (an outcast named after the
    Biblical outcast (Abrahams son)) as a metaphor
    for a humanity that has lost its sustaining
    beliefs and is now in search of new meaning

49
Religion
  • Moby Dick himself (the whale) is constantly
    compared to God
  • In a sermon, God came upon Jonah in the whale
  • The whalemen believe Moby Dick is a supernatural,
    immortal being
  • A sailor-prophet says Moby Dick is God
    reincarnated
  • Thus, we can read the search for Moby Dick as a
    search for God, or a search to understand God (in
    addition to reading it as a search for truth)

50
Two Politics
  • In 1850, the nation was in crisis over slavery,
    and we were continuing to subjugate and
    exterminate Native Americans
  • Both forms of subjugation were underwritten by
    smug assertions of the civilized of their
    supremacy over savage races (Renker)
  • Melvilles novel explores this issue

51
Race in the Novel
  • At first, Ishmael accepts American racial
    hierarchies -- he is repulsed by and afraid of
    Queequeg, a South-Sea islander, cannibal, and
    pagan.
  • Soon though, he chooses the kind and heroic
    Queequeg over a hypocritical Christian
    civilization Ill try a pagan friend, thought
    I, since Christian kindness has proved but hollow
    courtesy
  • Ishmael and Queequeg form a loving friendship.

52
Race, continued
  • Little Pip is subjected to the fearful and
    violent power of racism
  • Pip, a small African American cabin boy trembles
    in fear before the big white God, Moby Dick
    and this passage asks us to see not only a
    spiritual but also a racial dimension to Moby
    Dicks whiteness (Renker)

53
So what?
  • We are meant to read Pip against Moby Dick -- Pip
    represents what it means to be African American
    in this time (he is small and helpless), and Moby
    Dick (representing whiteness) is a fearful and
    omnipotent force
  • Notice there are MANY ways to interpret Moby
    Dick (this relates to that point about multiple
    interpretations)

54
Re-Cap
  • A) This is an awesome book
  • B) Melville had actual whaling experience, and
    his book was a failure at first
  • C) This is a book about TRUTH
  • D) Everything in it has multiple meanings
  • E) It borrows from multiple forms to represent
    the vastness of knowledge and truth
  • F) Its also a response to a crisis of faith in
    the 1850s and a crisis of morality in the form of
    racism
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