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WOMEN IN LITERATURE

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WOMEN IN LITERATURE HOUSEKEEPING ORANGES ARE NOT THE ONLY FRUIT Pair Work (3 min) Do Question Analysis highlight key words/phrases; put in point form what the ... – PowerPoint PPT presentation

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Title: WOMEN IN LITERATURE


1
WOMEN IN LITERATURE
  • HOUSEKEEPING
  • ORANGES ARE NOT THE ONLY FRUIT

2
Pair Work (3 min)
  • Do Question Analysis
  • highlight key words/phrases
  • put in point form what the question specifically
    requires you to examine
  • (you may use Shrew to illustrate your points)
  • Make a list of what you need to do eg.
  • step 1 do question analysis
  • step 2 set parameter for discussion
  • step 3 craft Topic Sentences (Key Points) etc

3
How Section B looks like..
  • It is when the female characters or voices break
    away from conventional roles that the texts in
    which they feature become most compelling.
  • With detailed reference to any two of the texts
    you have studied, compare ways in which they
    present unconventional behaviour to illuminate
    the role of women.

4
Presentation (2 pairs)
  • Points gleamed

5
How Section B looks like..
  • With detailed reference to any two of the texts
    you have studied, compare the means by which they
    create distinctive female voices.

6
Presentation (2 pairs)
  • Points gleamed

7
Some general pointers..
  • Look for common areas of concerns themes,
    approach, techniques, style.
  • Look for differences within these common areas,
    ie. always have a basis for comparison.
  • Close reading is necessary.
  • Important to have examples from both texts.

8
Marilynn Robinson
  • Standing on the bare ground,--my head bathed by
    the blithe air and uplifted into infinite
    space,--all mean egotism vanishes. I become a
    transparent eyeball I am nothing I see all the
    currents of the Universal Being circulate through
    me I am part or parcel of God. --Emerson,
    "Nature"
  • Narrator Ruth
  • Perspective transparent eyeball
  • Note on Transient Women

9
Transcendentalism
  • A personal faith centering on the divinity of
    humanity and the natural world.
  • Believes God is immanent in each person and in
    nature
  • Individual intuition is the highest source of
    knowledge
  • Optimistic emphasis on individualism,
    self-reliance, and rejection of traditional
    authority.

10
Close reading
  • Consider the first line of Housekeeping
  • What does it tell you about the narrator?
  • What kind of relationship does the narrator
    (Ruth) establish with her reader?
  • How does the narrators self-introduction (My
    name is Ruth) subsequent introduction of her
    family affect our perception of the way she
    relates to her family?
  • In what ways does family / relations affect the
    way ones identity is shaped? Give egs where the
    themes of identity family intertwine.

11
Close reading
  • Page 9, para beginning with It is true that one
    is always aware of the lake in Fingerbone
  • Consider the symbolic significance of the lake /
    water.
  • Give other textual examples of the symbolic
    significance of the lake / water.

12
Jeanette Winterson
  • Born 1959
  • an evangelical household and a young girl
    whofalls in love with another young girl. (p.
    xiv)
  • 'I've never understood why straight fiction is
    supposed to be for everyone, but anything with a
    gay character or that includes gay experience is
    only for queers. - JW

13
Analysis
  • Like most people I lived for a long time with my
    mother and father.My father liked to watch the
    wrestling. My mother liked to wrestle.
  • This is the story of Jeanette, adopted by
    working-class evangelists in the North of
    England, in the 1960's.
  • Compare the film version with the written version
    of the first paragraph in what ways are they
    different? Similar? What issues / concerns are
    highlighted from the differences / similarities?

14
More Holiday Preparation for Paper 5
  • Reminder Paper 5 Holiday Assignment on Unseen
    Passages (hard copy of handout)
  • Lessons in Term 1, 2010
  • (follow the format of lessons on Shrew)

15
Lessons in Term 1, 2010
  • (follow the format of lessons on Shrew)
  • Pair Work
  • classes with odd numbers 1 person will have to
    do the presentation alone.

16
Lessons in Term 1, 2010
  • Research
  • Select a topic from the given list
  • Do research on the topic (background info).
  • Select salient points.
  • Make a list of relevant sub-topic / key points.
  • Using the visual organiser, organise your points
    for each text.
  • you can propose a topic if none of the 12 topics
    appeal to you!

17
Lessons in Term 1, 2010
  • Presentation
  • Start with a 3 min presentation on relevant
    background info.
  • Present key points using the visual organiser
    (make copies for classmates)
  • Select 1 passage from each text device 3-5
    questions for the class that require close
    analysis of the passages.
  • The passage should be around 50 lines.
  • Give 10 min discussion time, then lead class
    discussion on selected passages questions.
  • Each group in class will select 1 relevant
    passage per text that offer scope for comparison
    (either similarity or differences).
  • you can propose a topic if none of the 12 topics
    appeal to you!

18
Lessons in Term 1, 2010
  • Class work (after Pair Presentation)
  • Each group in class will select 1 relevant
    passage per text that offer scope for comparison
    (either similarity or differences).
  • All to take note of passages selected these
    will form the resources for self-revision,
    remedial / enrichment.

19
Topics to research on
  • The America in the Novels social mores womens
    place in society
  • Mothers (Fathers) Daughters
  • Female identity how female authorship shapes the
    identity issue vs how society constructs the
    female identity
  • Marriage / Love / Relationship / Sexuality
  • Setting
  • Symbols
  • The Home / Housekeeping / Grooming (Self Image)
    Gender roles/identity
  • Loss grief rage courage (and the female
    experience)
  • Memory the Past
  • Coming of Age / Childhood experience
  • Neighbours Relatives functions significance
  • Coming of Age
  • SIGN UP NOW

20
A Quiz!
21
True or False?
  1. The history of the modern feminist movement is
    divided into TWO waves.
  2. Betty Friedans The Feminine Mystique ignited
    the 1st wave of feminist movement .
  3. Germaine Greer stated that "Bras are a ludicrous
    invention, which inspired the bra-burning
    event outside the Atlantic City Convention Hall.

22
True or False?
  1. The feminist literary movement aims to promote
    homosexual writing.
  2. Feminist literary theory proposes that all
    writing is political in the sense that texts
    either encode proper behaviour and proper
    structures of belief and feeling or subvert them.
  3. Feminist criticism is an extension of Marxist
    criticism.

23
True or False?
  • 7. Feminist criticism examines literary works in
    the light of how women are portrayed.
  • 8. A feminist reading of a text requires that the
    reader uncovers and therefore challenges
    structures of inequality and oppression encoded
    and represented in the text.
  • Feminist literary criticism applies primarily to
    womens writing.

24
True or False?
  • 10. It is only very recently, and as a result of
    the feminist movement, that men have begun to
    present women realistically and sympathetically
    in their writing.
  • 11. Feminist literary critics believe that
    womens writing is more universal than mens.
  • 12. Feminist literary theories presume that there
    is a relationship between the texts and the
    reality (or society) from which they arise and in
    which they are subsequently read.

25
True or False?
  • The history of the modern feminist movement is
    divided into TWO waves.
  • Betty Friedans The Feminine Mystique ignited
    the 1st wave of feminist movement .
  • Germaine Greer stated that "Bras are a ludicrous
    invention, which inspired the bra-burning
    event outside the Atlantic City Convention Hall.
  • 4. The feminist literary movement aims to promote
    homosexual writing.
  • Feminist literary theory proposes that all
    writing is political in the sense that texts
    either encode proper behaviour and proper
    structures of belief and feeling or subvert them.
  • Feminist criticism is an extension of Marxist
    criticism.
  • 7. Feminist criticism examines literary works in
    the light of how women are portrayed.
  • 8. A feminist reading of a text requires that the
    reader uncovers and therefore challenges
    structures of inequality and oppression encoded
    and represented in the text.
  • Feminist literary criticism applies primarily to
    womens writing.
  • 10. It is only very recently, and as a result of
    the feminist movement, that men have begun to
    present women realistically and sympathetically
    in their writing.
  • 11. Feminist literary critics believe that
    womens writing is more universal than mens.
  • 12. Feminist literary theories presume that
    there is a relationship between the texts and the
    reality (or society) from which they arise and in
    which they are subsequently read.

26
Feminism Movement
  • 3 waves of the modern feminism movement.

27
Feminism Movement
  • First Wave
  • 19th to early 20th century
  • focused on de jure inequality, specifically
    womens suffrage
  • Historical Background
  • Restrictions on women patriarchy
  • Prescribed roles positions (located in the
    domestic sphere)
  • Literary tradition the idealised feminine
    women as the other

28
Feminism Movement
  • Second Wave
  • 1960s to 1980s
  • conventionally seen as sparked off by Betty
    Friedans The Feminine Mystique
  • also concerned with de facto inequalities
    (sexuality, family, workplace, reproductive
    rights)
  • Criticism of this wave (Feminist Sex Wars)
  • Often seen to impose a universal female identity
  • Too much emphasis on upper middle class white
    women.

29
Feminism Movement
  • Historical Background
  • Unprecedented economic growth, baby boom,
    suburbia expansion, capitalism.
  • The growth of the middle class.
  • Media patriarchal system that idealised
    domesticity.
  • Post-war interest in the nuclear family
    advocated as a symbol of security a return to
    traditional gender roles.
  • Womens proper place seen to be the home (a
    closed sphere) proper roles are as housewives
    and mothers.
  • Womens sexuality (seen in pregnancy, lactation,
    menstruation) seen as reasons for their
    inferiority.

30
Feminism Movement
  • Third Wave
  • 1990 to present
  • Diverse concerns mainly seeks to avoid the
    essentialist nature of 2nd wave feminism
    (recognise many colours, ethnicities,
    nationalities, religions, cultural backgrounds)
  • Seeks to include lesbians women of colour.
  • Allows women to define feminism for themselves.
  • Challenges the assumptions / received wisdom of
    past feminism movements.

31
Application of info
  • See how society constructs gender identity, eg.
  • through determining ideal gender roles (explicit
    laws, soft power of the media)
  • through power / authority of the day (Kennedys
    role in raising awareness of the feminist
    concerns churches decrees)
  • See how power between the sexes is distributed.
  • See how women interact with each other with
    men.
  • See how women challenge / negotiate /
    re-construct their roles.
  • Be aware of how feminist issues evolve.
  • In the texts you study

32
Betty Friedan
  • Betty Friedans book,
  • The Feminine Mystique,
  • was published in 1963.
  • It was widely perceived to have sparked the 2nd
    wave of the feminist movement.
  • Another important writer Simone de Beauvoir
    (The Second Sex)

33
Who is Germaine Greer?
  • Feminist writers
  • Germaine Greer The Female Eunuch

Greer also said that "but if you make bralessness
a rule, you're just subjecting yourself to yet
another repression." There was actually no
burning of bras bras other feminine
accessories were dumped into a Freedom Trash Can
someone suggested burning the can but could not
obtain permit to do it.
34
Other Feminist Writers / Critics
  • Mary Wollstonecraft A Vindication of the Rights
    of Women (1869)
  • Simone De Beauvoir The Second Sex (1949)
  • Alice Walker The Colour Purple
  • Virginia Woolf A Room of Ones Own (1929)
  • Mary Ellmann Thinking About Women (1968)
  • Kate Millett Sexual Politics (1969)
  • Judith Fetterley - The Resisting Reader (1978)
  • Elaine Showalter - A Literature of Their Own
    (1977)
  • Sandra Gilbert and Susan Gubar - The Madwoman in
    the Attic (1979)
  • Julia Kristeva, Helene Cixous

35
A Funky Point..
  • The Riot Grrrl
  • an underground feminist punk movement that
    started in the 1990s and is often associated with
    third-wave feminism (it is sometimes seen as its
    starting point). It was Grounded in the DIY
    philosophy of punk values. Riot grrls took an
    anti-corporate stance of self-sufficiency and
    self-reliance

36
Application?
  • Be aware of salient features.
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