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Multimodal Planning and Teaching Sequence

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Title: Multimodal Planning and Teaching Sequence


1
Multimodal Planning and Teaching Sequence
  • The following sequence and suggested activities
    have been adapted from the planning model
    presented by Bearne and Wolstencroft (2007)

Bearne, E. and Wolstencroft, H. (2007) Visual
Approaches to Teaching Writing. London Sage/UKLA
2
Familiarisation with the text typedevelop
understanding of multimodal texts
  • Consider different multimodal texts as designs,
    discussing how they are set out
  • Read and group texts together e.g. narrative,
    persuasive
  • Identify different modes in texts and how they
    combine. What is each modes function in the
    text? What meaning or message do they present to
    the reader or viewer?
  • Explore how design, layout and organisation of
    texts create effect
  • Consider what is the most prominent part of the
    text. Where is your eye drawn to? Why has the
    text been designed in this way?
  • Make a personal response to different texts
  • Develop a meta-language to describe multimodal
    texts
  • Draw on reading and texts explored to design own
    texts establishing success criteria for final
    compositions
  • Read film focusing on aspects such as colour,
    camera angle, characterisation, story structure,
    setting and sound

3
Capture ideasnote and develop initial ideas
  • Engage with texts through drama activities e.g.
    through small world play, role-play etc.
  • Explore ideas for texts by responding to meaning
    through different modes such as through music,
    dance, drawing etc.
  • Add meaning to texts by adding modes e.g. create
    sound for an image
  • Encourage children to respond to modes within a
    text e.g. hearing just the sounds in a film
  • Record thoughts and responses through drawings,
    mapping, writing, note making, audio recording
    etc.
  • Manipulate and experiment with digital equipment
    such as digital photo manipulation software
  • Compare and explore features of paper and
    on-screen texts considering layout /design
    features and how the modes add meaning

4
Plandevelop, record and structure initial ideas
  • Model choosing the mode which is most appropriate
    to convey the messages for the task
  • Model designing layouts for the text using
    desktop publishing, drawing, sketching, sticky
    notes, etc
  • Collect examples of text conventions for the
    chosen text. Group images, sounds, vocabulary
    and phrases etc from example texts to support
    drafting
  • Experiment with layouts and consider the
    reader/viewers needs and demonstrate how to
    collect and arrange ideas onto graphic organisers
    e.g. storyboards
  • Annotate plans, images, drawings, etc
  • Plan on paper or on-screen
  • Select the preferred format to plan

5
Draftdevelop ideas from the plan into a
structured text
  • Model composing texts building together the ideas
    and resources e.g. demonstrate the selection of
    typeface, font size, layout, colour
  • Model using software, digital video and audio
    editing software to combine modes e.g. images,
    sound, text and transitions on Photo Story 3
  • Make ongoing changes to the text, adding modes as
    appropriate
  • Use a range of drawing and typographic choices to
    engage the reader
  • Use presentation software e.g. PowerPoint,
    Talking Photo Albums
  • Add modes to signify meanings to the reader/
    viewer

6
Revisealter and improve the draft
  • Reconsider the desired intentions of using
    particular modes
  • Refer back to models explored at the beginning of
    the unit in shared reading
  • Look back at lists and agreed success criteria
    collected when examining example texts during
    shared reading
  • Model making changes by adding or removing
    aspects to enhance meaning
  • Add modes which have not been included (if this
    will enhance the text)
  • Redraft and change work following paired or group
    discussions and reviews, talk through decisions
  • Check for cohesion
  • Consider and review timings between transitions
    or amend sequences

7
Proof readcheck design and layout, spelling and
punctuation
  • Model proofreading and use peer review
  • Check the visual aspects for colour, cropping of
    images, effects
  • Check moving image for fades and edits, cropping,
    timings and visual effects
  • Check auditory text for timing, sequencing,
    editing, volume, fades and edits, and sound
    effects
  • Check that hyper-links in non-linear
    (multi-layered) texts work
  • Check written text for spelling, punctuation,
    cohesion, typing errors etc.

8
Presentprepare and present final copy to a
reader/audience
  • How can the final composition be celebrated?
  • School website
  • Assembly
  • Open gallery
  • Viewing in a local cinema or community hall
  • Daily onscreen school broadcast in the school
    dinner hall
  • Displayed as books
  • Interactive display, for example, graphic texts
    with audio recordings (press the button)
  • Live performance to parents
  • Dialogue between schools

9
Reflection
  • How is this planning process similar to teaching
    sequences you currently plan?
  • How might this planning process support you in
    enhancing your provision of multimodal teaching
    and learning?

10
Bibliography
  • Bearne, E., and Wolstencroft, H. (2007) Visual
    Approaches to Teaching Writing Multimodal
    Literacy 5-11. London Paul Chapman Publishing.
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