Early Computer Music (1953-85) - PowerPoint PPT Presentation

1 / 9
About This Presentation
Title:

Early Computer Music (1953-85)

Description:

Chapter 10 Early Computer Music (1953-85) Contents Foundations of Computer Music The Role of Computers in Music Computer Composition and Scoring Computer Synthesis – PowerPoint PPT presentation

Number of Views:198
Avg rating:3.0/5.0
Slides: 10
Provided by: ThomH150
Category:

less

Transcript and Presenter's Notes

Title: Early Computer Music (1953-85)


1
Chapter 10 Early Computer Music (1953-85)
  • Contents
  • Foundations of Computer Music
  • The Role of Computers in Music
  • Computer Composition and Scoring
  • Computer Synthesis
  • Computer Control over External Synthesizers
  • Computer Sampling of Audio Input
  • A Concise History of Computer Music

2
Chapter 10 Early Computer Music (1953-85)
  • The new field of information science inspired
    composers to explore the use of computers to
    compose and synthesize music, beginning in the
    1950s.
  • The development of computer technology
    historically paralleled the development of the
    modern electronic music studio and synthesizer,
    leading to a cross-fertilization of the two
    fields that greatly benefited electronic music.

Chapter 10
3
Chapter 10 Early Computer Music (1953-85)
  • The development of computer music requires a
    musical programming language and a method for the
    direct synthesis of digital signals into audible
    sound.
  • The first music programming language was
    developed by Max Mathews at Bell Labs in 1957.

Chapter 10
4
Chapter 10 Early Computer Music (1953-85)
  • Lejaren Hiller and Iannis Xenakis explored the
    use of computers for musical composition during
    the late 1950s and 1960s.
  • The direct synthesis of music by computers became
    feasible during the 1970s and resulted in the
    creation of large-scale digital synthesizers at
    Bell Labs, Stanford University, the Institute of
    Sonology in The Netherlands, IRCAM, and other
    computer centers.

Chapter 10
5
Chapter 10 Early Computer Music (1953-85)
  • John Chownings work in FM synthesis led to an
    economical way to harness computing power to
    create a wide palette of easily shaped sounds
    that could be accomplished with a minimum of
    processing power.

Chapter 10
6
Chapter 10 Early Computer Music (1953-85)
  • The four roles of computers in music include
  • Composition and scoring
  • Computer synthesis
  • Computer control over audio processing functions
    and performance
  • Computer sampling of audio input.

Chapter 10
7
Chapter 10
8
Chapter 10
9
Chapter 10
Write a Comment
User Comments (0)
About PowerShow.com