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WARM UP

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Title: WARM UP


1
WARM UPActivating Prior Knowledge
  • What do you already know about poetry? List as
    many things as you can. You may include famous
    poets, poetry terms, poetic elements, etc.

2
WARM UP--Review
  • In a brief paragraph, explain how poetry might
    relate to painting, sculpting, or art of other
    mediums. Why do you think human beings need
    artistic outlets to express themselves?

3
Todays Learning Goal
  • I will learn the definitions of various poetry
    terms and practice identifying poetic elements by
    taking notes and reading childrens poems.

4
What is Poetry?
  • Writing that creates a intense imaginative
    awareness of experience in language
  • Words are chosen and arranged to produce a
    specific emotional response
  • Response created through meaning, sound, and
    rhythm

5
Types of Poetry
  • Narrative Poetry
  • Sonnets

6
Narrative Poetry
  • Poetry created to tell a story
  • Uses Imagery
  • Sensory details that create a certain pictures in
    the readers mind.

7
Example Narrative Poem Clooney the Clown by
Shel Silverstein
  • I'll tell you the story of Cloony the ClownWho
    worked in a circus that came through town.His
    shoes were too big and his hat was too small,But
    he just wasn't, just wasn't funny at all.He had
    a trombone to play loud silly tunes,He had a
    green dog and a thousand balloons.He was floppy
    and sloppy and skinny and tall,But he just
    wasn't, just wasn't funny at all.And every time
    he did a trick,Everyone felt a little sick.And
    every time he told a joke,Folks sighed as if
    their hearts were broke.And every time he lost a
    shoe,Everyone looked awfully blue.And every
    time he stood on his head,Everyone screamed, "Go
    back to bed!"And every time he made a
    leap,Everybody fell asleep.And every time he
    ate his tie,Everyone began to cry.And Cloony
    could not make any moneySimply because he was
    not funny.One day he said, "I'll tell this
    townHow it feels to be an unfunny clown."And he
    told them all why he looked so sad,And he told
    them all why he felt so bad.He told of Pain and
    Rain and Cold,He told of Darkness in his soul,
  • And after he finished his tale of woe,Did
    everyone cry? Oh no, no, no,They laughed until
    they shook the treesWith "Hah-Hah-Hahs" and
    "Hee-Hee-Hees."They laughed with howls and yowls
    and shrieks,They laughed all day, they laughed
    all week,They laughed until they had a fit,They
    laughed until their jackets split.The laughter
    spread for miles aroundTo every city, every
    town,Over mountains, 'cross the sea,From Saint
    Tropez to Mun San Nee.And soon the whole world
    rang with laughter,Lasting till forever
    after,While Cloony stood in the circus
    tent,With his head drooped low and his shoulders
    bent.And he said,"THAT IS NOT WHAT I MEANT -I'M
    FUNNY JUST BY ACCIDENT."And while the world
    laughed outside.Cloony the Clown sat down and
    cried.

8
Sonnet
  • A poem consisting of fourteen lines of iambic
    pentameter
  • Italian (Petrarchan) Sonnet
  • Shakespearean (Elizabethan or English) Sonnet

9
Shakespearean Sonnet
  • Consists of three quatrains and a final rhyming
    couplet
  • Rhyme Scheme abab, cdcd, efef, gg
  • Usually, the question or theme is set forth in
    the quatrains while the answer or resolution
    appears in the final couplet

10
SAMPLE SHAKESPEAREAN SONNET Sonnet 29
  • When, in disgrace with fortune and men's eyes,I
    all alone beweep my outcast state And trouble
    deaf heaven with my bootless criesAnd look upon
    myself and curse my fate, 
  • Wishing me like to one more rich in
    hope, Featured like him, like him with friends
    possess'd,Desiring this man's art and that man's
    scope, With what I most enjoy contented least 
  • Yet in these thoughts myself almost
    despising,Haply I think on thee, and then my
    state, Like to the lark at break of day
    arising From sullen earth, sings hymns at
    heaven's gate
  • For thy sweet love remember'd such wealth
    bringsThat then I scorn to change my state with
    kings.

11
Poetic Forms
  • Meter
  • Foot
  • Verse
  • Rhyme
  • End Rhyme
  • Rhyme Scheme
  • Stanza
  • Couplet
  • Triplet
  • Quatrain
  • Quintet
  • Sestet
  • Septet
  • Octave

12
Meter
  • The patterned repetition of stressed and
    unstressed syllables in a line of poetry.
  • Foot the smallest repeated pattern of stressed
    and unstressed syllables in a poetic line.
  • Iambic an unstressed followed by a stressed
    syllable.
  • Verse is a metric line of poetry named
    according to the number of feet and type of feet
    composing it.
  • Pentameter five feet (penta meaning five)

13
Iambic Pentameter
  • Iambic unstressed followed by a stressed
    syllable
  • Pentameter five feet
  • Iambic Pentameter five iambic feet or five
    sets of (unstressed followed by a stressed
    syllable)

14
SAMPLE Iambic Pentameter
  • I all alone beweep my outcast state 

15
Rhyme
  • The similarity or likeness of sound existing
    between two words (sat and cat)
  • End Rhyme the rhyming of words that appear at
    the ends of two or more lines of poetry.
  • Rhyme Scheme The pattern of end rhymes used in
    a poem usually marked by letters to symbolize
    rhyming correspondence

16
SAMPLE End Rhyme and Rhyme Scheme
  • When, in disgrace with fortune and men's eyes,I
    all alone beweep my outcast state And trouble
    deaf heaven with my bootless criesAnd look upon
    myself and curse my fate, 
  • Wishing me like to one more rich in
    hope, Featured like him, like him with friends
    possess'd,Desiring this man's art and that man's
    scope, With what I most enjoy contented least 
  • Yet in these thoughts myself almost
    despising,Haply I think on thee, and then my
    state, Like to the lark at break of day
    arising From sullen earth, sings hymns at
    heaven's gate
  • For thy sweet love remember'd such wealth
    bringsThat then I scorn to change my state with
    kings.

17
Stanza
  • A division of poetry named for the number of
    lines it contains
  • Couplet two lines
  • Triplet three lines
  • Quatrain four lines
  • Quintet five lines
  • Sestet six lines
  • Septet seven lines
  • Octave Eight lines

18
SAMPLE STANZAS Shakespearean Sonnet
  • When, in disgrace with fortune and men's eyes,I
    all alone beweep my outcast state And trouble
    deaf heaven with my bootless criesAnd look upon
    myself and curse my fate, 
  • Wishing me like to one more rich in
    hope, Featured like him, like him with friends
    possess'd,Desiring this man's art and that man's
    scope, With what I most enjoy contented least 
  • Yet in these thoughts myself almost
    despising,Haply I think on thee, and then my
    state, Like to the lark at break of day
    arising From sullen earth, sings hymns at
    heaven's gate
  • For thy sweet love remember'd such wealth
    bringsThat then I scorn to change my state with
    kings.
  • ?QUATRAIN
  • ?QUATRAIN
  • ?QUATRAIN
  • ?COUPLET

19
Figurative Language
  • Simile
  • Metaphor
  • Extended Metaphor
  • Personification

20
Simile
  • A comparison of two unlike things using the words
    like or as.
  • EXAMPLES
  • She was as beautiful as a diamond.
  • ?
  • She ran like a swift and violent wind.
  • ?

21
Metaphor
  • A comparison of two unlike things in which no
    word of comparison (as or like) is used.
  • EXAMPLES
  • The beautiful woman was a diamond amongst dull
    stones.
  • ?
  • The girl was a violent running wind.
  • ?

22
Extended Metaphor
  • A metaphor introduced and then further developed
    throughout all or part of a literary work
    especially a poem

23
SAMPLE Extended MetaphorThe Road Not Taken
by Robert Frost
  • Two roads diverged in a yellow wood,And sorry I
    could not travel bothAnd be one traveler, long I
    stoodAnd looked down one as far as I couldTo
    where it bent in the undergrowthThen took the
    other, as just as fair,And having perhaps the
    better claimBecause it was grassy and wanted
    wear,Though as for that the passing thereHad
    worn them really about the same, 
  • And both that morning equally layIn leaves no
    step had trodden black.Oh, I marked the first
    for another day!Yet knowing how way leads on to
    wayI doubted if I should ever come back.I
    shall be telling this with a sighSomewhere ages
    and ages henceTwo roads diverged in a wood, and
    I,I took the one less traveled by,And that has
    made all the difference. 

24
Personification
  • A literary device in which the author/poet speaks
    of or describes an animal, object, or idea as if
    it were a person
  • EXAMPLES
  • The violent wind ran around my room knocking
    everything to the floor.
  • The tree reached out its arms and hugged the
    wind.

25
Activity Identifying Figurative Language
  • There will be a line of words using figurative
    language posted on the screen.
  • Copy the line in your ENGLISH NOTEBOOK.
  • With your table partner, try and identify whether
    the line is an example of a simile, metaphor, or
    personification.

26
Simile, Metaphor, or Personification?
  • Copy this line and identify with your table
    partner
  • They fought like cats and dogs.

27
Simile, Metaphor, or Personification?
  • Copy this line and identify with your table
    partner
  • He had a heart of stone.

28
Simile, Metaphor, or Personification?
  • Copy this line and identify with your table
    partner
  • She didnt blend in she stuck out like a sore
    thumb.

29
Simile, Metaphor, or Personification?
  • Copy this line and identify with your table
    partner
  • Opportunity knocked at my door.

30
Simile, Metaphor, or Personification?
  • Copy this line and identify with your table
    partner
  • The wind tapped like a tired man.

31
Simile, Metaphor, or Personification?
  • Copy this line and identify with your table
    partner
  • The vines wove their fingers together to form a
    braid.

32
Simile, Metaphor, or Personification?
  • Copy this line and identify with your table
    partner
  • Time steals from us everyday.

33
Simile, Metaphor, or Personification?
  • Copy this line and identify with your table
    partner
  • The sun played hide and seek with the clouds.

34
Activity Identifying Figurative Language in
Poetry
35
IDENTIFYING FIGURATIVE LANGUAGE Identify as
many forms of figurative language possible
  • I have a little shadow that goes in and out with
    me,And what can be the use of him is more than I
    can see.He is very, very like me from the heels
    up to the headAnd I see him jump before me,
    when I jump into my bed.

36
IDENTIFYING FIGURATIVE LANGUAGE Identify as
many forms of figurative language possible
  • The funniest things about him is the way he likes
    to grow-Not at all like proper children, which
    is always very slowFor he sometimes shoots up
    taller like an India rubber ball,And he
    sometimes gets so little that there's none of him
    at all.

37
IDENTIFYING FIGURATIVE LANGUAGE Identify as
many forms of figurative language possible
  • He hasn't got a notion of how children ought to
    play,And can only make a fool of me in every
    sort of way.He stays so close beside me, he's a
    coward you can seeI'd think shame to stick to
    nursie as that shadow sticks to me!

38
IDENTIFYING FIGURATIVE LANGUAGE Identify as
many forms of figurative language possible
  • One morning, very early, before the sun was up,I
    rose and found the shining dew on every
    buttercupBut my lazy little shadow, like an
    arrant sleepy-head,Had stayed at home behind me
    and was fast asleep in bed.

39
My Shadow   Robert Louis Stevenson 
  • I have a little shadow that goes in and out with
    me,And what can be the use of him is more than I
    can see.He is very, very like me from the heels
    up to the headAnd I see him jump before me,
    when I jump into my bed.
  • The funniest things about him is the way he likes
    to grow-Not at all like proper children, which
    is always very slowFor he sometimes shoots up
    taller like an India rubber ball,And he
    sometimes gets so little that there's none of him
    at all.
  • He hasn't got a notion of how children ought to
    play,And can only make a fool of me in every
    sort of way.He stays so close beside me, he's a
    coward you can seeI'd think shame to stick to
    nursie as that shadow sticks to me!
  • One morning, very early, before the sun was up,I
    rose and found the shining dew on every
    buttercupBut my lazy little shadow, like an
    arrant sleepy-head,Had stayed at home behind me
    and was fast asleep in bed.

40
EXIT REFLECTION
  • In a brief paragraph, define one new poetry term
    you learned today and provide an example.

41
EXIT REFLECTION
  • In a brief paragraph, define one form of
    figurative language (simile, metaphor,
    personification, etc.) that we learned today and
    write a creative example following the definition
    you provide.
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