Title: CIS679: Multimedia Basics
1CIS679 Multimedia Basics
- Multimedia data type
- Basic compression techniques
2Multimedia Data Type
3Audio
- Digitization
- Sampling
- Quantization
- Coding
- Higher sampling rate -gt higher quality
- Nyquist sampling theorem for lossless
digitization, the sampling rate should be at
least twice the maximum frequency responses - Higher bits per sample -gt higher quality
- Sampling at 8 KHz, 8 bit samples -gt 64kbits/sec
- CD-quality audio
- Sampling at 44.1KHz, 16 bit samples -gt 705.6
kbits/sec
4Image/Video
- Digitization
- Scan a picture frame
- Digitize every pixel
- Color represented by RGB
- Normally converted to Y (black and white TV), U
and V - Luminance Y 0.30R 0.59G 0.11 R
- Chrominance U (B-Y) 0.493
- V (R-Y) 0.877
5Video Transmission Standards
- NTSC
- Y 0.30R 0.59G 0.14B
- I 0.60R 0.28G 0.32B
- Q 0.21R 0.52G 0.21B
- PAL
6Studio-quality TV
- NTSC
- 525 lines at 30 frames/second
- Y sampled at 13.5 MHz, Chrominance values at 6.75
MHz - With 8-bit samples,
- Data rate (13.5 6.75 6.75) 8 216 Mbps
7Summary of Multimedia Data Types
- Audio data rate 64kbps, and 705.6kbps
- Video date rate 216 Mbps
- Compression is required!
8Can Multimedia Data Be Compressed?
- Redundancy can be exploited to do compression!
- Spatial redundancy
- correlation between neighboring pixels in
image/video - Spectral redundancy
- correlation among colors
- Psycho-visual redundancy
- Perceptual properties of human visual system
9Categories of Compression
- Lossless
- No distortion of the original content
- Used for computer data, medical images, etc.
- Lossy
- Some distortion
- Suited for audio and video
10Compression Techniques
Run-length Coding Run-length Coding
Entropy Encoding Huflfman Coding Huflfman Coding
Arithmetic Coding Arithmetic Coding
DPCM
Prediction DM
FFT
Transformation DCT
Source Coding Bit Position
Layered Coding Subsampling
Sub-band Coding Sub-band Coding
Vector Quantization Vector Quantization
J PEG J PEG
MPEG MPEG
Hybrid Coding H.261 H.261
DVI RTV, DVI PLV DVI RTV, DVI PLV
11Entropy Encoding Techniques
- Lossless compression
- Run-length encoding
- Represent stream as (c1, l1), (c2, l2),, (ck,
lk) - 1111111111333332222444444 (1, 10) (3, 5) (2,4)
(4, 5) - Or ABCCCCCCCCDEFGGG ABC!8DEFGGG
- Pattern Substitution
- Substitute smaller symbols for frequently used
patterns
12Huffman Coding
- Use variable length codes
- Most frequently used symbols coded with fewest
bits - Codes are stored in a codebook
- Codebook transferred with the compressed stream
13Source Encoding Techniques
- Transformation encoding
- Transform the bit-stream into another domain
- Data in the new domain more amenable to
compression - Type of transformation depends on data
- Image/video transformed from time domain into
frequency domain (DCT)
14Differential/Predictive Encoding
- Encoding the difference between actual value and
a prediction of that value - Number of Techniques
- Differential Pulse Code Modulation (DPCM)
- Delta Modulation (DM)
- Adaptive Pulse Code Modulation (APCM)
- How they work?
- When consecutive change little
- Suited for audio and video
15Vector Quantization
- Divide the data stream into blocks or vectors
- One or two dimensional blocks
- Use codebooks
- Find the closest symbol in codebook for a given
sample - Transmit the reference to that symbol
- Codebook present at sender/receiver
- When no exact match, could send the error
- Lossy or lossless
- Useful with known signal characteristics
- Construct codebooks that can match a wide range
of symbols
16Major Steps of Compression
- Preparation
- Uncompressed analog signal -gt sampled digital
form - Processing
- Source coding
- DCT typically used Transform from time domain -gt
frequency domain - Quantization
- Quantize weights into integer codes
- Could use different number of bits per
coefficient - Entropy encoding
- Lossless encoding for further compression
17Conclusion
- Multimedia data types
- Why multimedia can be compressed?
- Categories of compression
- Compression techniques
- Entropy encoding
- Source encoding
- Hybrid coding
- Major steps of compression
- Whats next?
- JPEG
- MPEG