Title: ARCHIVE
1 ARCHIVE
Presented by Sean McKee Director Restoration
New Technology IVC (A Point.360 Company)
2- Archiving Color Image
- to Single Strip
- 35mm Black White Film
GOAL Stable image storage that is
recoverable and reliable.
3 Current Archival Preservation MethodYCM
Separations
- (3) Separate Primary Colors
- Yellow, Cyan, Magenta
- Recorded to
- (3) Separate Black White Film Reels
4 Visionary Archival Process
- (3) Separate Primary Colors
- Recorded to
- (1) Black White Film Reel
5Source Image
6 Close-up of Bayer Pattern on Visionary
Image
7Red, Green, Blue Color Information Encoded
8Source Image to Visionary Conversion
Source Image
Visionary Image
9Pixel Accurate Alignment Patterns
10Consistent Color Representation
Calibration and alignment patterns to ensure
consistent luminance, blacks, midtones, and
whites.
11Alignment Pattern Detail
12Creative Intent Preserved
- Color creative intent preserved with this
calibration scale not simply images - Alignment patterns allow reconstruction
pixel to pixel
13Tests
- Recorders ARRILASER2,
- AATON, CELCO, etc.
- Film Stock KODAK 2234, 2238, 5269,
- FUJI RDS 4971
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14Rosetta Stone
- Description of film picture
- Definition of Bayer Pattern
- Defined color map
- Alignment and image level
- Source Dimensions and frame rate
15 Un-Archive Process
- Free source code provided for un-archiving
- Registers all color images with single scan
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- Alignment is pixel accurate
16Visionary Archival Process
- 2/3 less film grain than traditional YCM
recombine - Re-registration not required
- Warped film no longer an issue
- Alignment patterns ensure solid stabilization
- Creative intent preserved on film
17Whats Next?
- Further testing and improvements
- Possibility to add audio to element
18 ARCHIVE
Presented by Sean McKee Director Restoration
New Technology IVC (A Point.360 Company)