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Modernism

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Title: Modernism


1
Modernism
  • Make it new!
  • - Ezra Pound

2
Modernism
  • Fragmentation and disconnection
  • Frequent quotations, allusions, and references to
    information outside the poem
  • Divided self/detached speaker
  • An overall feeling of powerlessness and
    alienation
  • A focus on language
  • Difficult to understand
  • Deals with subject matter that had traditionally
    been considered mundane or trivial
  • The presentation of an individual consciousness
    against a panorama of the age

3
Imagism
  • Led by Ezra Pound William Carlos Williams was a
    later adherent
  • short poems that used ordinary language and free
    verse to create sharp, exact, concentrated
    pictures.
  • Pounds definition of the image
  • Eliots objective correlative

4
Ezra Pound (1885-1972)
  • Early academic career
  • London in 1908
  • 1920-1941 London to Paris to Italy
  • WWII charges of treason

5
In a Station of the Metro
  • Remember Pounds definition of the image.
  • Whenever you approach an Imagist poem, you should
    ask yourself what complexities of intellect and
    emotion might be packed into this poem?

6
In a Station of the Metro
  1. What emotional connotations are suggested by the
    wet, black, bough?
  2. Pounds main metaphor in this poem involves the
    petals. What does he compare to petals?
  3. What does that metaphor add to the meaning of the
    poem?
  4. Think about the crowd who do you think they are?
    Why are they riding the metro?
  5. Pound was deeply interested in Japanese and
    Chinese poetry. Can you detect the influence of
    that poetry in this poem? How so?
  6. How does this poem exemplify the ideologies of
    the Imagists?

7
The River-Merchants Wife A Letter
  1. Identify the speaker of this poem in terms of
    gender, age, character, and occupation.
  2. List the events that occur in stanzas 1-4.
  3. In the last stanza, what does the speaker promise
    to do?
  4. How is the third stanza a turning point in the
    poem?
  5. What does the image of the husband dragging his
    feet suggest?
  6. Find three more images in the final stanza that
    add meaning to the poem. List them, and tell what
    meaning they suggest.
  7. Why do the butterflies hurt the speaker?
  8. How does this poem put into practice the Imagist
    theory of the objective correlative?

8
William Carlos Williams
  • Multi-ethnic background
  • New Jersey doctor
  • Influence of Ezra Pound
  • But differed in style
  • No ideas but in things.

9
The Red Wheelbarrow
  1. Note the exact visual imagery.
  2. What has just happened before this poem takes
    place?
  3. What is the one metaphor in this poem?
  4. What is it exactly that depends upon the
    wheelbarrow? Why?
  5. How does this poem employ the objective
    correlative?
  6. Whats the point of this poem? Does it mean
    anything? If so, what?

10
This is Just to Say
  1. To whom do you think this poem is addressed?
  2. Do you think the speaker really feels sorry for
    what he (or she) has done?
  3. Even though the speaker of this poem does
    directly state a feeling (i.e., Forgive me),
    does this poem still employ the objective
    correlative? How so?

11
A Note on Williams
  • When we read poems like The Red Wheelbarrow and
    This is Just to Say, our first impulse might be
    to criticize and dismiss.
  • But you must always remember the context.
  • Think of these poems as experiments in poetry.

12
To Elsie
  • A poem about a devastated and despoiled America
    and about the alienated and self-alienating human
    condition. (characteristics of Modernism)
  • Critics have called this Williamss great poem
    about America. In a short, solid paragraph,
    analyze To Elsie as a piece of social criticism
    about the nation. How does Elsie, with broken
    brain express the truth about us?
  • Can you connect the form of the poem to its
    meaning?

13
Queen Annes Lace
  • Queen Annes Lace is the wild progenitor to our
    carrot.

14
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15
Queen Annes Lace
  • The critic Sharon Doblin has said that this poem
    is an early example of Williams' use of the
    Cubist model as a way to confuse two frames of
    referenceto subvert the hierarchy of tenor over
    vehicle in the structure of metaphor via the
    poem's enjambments . . .

16
  • Queen Annes Lace
  • Her body is not so white as
  • anemone petals nor so smooth nor
  • so remote a thing. It is a field
  • of the wild carrot taking
  • the field by force the grass
  • does not raise above it.
  • Here is no question of whiteness,
  • white as can be, with a purple mole
  • at the center of each flower.
  • Each flower is a hand's span
  • of her whiteness. Wherever
  • his hand has lain there is
  • a tiny purple blemish. Each part
  • is a blossom under his touch
  • to which the fibres of her being
  • stem one by one, each to its end,
  • until the whole field is a

17
Spring and All
  • Images in 1st 3 stanzas
  • Contagious hospital (2 meanings)
  • What might the word they at the beginning of
    the 5th stanza mean?
  • still in line 25
  • Ending
  • What overall meaning, theme, or message can you
    read into this poem?

18
Spring and All
  • Describe the specific images the speaker sees by
    the road in the first three stanzas. What kind of
    landscape does he describe?
  • Identify and list the adjectives Williams uses in
    the first three stanzas. How do these adjectives
    contribute to the tone of the first half of the
    poem?
  • Contagious hospital is a colloquial term
    meaning a hospital for people with contagious
    diseases. What does the reference to the
    contagious hospital add to the poem?
  • If we read contagious as an adjective that
    modifies hospital, and not as a kind of hospital,
    what other meaning can we get from that phrase?
  • The first three stanzas are about plants. The
    pronoun in line 16, however, might refer to more
    than plants. What broader meaning might the word
    they have?

19
Spring and All
  • Williams was also an obstetrician, and he
    delivered thousands of babies in his lifetime.
    How does that fact change your impression of the
    last three stanzas? What specific references
    would apply equally to the coming of spring and
    the birth of an infant?
  • Look closely at the last stanza. What two
    meanings of the word still make line 25 a
    paradox?
  • Look very closely at the last line of the poem.
    Do you see anything interesting about it? Why do
    you think Williams might have chosen to end the
    poem this way?
  • What overall meaning, theme, or message can you
    read into this poem?
  • look at the title

20
e.e. cummings
  • This guy really shook things up.
  • Experimental painter.
  • WWIvolunteer ambulance driver wrongly
    imprisoned
  • After the war, went to Paris to study art
  • Experiments in syntax and typography.

21
since feeling is first
  • Sets up a number of dualities
  • Is simultaneously
  • 1) a love poem, and
  • 2) a poem about poetry (ironically, the
    inadequacy of language)

22
in just
  • Critics have identified the balloon man as a
    rendition of Pan, the god of the goatherds and
    shepherds. A goat-man, he was akin to the satyrs
    like them, he inhabited the thickets, forests,
    and mountains, all places of wilderness. Upon his
    reed pipe (called a Panpipe), this lesser god
    played music for the dancing nymphs. Like the
    satyrs, he loved the nymphs but was rejected
    because of his ugly appearance cleft foot and
    deformed and aging body. He was a lecher whose
    pursuits of nymphs such as Echo, Pithys, and
    Syrinx are well-recounted in classical
    literature. The haunts that he frequented, the
    urges and appetites that impelled him, and the
    distinctive cleft foot all profoundly affected
    later Christian conceptions of the devil, whose
    humanoid appearance in art resembles that of Pan
    and the satyrs....

23
O sweet spontaneous
  • Cummings takes issue with the way three groups of
    people treat the earth. What are these three
    groups?
  • How do they treat the Earth?
  • Cummings portrays them as dirty old men!
  • List the adjectives in the first four stanzas of
    the poem. Which nouns do they describe? What does
    a study of the adjectives tell us about the
    meaning of the poem?
  • Why is death Earths rhythmic lover?
  • What does death have to do with spring? How is
    spring Earths answer to them?
  • Look closely at the form of the poem how does it
    create the poems meaning?

24
anyone lived in a pretty how town
  • Structuring elements
  • refrains and repeated grammatical patterns,
    repetition of parentheses
  • Complete grammatical chaos! Adverbs, nouns,
    adjectiveseverything all switched around
  • What kind of story is narrated in anyone lived
    in a pretty how town? Who are the main
    characters?
  • Notice that Cummings repeats the names of
    seasons, but rotates them each time. Why might he
    have done this?
  • Why is it that only the children perceive that no
    one loved anyone?
  • What does Cummings mean when he says of the
    children down they forgot as up they grew?

25
T.S. Eliot
  • Born in St. Louis in 1888 father was chancellor
    of Wash U.
  • Moved to London just before WWI
  • New Criticism, objective correlative
  • Scholar
  • British subject
  • Nobel Prize
  • Prufrock first published in 1915 in Poetry
    magazine

26
The Love Song of J. Alfred Prufrock
  • The most Modernist poem weve read!
  • A dramatic monologue
  • A type of poem in which a speaker addresses a
    silent listener.
  • a poem written as a speech
  • stream of consciousness a writing technique that
    depicts a characters random flow of thoughts,
    feelings, and perceptions
  • The critic Laurence Perrine wrote that Prufrock
    "presents the apparently random thoughts going
    through a person's head within a certain time
    interval, in which the transitional links are
    psychological rather than logical."

27
The Love Song of J. Alfred Prufrock
  • The title its all about dry humor.
  • Translation of the epigraph If I thought my
    answer were to one who could return to the world,
    I would not reply, but as none ever did return
    alive from this depth, without fear of infamy I
    answer thee. 
  • Spoken by Count Guido da Montefeltro, a Damned
    Soul in the Eighth Circle of Hell in Dante's
    Divine Comedy, the Inferno, Canto 27, Lines
    61-66.

28
Review for Modernism Test!
  • You must know the authors and titles of the
    poems!
  • Ezra Pound
  • In a Station of the Metro
  • The River-Merchants Wife A Letter
  • William Carlos Williams
  • The Red Wheelbarrow
  • This is Just to Say
  • Spring and All

29
Review for Modernism Test!
  • e.e. cummings
  • l(a
  • since feeling is first
  • anyone lived in a pretty how town
  • in just-
  • O sweet spontaneous
  • T.S. Eliot
  • The Love Song of J. Alfred Prufrock

30
Review for Modernism Test!
  • Make sure you thoroughly understand Modernism and
    Imagism, as well as
  • Their relationship to each other
  • Their relationship to other literary movements
  • The historical context
  • The 5 changes to which modernism was a response
  • Terms
  • Pounds theory of the image
  • objective correlative

31
Review for Modernism Test!
  • Know the Modernism and Imagism handout!
  • the 8 characteristics of Modernism
  • Eliots Few Donts for an Imagist
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