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How Music Works

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How Music Works Part I: Rhythm Many other levels and complexities are possible, but these three categories are sufficient for now. Try singing these songs out loud in ... – PowerPoint PPT presentation

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Title: How Music Works


1
Chapter 3How Music Works Part I Rhythm
2
The Four Basic Properties of Tones
3
  • Duration - how long or short a tone is.
  • Frequency - how high or low a tone is.
  • Amplitude - how loud or soft tones are.
  • Timbre - analogous to the actual sound quality or
    tone color of tones, to what they sound like.

4
Rhythm
5
  • See also Figures 3.1 and 3.2, page 35

6
Insights and Perspectives
  • Mozart and
  • The Alphabet Song, 35

7
Beat
8
  • The beat is the steady, underlying pulse that
    occurs in much music.
  • It provides the foundation for all rhythmic
    aspects of the musical organization.
  • See also Figure 3.3, page 36.

9
Subdivision
10
  • Subdivision - when a beat is divided into smaller
    rhythmic units.
  • Duple subdivision occurs with two evenly spaced
    notes, like a, b, c, d in The Alphabet Song.
    Quadruple subdivision is twice as fast - l, m,
    n, o.
  • Triple subdivision occurs when three equal notes
    fill a beat. An example is in Row, Row, Row
    Your Boat Merrily, merrily, merrily,
    merrily...
  • See also Figure 3.4, 3.5 and 3.6, pages 36-37.

11
Meter
12
  • A measure is a grouping of beats into a larger
    unit. The number of beats in a measure
    determines the meter.
  • Beats within the measure receive different
    emphasis strong, medium, and weak.
  • Star-Spangled Banner (triple meter) (S - w - w)
  • Alphabet Song (quadruple meter) (S - w - M - w)
  • See also Figures 3.7, 3.8, 3.9 and 3.10 and
    corresponding CD examples, pages 38-39.

13
Insights and Perspectives
  • Clap on 2 and 4 Backbeats, 39
  • CD ex. 1-19

14
  • In styles like rock, blues, funk, and hip-hop,
    more emphasis is given to the second and fourth
    beats of four-beat measures. (These beats are
    called backbeats in such contexts.)
  • This changes the groove or feeling of the rhythm
    completely.
  • CD ex. 1-19 features Charles Atkins A Funny
    Way of Asking, which emphasizes the backbeats.

15
Insights and Perspectives
  • Three Beats or Seven?, 40
  • CD ex. 1-21

16
  • Eastern European countries like Bulgaria and
    Romania frequently feature music with meters of
    5, 7, 11, or 13 feats.
  • Westerners would describe CD ex. 1-21 as having
    seven beats per measure (2 2 3). The
    Romanian artists would describe it as a triple
    meter, with two short beats followed by a
    long beat in each measure.
  • This is an example of different perceptions of
    music held by cultural insiders and cultural
    outsiders.

17
Accent and Syncopation
18
  • Accents are notes of rhythms that get special
    emphasis - usually played louder than the
    surrounding notes.
  • Syncopation describes accented notes that fall
    between beats. West African music is often
    described as syncopated, but West Africans
    themselves usually do not think of it way.
  • For corresponding CD examples, see page 41.

19
Tempo
20
  • Tempo is Italian for time and refers to the
    rate at which the beats pass in music.
  • Tempos may be constant (unchanging) or variable
    (sudden or gradual accelerations or
    decelerations).
  • CD ex. 1-23

21
Free Rhythm
22
  • Music with a discernible beat (and usually meter,
    tempo) is called metric.
  • Unmeasured music is described as nonmetric, or in
    free rhythm. It tends to float across time,
    rather than march along to it.
  • CD ex. 1-24
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