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Library/Museum

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Title: Role of Academic Libraries in the 21st Century Last modified by: Matthew Martin Created Date: 9/26/2005 9:52:51 PM Document presentation format – PowerPoint PPT presentation

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Title: Library/Museum


1
  • Library/Museum
  • Collaboration in Detroit

2
Agenda
  • About your speakers
  • About WSU
  • About Detroit
  • About our projects

3
Introductions
  • Jeff Trzeciak
  • Associate Dean
  • Currently working on a PhD in Instructional
    Design
  • PI on many of the grants awarded to WSU.

4
Introductions
  • Shawn McCann
  • Web Librarian
  • Adjunct Instructor, Library and Information
    Science Program

5
Introductions
  • Matthew Martin
  • Digital Projects Librarian

6
About WSU
7
Introduction About WSU
  • Wayne State
  • Research Extensive
  • 2,700 faculty
  • 33,000 students
  • More than 350 programs with strengths in Law,
    Med, Business, Engineering, Nursing, Pharmacy,
    Education, Fine and Performing Arts
  • Two campuses in the heart of the Cultural Center,
    Detroit
  • Five extension centers

8
Introduction About WSU
  • University Libraries
  • 5 libraries (Law/Medicine)
  • Office for Teaching and Learning
  • Media Services (300 classrooms)
  • Open access labs (800 computers)
  • Advanced Computing Facility
  • Mathematics Lab

UGL 10,000 visitors/day
9
Introduction About WSU
  • Staff 194 (106 prof/88 support)
  • Blended librarians
  • IT Staff
  • Instructional Designers
  • Audio-Video Specialists
  • Multi-media Specialists

10
Introduction About WSU
  • Budget
  • Materials 7m (1st in on e)
  • Salaries 9.5m
  • 1 among ARLs in of materials budget expended
    on e-resources

11
Library and Information Science
  • Nearly 600 students
  • Instructional design emphasis
  • Digital project track (new)
  • Adjunct faculty (practitioners)

12
The Urban Lab
13
The Urban Lab
  • Detroit Public Library
  • Detroit Historical Museums
  • Detroit Institute of Arts
  • Science Museum
  • African American Museum
  • Childrens Museum
  • Detroit Symphony
  • Center for Creative Studies
  • Detroit Opera

14
The Urban Lab
  • Proximity lends itself to close collaboration
  • WSUs commitment to the community
  • WSU has close ties to a variety of institutions
  • K-12 Community
  • Cultural Heritage Organizations
  • City of Detroit

15
The Urban Lab
  • Our location provides unique opportunities for
    collaboration among libraries, archives, museums,
    and other cultural heritage organizations.

16
The Urban Lab
  • Three successful IMLS proposals in three years
    (2002, 2003, and 2004)
  • More than 1m in funding

17
The Urban Lab
  • 2002 Virtual Motor City
  • WSU Libraries
  • Reuther Archives
  • 16,000 images (selected from 800,000)
  • Detroit News photo morgue

18
The Urban Lab
  • 2003 Digital Dress
  • Collaboration with
  • WSU Libraries
  • Detroit Historical Museums
  • The Henry Ford
  • Meadow Brook Hall
  • 5,000 images

19
The Urban Lab
  • FUNDED 21st Century Digital Projects Librarians
  • Prepare LIS students for 21st century digital
    librarianship

20
The Urban Lab
  • Collaboration with
  • WSU Libraries
  • WSU Library and Information Science Program
  • WSU Reuther Archives
  • Detroit Public Library
  • Detroit Historical Museums
  • Michigan State University Libraries
  • The Henry Ford (Museum)

21
The Urban Lab
  • Students will rotate
  • Experience digital projects at
  • public library,
  • academic library,
  • archives,
  • museum

22
The Urban Lab
  • PROPOSAL 21st Century Fine and Performing Arts
    Librarians
  • Prepare LIS students for 21st century
    librarianship in cultural heritage institutions

23
The Urban Lab
  • Collaboration with
  • WSU Libraries,
  • Library and Information Science Program
  • Detroit Institute of Arts
  • Detroit Symphony
  • Michigan Opera

24
The Urban Lab
  • Students will be partnered with senior staff to
    gain valuable experiences in
  • Well-established art library (DIA)
  • Well-established music library (DSO)
  • Newly created library (MOT)

25
The Urban Lab
  • Proposal Design Detroit
  • Collaboration with
  • Detroit Historical Museums
  • Cranbrook
  • The Henry Ford
  • Images related to Detroits influence on 20th
    century design movements

26
The Urban Lab
  • And onand onand on
  • Kantrowitz images from the first US whole heart
    transplant
  • Herman Miller images from the Zeeland furniture
    manufacturer
  • Tony Spina Images from the Detroit Free Press
  • 2-D and 3-D objects (mostly in the fine,
    performing, creative arts photojournalism)

27
Introductions
  • Matthew Martin
  • Shawn McCann
  • Process
  • Martinizing the McCannical

28
Digital Dress 200 Years of Urban Style
  • A Model Web Portal for Library/Museum
    Collaboration

29
What Digital Dress Was Like
30
Presentation Outline
  • Project Background
  • Data and Data Issues
  • Images and Image Issues

31
Project Background
32
Dorthea June GrossbartCostume Collection
  • Costume Collection owned by the Fashion Design
    and Merchandizing Department at Wayne State
  • Contains 400 physical pieces
  • Pieces are from 19th and 20th centuries

33
Dorthea June GrossbartCostume Collection
  • Demonstration Project (January 2002)
  • 1st Digitization project
  • 360 images of approximately 80 pieces
  • Creation of Web accessible digital collection

34
Costume Collection Web Site
35
Dorthea June GrossbartCostume Collection
  • Learning Experience
  • Technology Acquisition
  • Digital Library eXtension Service (DLXS)
  • Sample Collection

36
Digital Dress
  • Combine costume collections from several
    institutions in Metro Detroit into one searchable
    Web accessible databases
  • Collections number more than 40,000 items from
    200 years of fashion (1800-2000)
  • IMLS 2003 National Leadership Grant for Museum
    and Library Collaboration
  • 2 year period and award of 249,443

37
Digital Dress Partners
  • Detroit Historical Museums
  • 30,000 items from a wide range of Detroit
    denizens
  • Henry Ford Museum
  • 10,000 pieces ranging from everyday dress to
    couture garments
  • Meadow Brook Hall
  • 500 pieces from Matilda Dodge Wilson and family

38
Digital Dress Partners
  • Wayne State University Library System
  • Charged with creating, structuring, maintaining
    the Web accessible collection
  • Wayne State University School of Fashion Design
    and Merchandizing
  • Contribute images from DJG Costume Collection
  • Faculty Members provide expertise and conduct
    testing

39
Digital Dress Goals
  • Build a unique resource that virtually unifies
    our collections and provides a new means of
    access while preserving the existing collections
  • Create a simple and powerful portal that promotes
    use of our multi-institutional collection
  • Serve as a model for library/museum collaborations

40
The Data
41
Metadata Sources
  • Data comes from a variety of sources
  • Detroit Historical Museums FoxPro database
  • Henry Ford Argus database
  • Meadow Brook Hall Paper Database (3x5 cards)

42
Data Issues
  • Integrating data from different sources
  • Partners do not use the same field names
  • Partners have different numbers of fields
  • Partners have different needs for searching

43
How Do We Make It Work?
  • ISSUE Integrating data from different sources

Solution Export data to a common format
44
How Do We Make It Work?
  • ISSUE Partners do not use the same field names
  • ISSUE Partners have different numbers of fields
  • ISSUE Partners have different needs for searching

SOLUTION Give each partner their own collection
45
How Do We Make it Unified?
  • DLXS allows for cross-collection searching
  • We establish common fields amongst the
    collections (read Dublin Core)
  • We use controlled vocabulary where possible for
    subject terms
  • Library of Congress Subject Headings
  • Getty Art and Architecture Thesaurus

46
Detroit Historical Collection Site
47
Henry Ford Collection Site
48
Meadow Brook Hall Collection Site
49
Search/Browse Results
50
Full-Image View
51
Description View
52
Unified Search Page
53
Work Flow (Data)
MB
DH
HF
Export data and add image filenames
WSU
Convert data to HTML tables and create Dublin
Core mappings
DLXS
Use DLXS to convert HTML to SGML, normalize, and
index
54
The Images
55
Image Standards
  • File Formats
  • TIF (uncompressed) - Archival image
  • JPG - Access Images (Web)
  • 100 pixel max dimension Thumbnail
  • 1500 pixel max dimension access image
  • JP2 (JPEG 2000) - through DLXS is used to create
    access jpgs on the fly for zooming and panning

56
Photography Standards
  • Professional Photographers
  • Neutral, plain backdrop
  • Dress forms
  • 6 megapixel digital camera (minimum)
  • At least 4 pictures per garment (front, side,
    back, 3/4 angle)

57
3/4 and Front Views
58
Side and Back Views
59
Detail Views
60
Label Views
61
Interior View
62
Workflow(images)
Photographers
WSU rep. downloads images to laptop, and renames
files
Tif Images copied to a storage array
WSU
At WSU batch process set up to create thumbnail
images and access images for DLXS
DLXS
63
Toys and Art
  • Detroit Historical Museum.
  • IMLS Grant recipients do the digitization and
    metadata creation.
  • Digital Video and Photography.
  • WSU Art Collection
  • Students work under guidance of the curator.
  • Still photography and QTVR.

64
Student Research
  • Metadata Standards.
  • Digital Image Formats and Standards.
  • Digital Video Standards.
  • QuickTime VR.
  • Digital Collection Software.

65
Training
Digital Photography Scanning Videography QTVR MacO
S
66
Digital Collecting
67
Digital Image Standards
  • Uncompressed TIFFs stored on Xserv.
  • JPEG 2000 will be used for display on the world
    wide web.
  • One file has the ability to be displayed at
    different sizes.

68
Digital Video Standards
  • QuickTime MPEG 4
  • MPEG-4 is an ISO/IEC standard developed by MPEG
    (Moving Picture Experts Group).
  • Flash Video FLV.
  • Proprietary.
  • Capturing objects that have motion and sound
    using a Sony HC 5 miniDV.
  • Continue testing different compression techniques
    including H.264, Sorenson, Real, WMV, and Flash
    video encoder

69
QTVR
  • Positives.
  • Free.
  • Modest demand on client side technology.
  • Dynamic, interactive presentation.
  • Negatives.
  • Detail can be lost.
  • Heavy demand on server.
  • Images can be warped and not to scale at all
    times.

70
QTVR
  • Recommendations.
  • Only use QTVR for objects that would benefit the
    user to see all sides.
  • Use QTVR in combination with traditional still
    images

71
Workflow
  • Pre production.
  • Prep art. Flat art attached to foam core.
  • Set camera for Raw image capture _at_ ISO 200
  • Post Production
  • RAW images are cropped, color corrected, and
    sharpened in PhotoShop.
  • Saved as archival TIFFs without compression.
  • TIFFs are stored on storage.lib.wayne.edu.
  • TIFFs are also used to convert JP2000s and Thumbs
    using Graphic Converter.

72
3D Objects
73
3D Objects
74
3D Objects Detail
75
3D Objects Detail
76
Delivery Options
77
Delivery Options
78
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