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Writing Analytically

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Title: Writing Analytically Author: Mrs. Tonya Merritt Last modified by: tmerritt Created Date: 6/8/2006 3:29:10 PM Document presentation format: On-screen Show (4:3) – PowerPoint PPT presentation

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Title: Writing Analytically


1
Writing Analytically
Presented by Tonya Merritt, NBCT Paul Laurence
Dunbar High School
  • From the fourth edition by David Rosenwasser
  • and Jill Stephen

2
Blooms Taxonomy
3
What is analysis?
  • Breaking a whole into its component parts
  • How do the parts (literary elements/devices)
    function?
  • How do the parts relate to each other?
  • Does this part fit into a larger pattern of
    behavior?
  • How do the parts of this sample compare to parts
    of that sample?

4
Analytical Assignments vs. Reports
  • Analytical Assignments
  • Authentic and curious audience
  • Authentic purpose identify and grapple with
    real issues to which there are no pre-determined
    right answers
  • Require real thinking to answer a question or
    solve a problem
  • Reports
  • General audience or teacher as audience
  • Predetermined or formulaic purpose
  • Encourage rote regurgitation of facts and
    accepted ideas

5
What is an Idea?
  • It answers a question it explains something or
    provides a way out of a difficulty in
    understanding something.
  • It may make explicit and explore the meaning of
    something implicit an unstated assumption or a
    logical consequence.
  • It may connect elements of a subject and explain
    the significance of that connection.
  • It often accounts for some dissonance.
  • It provides direction it helps you see what to
    do next.

(Rosenwasser 25)
6
Gathering Evidence
  1. Formulate a question you will try to answer about
    one aspect of the story.
  2. Re-read the story underlining words, phrases or
    passages that fit into the category you are
    exploring.
  3. Look for patterns in the data. Ask so what? How
    does this contribute to the whole story?
  4. Consider a range of plausible interpretations
    rather than assuming that there will be only one
    right answer.

(Rosenwasser 107)
7
Formulate a Thesis
  • Offer a theory about the meaning of evidence that
    would not have been immediately obvious to your
    readers.
  • Focus on an area of your subject that is open to
    opposing viewpoints or multiple interpretations.
  • Most effective theses contain tension, the
    balance of this against that, this degree with
    qualification. They are conceptually complex,
    and that is reflected in their grammatical shape
    often they begin with although or incorporate
    however.

(Rosenwasser 194)
8
Good Thesis vs. Bad Thesis
  • Good Thesis
  • Promotes thinking through discovery and depth
  • Reduces scope, allowing for depth
  • Contains tension, acknowledging opposing arguments
  • Bad Thesis
  • Promotes demonstration of the same idea with a
    range of evidence
  • Addresses a too-large idea, encouraging
    over-simplification
  • Assumes its validity

(Rosenwasser 164)
9
Writing the Introduction
  • Include all or some of the following, as
    appropriate for the papers purpose and
    disciplinary conventions.
  • Define the topic and state why it matters.
  • Provide necessary background or context.
  • Offer the working thesis (hypothesis) that the
    paper will develop.

(Rosenwasser 220)
10
The Body
  • Zoom in on a representative example, some smaller
    part (a passage, plot point, parallel, etc) of
    the larger pattern.
  • Argue for the examples representativeness and
    usefulness in coming to a better understanding of
    the subject.
  • Analyze the representative example, sharing your
    observations and conclusions.
  • Use complicating (refuting) evidence to refine
    your claims.
  • If organizing by order of importance, consider
    the second best reason or example first, the
    others in the middle, and the best last.

(Rosenwasser 160)
11
Integrating Quotations
  • Acknowledge sources in your text, not just in
    citations.
  • according to Marsh, blah blah ().
  • Splice quotations onto your own words.
  • Patrick Henrys famous phrase is one of the first
    that American schoolchildren memorize Give me
    liberty, or give me death.
  • Cite sources after quotations.
  • A recent article on the best selling albums in
    America claimed that Ever since Elvis, it has
    been pop musics job to challenge the mores of
    the older generation (Hornby 168).
  • Use ellipses to shorten quotations.
  • The album OK Computerpictured the onslaught of
    the information age and a young persons panicky
    embrace of it (Ross 85).
  • Use square brackets to alter or add information
    within a quote.
  • Popular music has always challenged the mores
    of the older generation, according to Nick
    Hornby (168).

(Rosenwasser 340-43)
12
Transitions
  • Long paragraphs are daunting rather like
    mountains are and they are easy to get lost in.
  • List-type organization (using transitions such as
    another and also) is overly loose, not
    identifying how this is related to that.
  • Precise transitions (such as similarly and by
    contrast) emphasize the relationships between
    sections of the paper.
  • A good transition reaches backward, telling where
    youve been, as the grounds for making a
    subsequent move forward.

(Rosenwassen 252)
13
Writing the Conclusion
  • Functions of a conclusion
  • Judgment
  • Culmination (Synthesis)
  • Send-off
  • Strategies for a conclusion
  • Pursue implications
  • Come full circle by interpreting results
  • Identify limitations

(Rosenwassen 229, 232)
14
Works Cited
  • Carey, Angela. Analytical Writing Instruction.
    http//www.education.ky.gov/KDE/InstructionalRes
    ources/HighSchool/EnglishLanguageArts. 03
    January 2006.
  • Rosenwasser, David and Jill Stephen.
  • Writing Analytically, fourth ed. Boston
  • Thomson Wadsworth, 2006.
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